Jazz

[Female vocalist], [Piano], [Lo-fi], [Indie], [Jazz], [Ambient] Voice: Deep, husky, soulful female voice with a slightly broken tone, intimate and emotional delivery, close to the microphone, smoky and very textured, Mood: Intimate, melancholic, stripped-down, late-night atmosphere, Instruments: fairly low acoustic solo piano, subtle room reverb, Tempo: Slow to mid-tempo, Language: [French], ‑upbeat pop, ‑clean studio polish, ‑high-pitched vocals, ‑orchestration, ‑heavy rythm section, ‑drums, ‑bass

Minimal jazz-blues with [piano], [double bass pizzicato], [subtle muted trumpet], [soft percussion brushes], Voice: very low, grainy, low, fragile, whispered, intimate, close mic, between spoken and sung, with a slight rasp and clear diction, Effects: [vinyl crackle], [room silence], natural lo-fi texture, Atmosphere contemplative, cinematic, restrained, creating tension through space and pauses, Slow tempo, hypnotic mood, evoking snow-covered sand, frozen sea, and ghostly shipwrecks, ‑operatic, ‑classic, ‑rock, ‑pop, ‑country, ‑bluegrass, ‑synth, ‑edm, ‑autotune, ‑heavy reverb, ‑upbeat rhythm, ‑commercial polish

Minimal, jazzy-tinged, low-register Wurlitzer only; micro-swing phrasing; mono, dry room; subtle worn-vinyl crackle loop; close-mic contralto (very low, raspy), slightly muffled/softened with clear proximity effect; breaths and consonants forward; no resonance; ~78 BPM, [instruments: Wurlitzer electric piano only] [arrangement: solo instrument, no rhythm section] [rhythm: no beat, no groove] [control: no drums, no percussion, no bass, no 808, no sub-bass] [tempo: 78 BPM] [vocals: contralto, low, dry, close, slight HF roll-off] [sfx: vinyl crackle, subtle, looped] [atmosphere: room tone, mono, dry], ‑Acoustic piano, ‑organs, ‑strings, ‑accordion, ‑guitars, ‑bass, ‑drums, ‑percussion, ‑cymbals, ‑handclaps, ‑synths, ‑pads, ‑arpeggiators, ‑brass, ‑woodwinds, ‑choirs, ‑backing vocals, ‑ad-libs, ‑delays, ‑chorus/flange/phaser, ‑big reverb, ‑heavy compression, ‑FX swells/risers, ‑tempo/key changes, ‑multi-track harmonies, ‑quantization, ‑swing rhythm sections or walking bass, ‑drums, ‑drum kit, ‑percussion, ‑kick, ‑snare, ‑hi-hat, ‑cymbals, ‑toms, ‑claps, ‑shakers, ‑tambourine, ‑bass, ‑bass guitar, ‑upright bass, ‑synth bass, ‑808, ‑sub-bass, ‑rhythm section, ‑high voice, ‑pop, ‑variety

Style: French Chanson, Avant-Garde Pop, Vocal Minimalism, Folk, [Key: B Minor, Rhythm: 5/4, Tempo: 100 BPM] Voice: Female vocalist with a wide, lyrical range and a distinctive, earthy timbre, Singing Style: Utilizes extensive vocal experimentation, layered polyphony, whispered textures, and sudden shifts to a powerful, direct chest voice, Incorporates human beatbox and percussive mouth sounds, Instrumentation: Minimal arrangement featuring clean, resonant acoustic guitar, a deep contrabass drone (bourdon), and subtle analog synthesizer loops, ‑Heavy Rock, ‑mainstream Dance-Pop, ‑EDM, ‑Trap, ‑overly processed R&B, ‑Loud drum kits, ‑distorted electric guitars, ‑excessive use of strings (violins, ‑cellos), ‑auto-tuned vocals, ‑Excessive reverb (must be dry and intimate), ‑heavy use of autotune or pitch correction, ‑generic sound effects (like applause or car horns), ‑Over-produced or dense arrangements, ‑cliché French accordion melodies (unless used subversively or minimally), ‑overly clean/sterile production (must sound organic, ‑with cracks in the voice)