3:16

slow, emotional trap beat around 72–76 BPM with heavy bass and piano, powerful, trap Beat Style
• Dark piano melody
• Deep 808 bass
• Slow trap drums
• Choir or humming in the background
• A dark Louisiana trap beat
3:35

One more time
v4.5-all
slow, emotional trap beat around 72–76 BPM with heavy bass and piano, powerful, trap Beat Style
• Dark piano melody
• Deep 808 bass
• Slow trap drums
• Choir or humming in the background
• A dark Louisiana trap beat
3:00

Southern Bloodline
v4.5-all
rap, Dark Southern trap cypher beat at 148 BPM; male vocals, Eerie bell loop and ghostly vocal chop in the intro, then a slammed drop into rattling hi-hats, heavy 808s, and menacing piano stabs, Distorted low-end growl with sharp orchestral hits accenting threats, Hook widens with stacked brass stabs, huge sub swells, and rising FX for an anthem feel, Short drums-and-bass breakdown before the last hook, letting ad-libs and crowd chants cut through the midrange, vocal, theme, orchestral
3:24

Rod Wave x Kevin Gates pain + soul, real melodic, confessional, and raw, Slower pacing, more feeling in every line, ballad, r&b
3:00

When I couldn’t love me
v4.5-all
BPM: 70–80 (or double-time 140–160)
Vibe: Pain rap / melodic trap (think Rod Wave x Kevin Gates energy)
Key: Minor (piano + ambient pads + soft 808s)
3:18

Till Our Last Breath
v4.5-all
BPM: 70–80 (or double-time 140–160)
Vibe: Pain rap / melodic trap (think Rod Wave x Kevin Gates energy)
Key: Minor (piano + ambient pads + soft 808s)
3:11

Beloved
v4.5-all
BPM: 70–80 (or double-time 140–160)
Vibe: Pain rap / melodic trap (think Rod Wave x Kevin Gates energy)
Key: Minor (piano + ambient pads + soft 808s)
3:02

No favoritism
v4.5-all
Native American flute with a hiphop down south trap, trap, aggressive, melodic, piano, ballad, acoustic, soul, groovy, reggae, epic, violin, flute, male vocals, orchestral, dark
3:37

Two Worlds
v4.5-all
Native American flute with a hiphop down south trap, trap, aggressive, melodic, piano, ballad, acoustic, soul, groovy, reggae, epic, violin, flute, male vocals, orchestral, dark
4:16

Native American Evolution
v4.5-all
Malevoice, beat, bass, trap soul, ancestral, spiritual, and modern at the same time, I’ll weave in gentle Lakota phrases (kept respectful and meaningful), with a soulful trap/R&B cadence and space for emotion, chanting, and harmonies, Ad-libs, powerful
3:47

My last luck
v4.5-all
Rod Wave Kevin gates pain type instrumental with a male voice and a female background vocals Pain / build-up (around 70–75 BPM, or 140–150 double-time)
Delivery: Starts calm, gets more emotional and louder
