mbalax, afro-pop, afrobeats
Turning other people's songs into sweet mbalax songs...will i make my own....prolly not, shifting other people's song is way funner and brings awareness to the genre...most humans will love the vocals
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6 songs
4:36
3:15
vocal: male lead, high tenor, bright and resonant, West African mbalax style, Senegalese vocal tradition, Wolof-influenced phrasing, intricate melisma, percussive rhythmic delivery, sabar-driven phrasing, call-and-response with backing vocals, expressive ornamentation, dynamic swells, subtle rasp, emotive and uplifting, energy, Afro-traditional vocal inflections
instruments: Sabar Drums, Talking Drums (Tama), bright Accoustic Guitar, Balafon, rhodes piano, talkbox w/ moog, keyboard connected to moog, style: polyrhythmic mbalax strong clean, nuanced and details in switching between leading the instrumentation and playing behind the instrumentation during highlights and vocal runs, ‑gypsy, ‑circus
3:47
vocal: male lead, high tenor, bright and resonant, West African mbalax style, Senegalese vocal tradition, Wolof-influenced phrasing, intricate melisma, percussive rhythmic delivery, sabar-driven phrasing, call-and-response with backing vocals, expressive ornamentation, dynamic swells, subtle rasp, emotive and uplifting, energy, Afro-traditional vocal inflections
instruments: Sabar Drums, Talking Drums (Tama), bright Accoustic Guitar, Balafon, rhodes piano, talkbox w/ moog, keyboard connected to moog, style: polyrhythmic mbalax strong clean, nuanced and details in switching between leading the instrumentation and playing behind the instrumentation during highlights and vocal runs, ‑gypsy, ‑circus
5:07
vocal: male lead, high tenor, bright and resonant, West African mbalax style, Senegalese vocal tradition, Wolof-influenced phrasing, intricate melisma, percussive rhythmic delivery, sabar-driven phrasing, call-and-response with backing vocals, expressive ornamentation, dynamic swells, subtle rasp, emotive and uplifting, energy, Afro-traditional vocal inflections
instruments: Sabar Drums, Talking Drums (Tama), bright Accoustic Guitar, Balafon, rhodes piano, talkbox w/ moog, keyboard connected to moog, style: polyrhythmic mbalax strong clean, nuanced and details in switching between leading the instrumentation and playing behind the instrumentation during highlights and vocal runs, ‑gypsy, ‑circus
4:16
vocal: male lead, high tenor, bright and resonant, West African mbalax style, Senegalese vocal tradition, Wolof-influenced phrasing, intricate melisma, percussive rhythmic delivery, sabar-driven phrasing, call-and-response with backing vocals, expressive ornamentation, dynamic swells, subtle rasp, emotive and uplifting, energy, Afro-traditional vocal inflections
instruments: Sabar Drums, Talking Drums (Tama), bright Accoustic Guitar, Balafon, rhodes piano, talkbox w/ moog, keyboard connected to moog, style: polyrhythmic mbalax strong clean, nuanced and details in switching between leading the instrumentation and playing behind the instrumentation during highlights and vocal runs, ‑gypsy, ‑circus
4:36
broken English, heavily fractured English, non-native English syntax, localized English accent, Senegalese-inflected English, extra broken vocal text, ‑gypsy, ‑circus