Наталия Тараненко

Female low contralto vocal, husky, French accent, intimate close mic, strict contralto range only, no soprano, no shouting, no vocal runs, no humming, no vocalizing outside lyrics, no backing vocals, no group vocals, no vocal ensemble, no choir, only lead vocal, ABSOLUTELY NO other vocals; jazz, blues; melancholic, introspective, emotional; Rhodes piano, upright bass, brush drums, rich blues guitar, tenor sax (continuous from start of instrumental sections to end, especially outro), blues guitar and tenor sax in continuous solo dialogue with no pauses; slow tempo, 68-78 BPM; studio clean mix, warm analog tone, close mic, light reverb; NEGATIVE: group vocals, choir, vocal ensemble, backing vocals, additional vocals, humming, vocalizing without lyrics, soprano, shouting, vocal runs, crowd vocals, harmony vocals, layered vocals

Create a cover version of my original song, Keep everything exactly the same — melody, vocals, arrangement, tempo, key, and instrumentation — but replace the fade-out ending with a proper, definitive ending, The song should resolve naturally with a final chord and a clear stop, without any fade, No other changes

Acoustic ballad; philosophical, melancholic, introspective, subtle hope; slow tempo with expressive rubato; female contralto vocal, French accent, husky, intimate close mic, expressive phrasing, no soft vibrato, Russian language; solo acoustic guitar, highly virtuoso, intricate fingerstyle, complex arpeggios, fast melodic runs, rich harmonics, wide dynamic range, guitar dominates and fully fills arrangement; evolving melody each verse; clean studio recording, dry and detailed sound, no noise, no audience, no backing vocals; strong immediate guitar solo intro, extended instrumental solos between sections and outro

symphonic, neoclassical, anthem; freedom, lightness, flight, beauty, uplifting, emotional; female vocal, pure, breathy, natural; piano, full strings (violins, violas, cellos, double bass), solo violin, french horns, harp, very light orchestral percussion (timpani, cymbals); solo violin from first beats in all instrumental parts, leading melody; flowing, airy, expressive, dynamic build; medium tempo 95-110 BPM; no strong rhythm, no heavy beat, no repetitive percussion; clean studio, no electronic effects, vocal upfront

French female singer, low contralto, husky natural tone, controlled rasp accents, bold French accent, intimate close mic, expressive phrasing, no soft vibrato, strong character, smoky streetwise; Russian language vocal; must stay in contralto range, never shift to soprano; urban chanson, jazz ballad; melancholic, intimate, reflective, warm sadness; slow tempo 70 bpm, light swing; piano, double bass, brushed drums, muted trumpet, saxophone, soft pads; evolving melody each verse, beautiful and emotional; clean studio recording, no shouting, internal dynamics only; instrumental solos from the first bars in intro, solo, outro; cinematic atmospheric reverb, analog warmth

Waltz dance, melodic autumn mood; nostalgic, warm, slightly melancholic; female contralto vocal, intimate and dominant; solo viola as main instrumental voice, call and response with vocal, piano accompaniment only, strings ensemble, double bass, subtle clarinet, light brushes; 3/4 dance rhythm, moderate tempo 88 BPM, strong first beat; expressive melodic variations by verse; clean studio recording, high fidelity, balanced mix, vocal always upfront