
Rob Baught -Next Life
The cyborg made to love a woman he never met so he'll protect her strongly. Meanwhile the memories of the one he loved (so much he died for her} still linger . This is the beginning of his Next Life
·
12 songs
2:32

Like We Used To
v5.5
R&B, alt pop, 124 BPM, whispered intro, sparse piano verse, sub-bass pulse, syncopated kick-snare, off-grid drum stabs, vocal chops, call-and-response hooks, wide stereo chorus, plate reverb, tape saturation, stacked harmonies, brass hits, string riser build, final chorus decrescendo, restrained triumph
3:47

Percussive, rhythm-forward track with syncopated beats, vocal chops, and stuttered textures, Minimalist but punchy drum design with creative hi-hat patterns, deep kicks, and off-grid snares, Melodic elements are often sparse but unique — using tuned percussive synths, detuned keys, or vocal-based instrumentation to create an abstract groove, Vocal delivery is rhythmic, confident, and conversational, with layered harmonies, call-and-response, and occasional pitch-shifted ad-libs, The track emphasizes bounce, space, and tension — designed to feel futuristic yet organic, Basslines are tight and often broken into rhythmic fragments that play against the drum pocket, Ideal for hip-hop, R&B, or pop crossover with an experimental edge, Head-nodding, hypnotic, and unmistakably groove-based, The production balances minimal textures with maximal rhythm
3:39

Go
v5.5
Percussive, rhythm-forward track with syncopated beats, vocal chops, and stuttered textures, Minimalist but punchy drum design with creative hi-hat patterns, deep kicks, and off-grid snares, Melodic elements are often sparse but unique — using tuned percussive synths, detuned keys, or vocal-based instrumentation to create an abstract groove, Vocal delivery is rhythmic, confident, and conversational, with layered harmonies, call-and-response, and occasional pitch-shifted ad-libs, The track emphasizes bounce, space, and tension — designed to feel futuristic yet organic, Basslines are tight and often broken into rhythmic fragments that play against the drum pocket, Ideal for hip-hop, R&B, or pop crossover with an experimental edge, Head-nodding, hypnotic, and unmistakably groove-based, The production balances minimal textures with maximal rhythm
3:49

Sweet Venom
v5.5
Percussive, rhythm-forward track with syncopated beats, vocal chops, and stuttered textures, Minimalist but punchy drum design with creative hi-hat patterns, deep kicks, and off-grid snares, Melodic elements are often sparse but unique — using tuned percussive synths, detuned keys, or vocal-based instrumentation to create an abstract groove, Vocal delivery is rhythmic, confident, and conversational, with layered harmonies, call-and-response, and occasional pitch-shifted ad-libs, The track emphasizes bounce, space, and tension — designed to feel futuristic yet organic, Basslines are tight and often broken into rhythmic fragments that play against the drum pocket, Ideal for hip-hop, R&B, or pop crossover with an experimental edge, Head-nodding, hypnotic, and unmistakably groove-based, The production balances minimal textures with maximal rhythm
3:03

Futuristic RnB, alternative rock, chamber soul, 92 BPM, hip hop cadences, erhu motifs, harp harmonics, violin glissandi, pizzicato cello, upright bass thumps, wah-wah guitar, electric bass drones, 808 sub-bass, live drum kit, 5/7 tempo, use fifth and 7th chords, asymmetrical phrasing, spring reverb, wide stereo pan, mysterious inquiry, 4 minute arc, ‑percussion, ‑piano, ‑sfx
4:11

Worth Dying 4
v5.5
erotic, obsessive, sexual, sensual, futuristic RnB, male vocals, the singer is singing about the woman he is obsessed with sexually, the song should use a 3-5-7 stroke method 3 short strokes then deep, 5 short strokes then deep, etc, it should have in and out up and down vibes, let the bass be nasty like the rain, the guitars, a palm muted electric, and a wah wah, the guitars should sound like they cross the line, a synth for the piano, and samples of moans of pleasure, the sound should have wide proper spacings have a great engineering mix like a studio mastered production, this will be a top radio piece that still touches the line as being adult themed, but stay without a parental advisor, y caution, it should be a top Modern RnB, Pop hit, the song should arc over 3 minutes and like a sexual encounter grow, pace explode, climax and release
3:07

Show Me The Way
v5.5
modern R&B, hip hop, bass guitar riffs, synth riffs, detuned keys, deep kick fragments, tuned hand percussion, ancient frame drums, dub delay throws, analog tape saturation, stereo pan design, bass-led melody, stuttered vocal chops, call-and-response hooks, anxious uncertainty, head nodding bounce, 94 BPM, verse chorus lift, syncopated breakbeats
3:28

erotic R&B, modern R&B, 92 BPM, male falsetto croon, whispered ad-libs, gayageum lead plucks, geomungo bass ostinato, haegeum distortion lead, ajaeng slide phrasing, gonghu arpeggios, saenghwang pad drones, janggu syncopation, buk low thumps, kkwaenggwari accents, jing downbeats, stereo mastering, candlelit intimacy, sultry dominance, slow-burn release
2:37

Mercury
v5.5
k-pop, club R&B, 102 BPM, hand-beat percussion, rimshot clap stack, rubbery sub bass, gated snare, chopped bus horn SFX, detuned synth stabs, whispered intro, stacked harmonies, call-and-response hook, hook-heavy chorus, pre-chorus lift, radio edit drop, 2000s club mix, neon-night urgency, chart-ready anthem
3:39

Made to Love You
v5.5
neo soul, confessional R&B, sparse intro, acoustic guitar fingerstyle, velvet backup harmonies, soft jazz drums, brushed snare ghost notes, warm piano chords, harp accents, violin bridge swell, plate reverb, hi-fi studio mix, tight low mids, call and response chorus, gradual build, climactic vocal belt, decrescendo outro, bittersweet devotion, 72 BPM, swung backbeat
3:59

neo soul, modern R&B, classic R&B, 74 BPM, falsetto lead vocals, whispered ad-libs, haegeum countermelody, gayageum plucks, piri drones, wah-wah guitar, slide electric guitar, rubbery sub bass, swung hip hop drums, tight snare crack, dry close-mic room, bathroom ambience, plate reverb, hard stereo panning, climactic breakdown, a cappella pause
3:31

Transition
v5.5
modern R&B, hip hop, LA club energy, spoken intro, minimalist hook chant, chopped vocal ad-libs, rubbery sub bass, off-grid snare pattern, crisp hi-hats, distorted synth riffs, funk guitar stabs, EDM riser build, festival drop, plate reverb, sidechain pumping, stereo widening, high-end mastering, celebration mood, transition breakbeat, 128 BPM, ‑no crowd noise, ‑no crowd noise

