9:57

Burn the churches
v4.5+
Medieval troubadour canso turns into norvegian black metal, (14th century medieval instruments : vielle, hurdy-gurdy, rebec, lute, shawm, cornett, tabor, nakers, bells, and portative organ), (post black metal : low growl norvegian accent singer, destroyed quality relentless alternate picking and double bassdrum kick, progressive implement of typical style markers)
4:39

Piano ballad, female emotional drunk singing, contralto, serbian accent, deal with the devil, sorrow and willpower expressed, brushed jazzy drums, live concert mixing, ‑gentle, ‑opera, ‑lyrical, ‑studio, ‑pop, ‑scream, ‑american
4:08

A heavy metal track in a minor key, featuring a fast tempo and distorted guitars, The song opens with a sustained, high-pitched guitar feedback, followed by a driving drum beat with prominent double bass drumming, The main guitar riff is fast and aggressive, characterized by palm-muted power chords, The bass guitar follows the guitar riff, providing a deep, resonant foundation, The vocals are harsh and guttural, delivered in a low register with a raw, unpolished quality, The song structure includes distinct verse and chorus sections, with instrumental breaks showcasing guitar solos that are fast and technical, incorporating tremolo picking and dive bombs, Production elements include heavy distortion on guitars and bass, a tight and punchy drum mix, and a raw, uncompressed vocal sound, The overall mood is dark and intense
3:31

Morning star
v4.5+
norvegian black metal, baryton medieval french unearthed troubadour, guitar extremely high in the mix, amateur record sound quality, demo record, vocals very low under guitar in the mix, relentless double bass drum kicks, cathedral reverb, (background : church organ, orchestral choir)
5:09

Consciousness
v4.5+
Norvegian black metal, black metal saturated guitar, drone, church reverb, angelic choir, bruning your soul, unearthed feminine gravelly singeress with alternate between chest voice and head voice, whole angelic choir backing her, cello, electric bass drone, drum dynamic from total silence to double bass drum blasts
5:44

Norvegian black metal song, female singeress as the demonic victim, horrific choir as word of the oppressive unforgiving God, church organ, church reverb, full religious choir with diminished chords + dissonant harmonies
4:10

Entombed
v4.5+
Norvegian black metal, black metal, unearthed troubadour singers, church reverb, dead singers, from another wolrd of nightmare, double bass drum, drum blasts, 90's, Digging in the dirt, Cello and contrabass backing the alternate picking saturated guitar, viola solo, dark piano in church reverb, distorted basslines, ‑joy, ‑happy, ‑upbeat, ‑feel good
5:34

Norvegian black metal, black metal unearthed troubadours male and female, alternate picking saturated guitar, electric alternate picking bass, cycles of broken half rhythms and double bass drum blasts, alternating calm and pressure, agonizing until total breakdown, church reverb, harspichord intro and solos, cello and viola lead in full modern orchestra
5:06

Blackened deathcore, post norvegian black metal, unearthed troubadour black metal singer, mourning call, slow guitar, story telling, 90's oldschool, glitchore, singularity sounds, impossible artificial FX


