1:50
Dispensary Poison
v4.5-all
Raw punk with razor-edged distorted power chords, rapid downstroke guitar attack, and driving bass locked to a frantic four-on-the-floor kick, Snare cracks hard with loose room bleed, shouted vocals pushed through saturation and slapback delay, gang chants on the hook, and a tense, aggressive mix with clipped transients and lo-fi edge
2:21
Dear Eliza
v4.5-all
Hardcore punk with sassy, witty attitude and a Black Flag-inspired raw bite, Fast blown-out guitars, tense basslines, and frantic drums drive a precarious, on-edge mix, Wild young male vocals are rough, cocky, and paranoid, with ragged shouted phrasing, gang chants, and half-volume emotional peak tension
2:55
All the Bullies Named Jake
v4.5-all
Experimental spoken-word intro into raw hardcore punk with fast clipped vocal delivery, jangly electric guitar, wobbling pitch-bent lead lines, and off-filter amp tone, Offbeat drum patterns, snappy snare, driving kick, and abrasive crash accents keep it urgent, loose, and deceptively simple
3:22
Live For Tonight
v4.5-all
80s punk-glam metal in a raw live-room take: hooky power-chord riff, twin harmonized leads, killer bassline locked to punchy kick/snare, live drums with crunchy overdrive and room bleed, Raunchier with sleazy gang vocals, pinch harmonics, bends, slides, tape saturation, slapback delay, and a loose-but-tight, angry-fun performance
2:35
Let Me In (Same Old Shit)
v4.5-all
Lo-fi alternative garage punk with crunchy fuzz guitars, dry snapped snare, rough live-room drum bleed, and a rattling bassline locked to an edgy groove, Off-kilter vocal hooks, tape hiss, slight amp buzz, and clipped downbeat accents keep every bar punchy and witty, with raw mono texture and abrupt stop-start dynamics
3:02
PPWCNR (A Dirty Outro)
v4.5-all
Raw hardcore punk outro, no harmonies or polish: blown-out distorted guitars, buzzing bass, and reckless fast drumming with sloppy snare cracks and gang shouts, Mostly shouted/talked ad-libs over a chaotic, joke-filled breakdown, with abrupt stop-start edits, feedback screech, tape hiss, and ugly room bleed, Live
1:13
Frenzied high-BPM hardcore punk with a biting, overdriven guitar tone and hyper-aggressive downstroke riffs, Drums are explosive and forward, with rapid-fire kick-snare barrages, crashing cymbals, and tight, punchy fills that never let up, Vocals are raw and confrontational, pushed into gritty saturation with gang-shouted responses and sharp, snarling phrases, Bass is distorted and locked to the guitar in a dense, mid-heavy wall of sound that feels claustrophobic and urgent, Occasional feedback squeals, pick scrapes, and sudden choke stops add tension and attitude, delivering a harder-edged, vein-popping stage energy
3:24
Raucous boozy pub-room punk, mid-tempo stomp with slammed acoustic and overdriven electric guitars, shouted gang vocals on every hook, pounding kick-and-floor-tom groove, clattering snare, thick unison bass, crowd-singalong “whoa-oh”s, beer-soaked room ambience, sloppy-locked but driving feel, raw tape saturation, gritty barroom reverb, anthemic chant-along energy
2:59
Fast hardcore punk at 190 BPM with raw, dry guitars, overdriven bass, and cracked snare hits, fused with reggae ska punk offbeat upstrokes and skanking guitar chops, Tight stop-start breaks, shouted gang vocals, slapback delay, and a punchy 3-minute arrangement built for satire and punchline impact