4:53

4:22

Sound design and foley recording, A rhythmic heartbeat pulse repeats at 60 BPM through the whole song, The sound features a muffled, low-frequency thud followed by a slightly higher-pitched, resonant second beat, mimicking the lub-dub of a human heart, The recording has a dry, close-mic proximity with minimal room ambience, The low-end frequencies are prominent around 50-100Hz, with a soft roll-off in the high frequencies to simulate internal body acoustics, Use a real electrical bass and drumset, use a chello and acoustic guitar backing the sombre melancholic hopeful male vocal, ‑synthwave, ‑keyboard, ‑synth
3:09

Words our Ammo
v4.5+
Dark Roots Metal, meets glitch-rock-rap Numetal, Deep resonant male baritone switched from rap-speak to singing in verse and choruses showing a variety of awesome techniques and range
3:42

Metalcore, NuMetal, alternative metal, experimental metal, MetalCore soundwall background, in fitting areas
3:31

Happy (Remix)
v4.5+
Progressive meets glitch-rock-rap Numetal, Keep original Vocal timbre and range, but switched from rap-speak to singing in verse and choruses showing a variety of awesome techniques and range of style shifts, Song Starts with a saxophone + metal guitar rock intro, then the drums and vocals takes over in the start of the first verse, some guitar goloring groove notes and a driving bass fills the backdrop, The vocals increase in intensity towards the end of verses, varies from the groove slow poetic to the gritty driving distortion hooks
4:17

3:58

Progressive Trap-rap meets NuMetal and Modern Spirit_Core_doom_rock, The song starts with a serene serenade vowel intro, Song then introduces a deep husky seductive female vocalist with a resonant low to high range voice, with quality intricate backing vocal and a syncopated bass, The instrumentation includes a clean electric guitar playing arpeggiated metal chugging chords, a bass guitar providing a deep, sustained low end, and drums with a prominent kick and snare [Intro:Trap_rapmetal_layers_behind_distortion_guitar_coloring]
3:45

4:39

Metal-glitch-core remix of a former Post-progresive-metalHouse, GothTechno, ScreamCoreMetalEDM, Balearic Beat, Balearic New_GrindcoreTrance, RaveSludge track, A psychology themed Post-Prog Metal song, Keep a low register Dolby Atmos wide surround usage, Epic a mastering, varied bpm 82-165 bpm
taking everything to a whole new metal level, Stops and syncopation and Breakdowns all over the place here, ‑Balearic Trance
3:58

Bassguitar is dominant throughout, Keep instrumental intro, introduce syncopated drums in a 4/4 hidden rythm, From Verse: Bass vocals down an octave and add some synth layers with guitar chuggs and layed-back drifting riffs, add driving semi-distorted bassguitar, Modern post-metal, angelic drift to independently arranged vocal shifts to more distorted grit and pain towards end, Use real guitar sounds, avoid synth
2:39

Djent-Core meets Carl Orff in a nu-metal mood, Classical choir meets doomCore with a hint of Sonata

