3:29

Ticket on Glass
v5.5
indie folk, folk-pop, 92 BPM, fingerpicked acoustic guitar, brushed snare, upright bass, mandolin tremolo, harmonium drone, slide guitar harmonics, room mic intimacy, tape saturation, plate reverb, analog compression, wistful resolve, sparse verse drops, lifted chorus, swung eighths
3:00

dubstep, metalcore, 150 BPM, distorted 808 kicks, drop-tuned guitars, chugging palm mutes, aggressive synth stabs, growled ad libs, gated reverb snare, tape saturation, sidechain pumping, halftime breakdown, call and response hooks, minor key, industrial textures, dense low end, festival breakdown, anxious urgency
2:57

Silver Linings
v5.5
horrorcore rap, EDM influence, sped up EDM samples, grimy trap drums, distorted 808 sub, stuttered vocal chops, dark synth stabs, minor key piano, horror string hits, sidechain pumping, tape saturation, gated reverb snare, 140 BPM, double-time hi-hats, aggressive energy, cathartic release, symphonic builds
2:03

horrorcore rap, Memphis rap influence, 90 BPM, dark minor key, low-register rap, shouted ad-libs, chopped 808 sub, distorted kick drums, eerie synth stabs, church organ hits, tape saturation, slapback delay, mono drum mix, halftime trap groove, abrupt cold open, maximal density, vintage 90s texture, feral intensity
2:59

0:32

2:32

Self Success
v5.5
Horror core rap, 808 bass, [bass boosted] with light metal influences, ‑Dubstep, ‑EDM
4:49

sad blues, [harmonica harmonized to vocals], minor key guitar, bent note phrasing, bottleneck slide guitar, upright bass pulse, brushed snare, low register piano, room mic bleed, tape saturation, spring reverb, sparse verse drops, call and response hooks, slow shuffle groove, 78 BPM, grim resolve, dark intimacy
0:59

commercial jingle, major key, 96 BPM, synth bass, gated reverb snare, sparse major key electric piano, major-key brass punches, call and response hooks, spoken ad-libs, playfulness
0:49

commercial jingle, major key, 96 BPM, synth bass, gated reverb snare, chopped vocal stabs, major-key brass punches, call and response hooks, spoken ad-libs, playfulness
2:06

Infinite Line
v5.5
Traditional Jamaican Reggae, male vocals with heavy Jamaican accent harsh voice
3:19

1960s jazz, modal jazz, tenor sax improvisation, muted trumpet comping, upright bass walking lines, brushed snare ride pattern, vibraphone chords, Fender Rhodes voicings, tape saturation, room mic ambience, breakneck tempo, swinging 16ths, free-verse energy, up beat
3:01

Drank too much
v5.5
horrorcore rap, Memphis rap, light metal influences, (double time rap), bathroom room tone, tape saturation, (bass boosted) distorted 808 kicks, minor key piano stabs, gated reverb snare, detuned synth bass, chopped vocal stabs, stereo delay throws, dry close mics, claustrophobic mix, dark bounce, frantic menace, 156 BPM, sparse verse drops, half-time chorus
0:54

My message
v5.5
[Speech] [Spoken Word] [Male Solo Voice] [No Instruments] [Acapella] [Monologue] [Dry Vocal]
4:24

1:37

Burying my hit
v5.5
Midwest chopper rap, contemporary R&B, fast-paced double-time flow, smooth soulful vocals, rapid-fire delivery, cinematic dark r&b, 130 BPM
2:25

Scratchy male soprano style vocals, Dirty South underground hip hop, gritty organic neo-soul, 2000s Dungeon Family vibe, live funky bassline, dusty MPC drums, double-time hi-hats, expressive soulful male belt, vinyl crackle, southern drawl, bluesy
3:35

Going Beyond
v5.5
nu-metal, heavy bass-boosted, 2 male vocalists, aggressive dueling vocals, bipolar vocal energy, heavy breakdown, screaming, 120 bpm, explicit



