9:24
Sermon of the Crimson Queen
v4.5-all
metal, Blackened death metal, mid–fast tempo, Buzzsaw tremolo guitars stacked in dissonant layers, ultra-scooped rhythm tone with shrieking leads above, Double-kick barrages lock with grinding bass; vocals switch between cavernous lows and piercing shrieks, Atmosphere built with ominous choirs, distant war drums, and eerie synths under verses; final chorus erupts in massive, reverb-drenched blasts, Male vocals, black death
3:55
Dreams Of The Devil’s Daughter
v4.5-all
metal, Blackened death metal with tremolo-picked dissonant guitars, relentless blast beats, and a snarling wall of bass, Verses sit in a frantic minor key blur; vocals alternate between guttural lows and searing highs, Chorus hits with half-time drums, layered gang screams, and a sinister octave riff, Bridge breaks into a slow, crushing stomp before snapping back into full-speed chaos, Male vocals, black death
5:33
God Of The Forsaken
v4.5-all
metal, Bleak blackened death with grind flashes: tremolo and dissonant chords over blast beats, double-kick surges into half-time stomps, Male vocals switch between cavernous growls and shrieked chants, Gothic organs and choirs swell in the intro and chorus, layered keyboards adding eerie atmosphere under a wall of grimy, detuned guitars, Chorus opens into a colossal, ritual feel before collapsing back into raw speed, black death, worship
4:24
The Summoning
v4.5-all
metal, Blackened death metal, cavernous production, downtuned tremolo guitars in dissonant intervals, relentless blasts and double-kick under guttural male vocals, Verses stay dense and claustrophobic with layered shrieks; chorus widens with octave leads and reverb-drenched chants, Subtle choirs and distant bells in breaks to keep it ritualistic and atmospheric, final section crashes into an extended double-time onslaught, black death
12:00
Rise of the Magus
v4.5-all
metal, Monolithic blackened death assault with dissonant tremolo guitars, downtuned chugs, and cavernous double-kick; male vocals switching between abyssal growls and tortured shrieks, Dense reverb and eerie choirs build a suffocating atmosphere, with slow, doom-laden passages that erupt into blast-driven climaxes, Subtle ritual percussion and distant choral pads creep in under the guitars to keep everything bleak, ritualistic, and oppressive, black death
5:24
Pyramids of Geezer
v4.5-all
metal, Epic atmospheric black metal with brooding gothic overtones; tremolo-picked minor-key guitars weave under dissonant open chords, blast beats shift into half-time stomps, and choirs of low male vocals drone beneath tortured high screams, Production leans cavernous and reverberant, with faint organ swells and distant war horns building to an ominous, monolithic climax, black metal
6:39
Lucifers Secret
v4.5-all
metal, Atmospheric blackened death metal with a gothic edge; mid-tempo, downtuned guitars on tremolo and chug patterns over a pulsing, hypnotic groove, Deep male growls double-tracked with distant shrieks; choirs and organ swell in the choruses, with reverb-drenched leads painting a cathedral-in-ruin atmosphere, Drums alternate blast passages and stomping, head-nod riffs; mix leans dark and spacious, letting dissonant chords and ominous bass rumble carry the weight, lilith, black death, groovy
4:39
Throne of the Eastern King
v4.5-all
metal, Blackened death metal, mid-to-fast tempo with tremolo-picked guitars, dissonant chord clusters, and relentless blast beats, Male vocals alternate cavernous growls and shrieked invocations; chorus opens into half-time, crushingly heavy with layered gang shouts and low choir pads, Occasional eerie lead lines and tolling bells between sections heighten the infernal, ritualistic atmosphere, death metal
5:11
Grief of the Guardian
v4.5-all
metal, Slow, tectonic blackened death metal: downtuned guitars dragging in mournful tremolo, cavernous growls with occasional distant choral screams, drums in a glacial stomp with bursts of double kick, Atmosphere thick with reverb-soaked minor-key leads and tolling bells; verses stay murky and suffocating, choruses open into haunting, melodic dissonance like a funeral chant, Male vocals, layers of low gutturals and anguished shrieks, ending on a long, fading sustain over ringing chords, slow, death metal
6:33
When My Eyes Betray Me
v4.5-all
metal, Blackened death metal, cavernous guitars soaked in reverb over tremolo-picked dissonant chords, blast beats dissolving into haunting half-time grooves; male vocals alternating between deep gutturals and distant shrieks, Atmosphere built with eerie choir pads, low drones, and reverse cymbals; verses suffocating and claustrophobic, chorus opens to a wide, reverb-drenched void, Ending collapses into a slow, crushing doom section with layered screams and fading feedback, sleep, death metal
7:08
Call To The Winter Witch
v4.5-all
metal, Bleak blackened death metal instrumental with icy tremolo riffs over droning low chords, double-kick surges that ebb like blizzards, and distant choral pads hinting at medieval chant; mid-tempo march that shifts into slow, crushing dirges with occasional lute-like clean guitar interludes and cathedral reverb for vast, frozen-hall atmosphere, death metal, medieval
3:26
Graveyard of Our Love
v4.5-all
metal, Blistering blackened death metal; tremolo-picked dissonant guitars over relentless blasting drums, bass grinding in unison, Male vocals: deep gutturals doubled with shrieked highs, Verses are tight and pummeling; chorus widens with half-time stomp and eerie choir pads under the main riff, Bridge drops to a crawling, doomed tempo with ringing chords, then surges back into a final, furious chorus, death metal
4:44
Hollow Harvest
v4.5-all
metal, Blackened death metal, male vocals, Slow, suffocating tempo with cavernous drums, chainsaw rhythm guitars, and dissonant tremolo clouds, Verses stay sparse and plodding; vocals alternate between deep gutturals and tortured high shrieks, Chorus widens with ominous choir pads and layered screams, cymbals washing over a dragging half-time groove, Guitars bend and detune at the ends of phrases like something rotting in real time, death metal, slow
4:14
Endless Waking Coma
v4.5-all
metal, Crushing blackened death metal; dissonant tremolo guitars over relentless blast beats and double-kick, Vocals shift between cavernous gutturals and piercing shrieks, Verses are claustrophobic and riff-driven; chorus opens slightly with a grim, chant-like hook, Sparse eerie guitar harmonics in the bridge, bass rumble gluing the low end for male vocals, black death
5:32
Leporsy of the Crown
v4.5-all
metal, Slow, dissonant blackened death metal: downtuned guitars in a crawling half-time stomp, tremolo riffs blooming out of crushing chords, cavernous male vocals alternating between abyssal growls and caustic shrieks, Sparse, ominous toms and a tank-like kick drive the verses; chorus widens with layered screams and droning chords, Occasional feedback swells and pinch harmonics for extra menace, bass glued to the guitars for a monolithic wall of sound, slow, black death
4:24
Creatures Of The Howling Hour
v4.5-all
metal, Blistering blackened death metal with male vocals; tremolo-picked guitars in dissonant minor keys over relentless blast beats and grinding double-kick, Verses are tight, snarled growls; chorus widens with layered screams and a stomping half-time feel, Occasional chromatic riff stabs and dissonant chords under a cavernous, reverb-soaked lead to paint a cold, predatory night, black death
3:58
Cracked Halo in Her Hands
v4.5-all
metal, Abyssal blackened death metal, male vocals switching from subterranean growls to tortured shrieks, Tremolo-picked minor riffs over relentless blast beats, then lurching half-time breakdowns with dissonant chords, Bass snarls beneath the guitars; sparse, distant choirs in the chorus to hint at warped devotion, Final section collapses into a crushing, slowed-down outro with layered screams, black death