3:19

Stripped-back German indie piece with only guitar, soft ambient pads, and distant percussion, A single voice — tender, cracked, and honest — floats through poetic verses about time, silence, and meaning, Each note feels like a breath between questions; each pause, an act of surrender
3:17

German indie-pop ballad with driving acoustic rhythm, lush reverb, and percussive heartbeat, Raspy, expressive male vocals rise from whisper to full cry — raw emotion meets reflective lyricism, A modern hymn about chasing meaning and finding peace within the chaos
3:54

male vocals, rich, ballad, emotional, light, soulful, tone, vintage ballad with intimate acoustic guitar and soulful male vocals, natural, deep, gentle, warm, acoustic, slow
5:07

Create a Bulgarian-style women’s polyphonic choral piece in D minor, tempo slow and free (60–66 BPM, rubato), titled “The Sacred Scroll, ”
Mood: sacred, haunting, ritualistic — ancient devotion meeting modern machines, Instrumentation: women’s choir (open-throat timbre, 6–8 voices), distant church bell or hand drum, soft drone of harmonium or low synth, and faint metallic digital hum under the harmonics, Harmony: tight dissonant cluster chords, strong modal tension (Phrygian or Dorian feel), Structure: refrain-like repetition of main phrases; heterophonic overlap of melodic lines; occasional solo voice emerging like a prophet, Dynamics: slow ebb and flow, as if voices breathe with the earth; no steady beat—organic, shifting pulse, Mix: wide stereo field; voices dry and close, reverb only from natural “cathedral” space; faint background of digital noise (as if holiness is glitching), End with a unison drone fading into silence on the line: “Next stop: Progress, End of Line, ”
5:07

English soul-jazz ballad titled “The Museum of Us”, Tempo 74 BPM, key F minor, Style: slow swing jazz trio with warm intimacy, Instruments: acoustic piano with soft jazz voicings, upright bass with subtle walking lines, brushed drums, light muted trumpet fills, Lead vocal: deep male baritone, velvety tone, expressive but restrained phrasing, gentle vibrato, slight rasp, close-mic intimacy, Dynamics: low and calm in verses, emotional lift in chorus, tender fade at end, Structure: [Intro – solo piano] [Verse 1 – piano + voice] [Chorus – bass and brushes join] [Verse 2 – trio builds warmth] [Bridge – short piano solo] [Final Chorus – emotional and quiet, fade on piano], Mood: nostalgic, romantic, late-night jazz club feel, Message: love as memory, preserved like art — beautiful, distant, eternal
4:19

Warm, intimate acoustic pop with a slow, steady heartbeat rhythm, Soft percussive guitar, gentle fingerpicking, light palm-muted groove, Male vocal: clear, tender, youthful, slightly breathy, emotional, and subtly raspy on the higher notes, Smooth British-leaning diction, expressive runs, and a conversational flow that feels close to the microphone, Keep the tempo relaxed, reflective, and poetic — not rushed, not upbeat, but steadily moving forward like a quiet late-night drive, Add deep, warm acoustic layers, soft bass swells, minimal brush percussion, and sparse claps only as accents, The chorus should bloom with rich harmonies and a wider melodic lift, but still remain grounded, soulful, and intimate, Reverb should be soft and cinematic, creating space without overpowering the voice, Mood: peaceful, nostalgic, wandering, deeply emotional, Ending should fade with lingering guitar and gentle ambience, like the road continuing beyond the horizon
6:19

Raw Appalachian folk song with driving acoustic guitar, open-string picking, and steady foot-stomp rhythm, Male vocal with a rough, soulful rasp, high Appalachian twang, strong chest voice, emotional grit, strained edge on long notes, storytelling delivery, Lyrics should feel like caution, memory, and hard-earned wisdom, Minimal production: dry vocal, intimate mic, room tone, subtle reverb, no drums except natural foot stomp, Melody mournful but powerful, rising in the chorus, Harmonica or fiddle accents optional and sparse, Tone should feel like rural mountains, family warnings, dust, and aching honesty, Gritty, heartfelt, haunting, simple, and human, Authentic acoustic energy with strong dynamic phrasing
3:21

“Dark, groovy modern pop with a hypnotic low-tempo pulse, Deep sub-bass, crisp trap drums, muted electric guitar stabs, Male vocal with a distinct Northern UK accent: flattened vowels, softened t’s (‘beh-ah’, ‘sih-ee’), near-dropped r’s (‘fah’, ‘heah’), short open a’s (‘man’, ‘back’), and conversational swagger, Slight nasal brightness, dry wit, half-sung half-spoken, storytelling cadence, Emotional tone: cool, intimate, sly, Chorus becomes warmer and more melodic with lightly rolled r’s and airy harmonies, Include reversed vocal swells, atmospheric pads, light distortion textures, and glitchy risers, Theme: resisting temptation but being pulled back into someone’s orbit, Clean, modern mix with deep stereo field, Bridge drops to near-silence with whispered Northern-accent ad-libs before final punchy chorus, ”
3:16

“Dark, groovy modern pop with a hypnotic low-tempo pulse, Deep sub-bass, crisp trap drums, muted electric guitar stabs, Male vocal with a distinct Northern UK accent: flattened vowels, softened t’s (‘beh-ah’, ‘sih-ee’), near-dropped r’s (‘fah’, ‘heah’), short open a’s (‘man’, ‘back’), and conversational swagger, Slight nasal brightness, dry wit, half-sung half-spoken, storytelling cadence, Emotional tone: cool, intimate, sly, Chorus becomes warmer and more melodic with lightly rolled r’s and airy harmonies, Include reversed vocal swells, atmospheric pads, light distortion textures, and glitchy risers, Theme: resisting temptation but being pulled back into someone’s orbit, Clean, modern mix with deep stereo field, Bridge drops to near-silence with whispered Northern-accent ad-libs before final punchy chorus, ”
4:43

Warm, intimate acoustic pop with a slow, steady heartbeat rhythm, Soft percussive guitar, gentle fingerpicking, light palm-muted groove, Male vocal: clear, tender, youthful, slightly breathy, emotional, and subtly raspy on the higher notes, Smooth British-leaning diction, expressive runs, and a conversational flow that feels close to the microphone, Keep the tempo relaxed, reflective, and poetic — not rushed, not upbeat, but steadily moving forward like a quiet late-night drive, Add deep, warm acoustic layers, soft bass swells, minimal brush percussion, and sparse claps only as accents, The chorus should bloom with rich harmonies and a wider melodic lift, but still remain grounded, soulful, and intimate, Reverb should be soft and cinematic, creating space without overpowering the voice, Mood: peaceful, nostalgic, wandering, deeply emotional, Ending should fade with lingering guitar and gentle ambience, like the road continuing beyond the horizon
4:14

(fast British art-rap + melodic chorus)
(Modern UK art-rap monologue blending dark spoken word with fast rap verses and soulful choruses, Voices: Thomas – emotional British baritone; Inner Voice – distorted, panned, taunting; Narrator – soft, reflective, Sparse acoustic guitar, gritty hip-hop beat, atmospheric pads, Raw, confessional, cinematic, Tempo ≈ 95 BPM, Mood: tense → cathartic → calm, )
Verses = fast British rap alternating between Thomas and his Inner Voice, sharp rhyme and breathless flow, Chorus = melodic, soulful singing with layered harmonies, End = soft spoken outro fading into acoustic reflection, Energy rises from quiet tension to explosive climax, then falls into peace, Style keywords: Ren-like storytelling, UK spoken-word realism, confessional, raw, dynamic delivery, contrasting voices, emotional redemption







