The Leftovers Passed Around

This is a Dark Dream Pop/Darkwave electronic ballad, a track embodying a mood of intimate, melancholic devastation, Its primary influence is the sound of a confession in a vast, haunted industrial space, The core sound is built on warm, sparse electronics: a deep sub-bass kick, a felted electric piano with vintage delay, and blooming supersaw pads, These elements are contrasted by cold, industrial samples of distant tolling bells and sharp anvil strikes, creating a disorienting yet immersive 3D soundscape, The centerpiece is the female vocalist, whose performance is defined by its cracked, vulnerable, and breaking quality, with a close-mic'd intimacy that captures every fragile detail, The song's structure follows an emotional de-escalation, stripping layers away with each chorus until it disintegrates into a whisper, glitching echoes, and a final, haunting bell toll, Cover by Amanda Magellan of the original song by The Leftovers

This is an instrumental track with a spoken stage monologue Intro, This track is a live-broadcast tribute recording, salvaged from a busted console at the back of a warehouse show, It fuses lo-fi garage-punk with aggressive garage rock distortion, reel-based tape artifacts, and layered analog atmospheres, Distorted crowd noise, room reverb, amp hiss, and mic bleed anchor the track in physical space, The live drums are riot-taught, the guitars burn with overdriven grief, and the reel-glitch “Memory Artifact” punctuates the track like a scar repeating its story, N/0/LL overlays ethereal feedback pads and reverb-drenched drone layers — creating a ritualistic aura that surrounds the crowd, There’s no studio here, Just walls, noise, memory, and tribute

Style: ‘80s punk meets ‘90s shoegaze/alt-rock Tempo: mid-slow burn, sultry but seething Mood: defiant, seductive, underground glam

dream pop, indie pop, big chorus, guitars, soft female vocals, ethereal, melancholic yet upbeat, lush synths, shimmering guitars, gentle drums, warm bass, subtle echoes, nostalgic, bittersweet, floating vocals, dreamy, emotional but soothing, background singers, storytelling, powerful

Long live opening before the song starts, Long live female lead singer banter intro, circle pit, violent and energic song, crowd on fire, Live band, crowd cheering, crowd singing, crowd sing-along, live performance, Powerful, energic, powerful live guitar rythm, Raw Viking Folk Punk Rock with live ritual energy, Fast punk drums with sharp hi-hats, punchy kicks, and dry breaks, Fuzzy, distorted bass driving the rhythm, Gritty power-chord guitar riffs, occasionally layered with Nordic folk harmonies, Integrate tagelharpa or nyckelharpa drones and Nordic flutes in intros and bridges, Female lead vocals: aggressive, syncopated, part punk shout, part epic chant, Refrains are anthemic with crowd-style multi-layered chants (female/male), Tribal drums emphasize ritual energy, Include live room reverb, crowd screams, Swedish shout-backs, and stomped beats from the floor, Dirty mix, with mic bleed and crowd “hey! hey!” moments, Feels like a raging pagan punk ritual in a smoky wooden hall

Reprise live garage punk rock de Third Line Boy, jouée en milieu de set, quand le public et le groupe sont en plein rush d'adrénaline, voix féminine criée (Drakzia), urgente, brute et punk, tempo rapide, guitares saturées et précises, batterie déchaînée, violons virtuoses, foule bruyante, acclamations, chants, réponses criées, reprise en chœur du refrain, sifflements, intro parlée et cri au milieu du morceau par Drakzia pour chauffer la foule, enregistré dans un club moite, bondé de vrais croyants et de punks, langue: français, thèmes: persévérance, identité, fierté de l’outsider

The song is a female-fronted indie pop track with a melancholic yet resilient tone, The instrumentation primarily features a clean electric guitar playing arpeggiated chords, a subtle bass guitar providing a rhythmic foundation, and a drum kit with a soft, brushed snare sound, The tempo is slow, creating a contemplative atmosphere, The female vocalist has a clear, slightly breathy quality, delivering the melody with a sense of vulnerability and strength, The chord progression is largely diatonic, contributing to the accessible and somewhat wistful feel, Production elements include a moderate amount of reverb on the vocals and guitar, giving the track an ethereal quality, The song structure follows a typical verse-chorus format with a bridge and outro, The melody is memorable and flows smoothly over the instrumental backing, The overall mix is clean and balanced, allowing each instrument and the vocals to be distinctly heard

Male vocals, new lyrics, garage punk, snotty raw male vocals, distorted guitars, heavy bass, pounding drums, muffled sound

raw British male voice, British accent, intense, minimalist acoustic music, melodic, melancholic, British indie pop, alternative rock, acoustic guitar, bittersweet, emotional, raw, unpolished, bittersweet

Audiophile 2025 remaster, post-grunge cyber-flamenco doom rock fusion, Virtuosic flamenco guitar(3-5 kHz, rasgueado, slap-back delay 100ms, subtle distortion) leads, emotive Cobain-inspired vocals(1-2 kHz, angelic vibrato, reverb 50ms) soar, Fretless bass(80-200 Hz, Ampeg SVT saturation, sidechain -6dB) pulses, thunderous Bonham drums(kick 90-110 Hz, cymbales 12-16 kHz, parallel compression), Ozzy-inspired heaviness, palmas-cajón(50% L/R), strings(holographic panning), ambient crowd noise(70% L/R), Dynamic 80-90 bpm, AI spectral unmixing, neural EQ, MQA+ mastering, -14 LUFS, mono-compatible, cinematic doom odyssey

Acoustic surf punk, ukulele, broken raspy cracked female voice, throat fry, screaming, hardcore, fast, chaos, crusty, drunk, slurry

Live performance of a powerful modern female punk-rock act with explosive distorted electric guitars, fast punchy drums, gritty bass lines, and a wild charismatic female lead mixing high-pitched melodic singing and harsh screams, Audience is fully engaged, chanting her name “Drakzia!”, clapping in rhythm, and shouting back rebellious slogans on cue The mood is rebellious, dark but playful, mixing riot energy and teasing provocation, inspired by The Distillers, Joan Jett, and modern alternative punk Mid-show, the crowd goes wild during unexpected breakdowns, guitar solos, and call-and-response moments “Are you ready?” — “YEAH!” Include a WTF interlude where the music suddenly shifts to absurd cabaret or circus-punk before exploding back into high-speed punk fury Raw analog live sound, no autotune, sweaty club atmosphere, the band pushing the tempo faster as the crowd sings the hook louder than the singer, ending on a chaotic, euphoric crescendo with the audience screaming the last line

slow tempo, powerful, funky, groovy, 808s bass, hypnotic lingering voices, shamanistic mantras, avantgarde, fat bottne, mesmerizing, modulating, rebellious, freedom, industrial

Sublime Long Beach California 1995 era, reggae, ska, hip hop, turntable scratching, Chicago blues, electric guitar, piano, slow walking bass, smoky late-night feel, solo guitar

Hardcore punk, harsh male vocals

cracked, intimate, half-whispered male voice, strong Scottish accent, slow tempo indie ballad, lofi, simple chordprogression, fingeringpicking acoustic guitar, minimal drums, intimate, sweet, somewhat melancholic, pure, ‑No glossy production, ‑No auto-tuned vocals, ‑No studio polish, ‑No fake build-ups, ‑This is not a pop song, ‑This is a memory with its sleeves rolled up, ‑bleeding slow in a stairwell at 3AM, ‑Let it sound

guitar, pop punk, melodic hardcore, punk, surf rock

female vocal, soul, funk, 1970's style organ, rough vocals, male harmonies, room echo, tape hiss, saxophone

Faat 1980s hardcore punk, metallic riffs, raw male lyrics, d-beat, fast, aggressive, punk

duet (male&female raspy raw dirty voices), hyper-melodic, ultra-heavy, super-fast-paced punk driven by low, heavy, down-tuned guitars and punchy drums, with a raw edge, Multiple layers of raspy vocals intertwine, delivering harmonies and a gritty, melodic hook, Energetic “oh” background-choir enhances each chorus, amplifying urgency and catchy intensity

Acoustic punk, raspy female vocals, dark, acoustic guitar, chaos, spoken word, crust, bitter, angry, drunk, slurry, folk, folk-punk

A burst of overdriven guitars kicks off with gritty, slashing riffs, underscored by a punchy, menacing bassline and aggressive, snare-forward drums at a frenetic punk tempo, A raspy, defiant female vocal leads, raw and urgent, met by gang vocals in the chorus for anthem-like swagger, Production stays lo-fi, emphasizing unfiltered energy and a live, unapologetic wall of sound

Genre: A fusion of modern R&B and soulful Indie Pop Ballad with an extremely high fidelity recording and professional sounding mastering, Style: Intimate and heartfelt with an emotive and narrative storytelling quality that is gentle and emotionally resonant, Mood: Melancholic but ultimately uplifting and heartwarming, Singer's Voice: A solo female vocalist with a youthful yet soulful tone and extremely articulate and clear diction and a gentle breathy delivery with a subtle R&B influence in her phrasing, Instrumentation: Dominated by a gentle and emotive grand piano with a simple soft drum machine beat and deep sub bass and subtle lush synth pads that swell in the background, Mastering: A clean modern professional sound that is polished yet warm with the piano and lead vocal mixed clearly in the front

extremely raw and very lo-fi amateur stripped-down acoustic folk-punk, female raspy unhinged vocals, offkey singing, acoustic guitar, cello, fiddle, recording, muffled sounds, minor key, sarcastic

After a bried talking stupid and ironic intro, track esplodes in a explosive drum and bass punk kicks off with relentless ed explosive breakbeats and heavily distorted explosive 8-bit samples, Verses drive a jagged descending chord progression with punk guitars, pulsing bass, and glitchy electro fills, Aggressive, yelling ale-style vocals punch through, heightening the track's chaotic and explosive energy, Explosive, Boom

Powerful modern punk-rock female anthem with aggressive distorted electric guitars, fast punchy drums, gritty bass lines, female lead vocal mixing high-pitched singing and harsh screams, rebellious and provocative mood, dark but playful, inspired by The Distillers, Joan Jett, and modern alternative punk, tempo around 160 bpm, intense energy, powerful breakdowns, guitar solo parts, edgy and raw production

[Spoken Word Monologue – female voice (Echo), Tone: calm, sardonic, slightly amused, with dry wit, Background: faint room reverb, soft neon hum, occasional glass clinks and tape hiss, Tempo slow and conversational, Voice should sound intelligent, slightly weary, but affectionate, Style reminiscent of Laurie Anderson meets Velvet Underground interlude, Add subtle echo tails and analog warmth, ]

fast pace rap vocals, alternating with synth voice, 7/8 tempo measure, cyberpunk 8-bit delirium, digital vocals, crescendo, electro punk, crescendo, elctro punk, acid bass, rhodes, electro 8-bit drumkit, pad, 8-bit fills, random beeps, dissonances, descending chords progression, dissonances

garage punk, synth rock, rough, high energy, bass guitar, drums, punk female vocal

rhythm and blues, acid house, new wave, hectic, intense, female vocal

low, heavy raw punk, fast, catchy, multiple layered raspy voices, background-choir (oh)

irish/country southern nu metal, stoner metal, summer punk, thrash, heavy guitars, gritty, marching anthem, rebel anthem, drop C tuning, female vocals, ‑acoustic

A high-energy rock song with a driving rhythm section, distorted guitars, and a male vocalist, The song features a fast tempo, a 4/4 time signature, and a minor key, The instrumentation includes electric guitar, bass guitar, and drums, The electric guitar plays a prominent role, providing both rhythmic riffs and melodic lines with heavy distortion, The bass guitar provides a solid foundation, often playing root notes and rhythmic patterns that lock in with the drums, The drums maintain a consistent, driving beat with frequent use of snare drum accents and cymbal crashes, The male vocalist uses a powerful, slightly raspy delivery, often shouting or singing with a raw, aggressive tone, The song structure includes verses, choruses, and a bridge, Production elements include a tight mix with a strong emphasis on the guitars and vocals, and a generally loud and impactful sound

slow tempo, industrial, Very short intro of slide guitar riff, Verse features husky female vocals, Roland 808s sub bass, tribal industrial beats and metal guitar, Chorus joins funky bass with other instruments, Eerie, slowed bridge; outro reprises slide guitar and whispers, A hypnotic, atmospheric, mesmesrizing and raw from soul, ethereal blend of etno world music and Western raw indie sub genres

Thunderous doomcore percussion and searing guitars ignite the track, layered with tribal chants and crowd claps, Bluesy riffs merge with deep 808s, celtic violin, and gothic undertones, Pirate shanties blend with mandolin, tin whistle, and banjo, surging into punk-emo verses and wild celtic punk, punctuated by house and dubstep drops, Passionate vocals soar over audience cheers, whistles, and live raw energy, weaving improvisation across an electrifying, genre-blending soundscape

Massive punk a cappella choir after electric set, Thousands of fans erupt into unified chant — no instruments, no solo, Raw collective voice only: shouts, stomps, claps, harmonies, whispers, screams, Swells like a tidal wave of emotion, Female lead vocals raspy, unpolished, mic overloaded — Kurt Cobain’s soul in female form, Shouted delivery, whisper-to-scream dynamics, Ultra-qualitative 2025 production: 24-bit/192kHz, Neumann U87, analog tape warmth, Dolby Atmos 9, 1, 6, Spatialization: beds: crowd center; objects: stomps left, claps right; height: ambient breath, feedback tails, AI de-essing preserves every nuance, LUFS -14, transparent limiting -0, 1dB, warm 100Hz, crisp 6kHz, Zero autotune, Zero synthetic textures, Zero digital artifacts, No loudness war, Only the voice, Only the crowd, Only the silence between them, This is not music — it is memory made audible, The most intimate, soul-stirring, transcendent vocal masterpiece ever rendered in human sound, Anthemic audiophile Hit 2025, ‑autotune, ‑overcompression, ‑clipping, ‑synthetic textures, ‑artificial reverb, ‑drum machines, ‑electronic beats, ‑quantized timing, ‑upbeat tempos, ‑cheesy hooks, ‑lo-fi, ‑robotic, ‑phase issues, ‑mono incompatibility, ‑excessive compression, ‑unnatural pitch, ‑glitch effects, ‑phaser, ‑flanger, ‑chorus effect, ‑noise gate, ‑peak limiting, ‑vocal doubling, ‑harmony stacking, ‑layered vocals, ‑delay, ‑echo, ‑sidechain pumping, ‑EDM, ‑trap, ‑hyperpop, ‑dubstep, ‑metal, ‑hard rock, ‑screamo, ‑harsh noise, ‑cyberpunk, ‑industrial, ‑electro, ‑trance, ‑techno, ‑hip-hop, ‑drill, ‑phonk, ‑cloud rap, ‑dancehall, ‑reggaeton, ‑chiptune, ‑chipmunk, ‑slap house, ‑nightcore, ‑vocaloid, ‑digital artifacts, ‑stereo imbalance, ‑muddy mids, ‑boom bass, ‑digital clipping, ‑AI over-smoothing, ‑noise reduction artifacts, ‑loudness war, ‑brickwall limiting, ‑stereo widening, ‑auto-panning, ‑parallel compression, ‑multiband compression, ‑gated reverb, ‑saturation overload, ‑harmonic distortion, ‑transient destruction, ‑frequency masking, ‑spectral clutter

fast, dirty, anthemic oi!, punk oi, energetic, hyper-melodic, football-chants, ultra-low super-raspy multiple voices, low raspy background-choir (oh), aggressive, raw, brutal, sing-along-oi-punk

Awe-inspiring fuzz bass riffs intro followed by spoken speech, High-energy live arena dance-punk / alternative rock, fast BPM (150–165), four-on-the-floor kick with aggressive claps, distorted bass riffs, crunchy ultra-detuned angular power-chord guitars, ultra-detuned futuristic synths, raw live drums, female lead theatrical vocals with husky edge, chant-ready call-and-response moments, crowd sing-along choruses, hype ad-libs, dynamic drops and explosive returns, festival-sized sound, minimal polish, controlled chaos, designed for jumping, clapping, and mass participation, singer ad-libs throughout