★Recommended Songs / おススメ曲

rock, Soft-focus shoegaze / dream-pop ballad with female vocals, slow tempo, Shimmering chorus guitars, gentle organ pad nodding to sacred music, round bass, and roomy drums, Verses stay intimate and breathy, swimming in reverb; chorus opens with stacked harmonies and bright tambourine, Bridge brings Brit-rock lift with a melodic lead guitar, then returns to a hushed, weightless outro, shibuya-kei, transcendent, shoegaze, female vocals, dream pop, classic

Style: Reggae pop, bright and uplifting, 1960s-70s inspired reggae crossover, A little Shibuya-kei, JUJU, acid jazz and brass rock, female vocal, warm and clear tone, positive, hopeful, sunny mood, catchy pop reggae with light groove Tempo: BPM, medium-up Vocal: Female lead vocal, natural and warm, gentle but confident delivery, clear pronunciation, light backing vocals in chorus (female, airy, joyful) Arrangement: Clean electric guitar with reggae offbeat strumming, electric piano / organ, round electric bass, tight pop-reggae drums, light percussion, bright and open mix, radio-friendly

Style: Japanese 90s R&B ballad, winter love song, Elegant, romantic, fashionable J-pop with layered female harmonies, Urban winter night atmosphere, snow falling quietly, Tempo: 72 BPM Key: E♭ Major (Final chorus key change to E Major) Vocal: Female vocals, Main vocal x1 (center, emotional, clear), Sub vocal x1 (close harmony, softer tone), Backing vocals x2 (wide stereo harmonies), Classic MAX-style harmony stacks, Occasional whispered spoken line, Arrangement: Soft piano intro, Warm electric piano and pads, Subtle R&B-style drums, Gentle synth bass, String pads swelling in chorus, Glossy 90s J-pop production, Wide stereo vocals, smooth reverb, Mood: Romantic, wistful, stylish, Winter night, snow, unspoken love, January to March seasonal feeling, Language: Japanese

Arrangement Instructions (English): • Style: 90s British Pop with a slightly dull, cloudy emotional tone, • Mood: Melancholic, hazy, slow-burning British-rock nostalgia with subtle shoegaze texture, • Vocals: Female, slightly “fake”, disinterested, tired-of-the-world vibe, yet secretly clever, pure, and emotionally fragile, • Singing style: Understated, breathy, almost sarcastic delivery with a whispery edge, • Instruments: - Distorted but soft-edged Brit-rock electric guitars - Mildly overdriven bass - Brit-pop drum kit with loose snare and roomy reverb - Light Mellotron/Pad to create cloudy atmosphere • Tempo: Mid-tempo (92–100 BPM) • Mix: Slightly lo-fi, soft compression, cloudy reverb, stereo guitars, light tape saturation, • Overall vibe: “Beautifully tired, ” moody winter evening atmosphere

jazz, classic, brushed drums, swaying rhythms evoke a timeless ballad with a jazzy touch, a nostalgic and cinematic atmosphere frames the wistful lyrics, and soft piano under female vocals, gentle, nostalgic, with lush strings, gentle, 60s pop meets viennese waltz, pop

Style:Japanese 1980s city pop, Elements of sunshine pop, lounge pop, orchestral pop and Shibuya-kei, Bright, elegant, carefree resort pop, Clean electric guitars with light muting and arpeggios, bouncy melodic bass, soft but groovy drums, tasteful brass hits, warm strings, and wide, sunny backing vocal harmonies, Arrangement: Intro: guitar and bass establish breezy coastal mood Verse: minimal, relaxed groove Pre-Chorus: subtle lift with chords and harmony Chorus: full arrangement with backing vocals and brass accents Interlude: playful brass and chorus phrases Bridge: brief reflective moment, slightly reduced energy Final Chorus: same key, no modulation, emphasize “nothing changes” Outro: gentle fade-out like waves on the shore Mood Keywords: sunny, elegant, nostalgic, carefree, seaside, horizon, timeless Feels like a lazy afternoon by the sea, Do not make it modern pop, EDM, or lo-fi, Avoid heavy compression or dramatic vocals, Keep it light, stylish, and timeless

merseybeat meets 60s pop with shibuya-kei flair, jungle guitar and bass carry the rhythm, while lead guitar dances with bright, sad, merseybeat, shibuya-kei, pop, swinging groove, female lead vocals blend tenderly with soft backing harmonies, melodic lines, drums add a snappy, nostalgic, evoking bittersweet nostalgia, jungle, rock

airy delivery, funk, folk, fusion of greek folk melodies with bouzouki accents, and shibuya-kei's playful, syncopated funk basslines, jazzy textures; female vocals with bright, shibuya-kei

dance, female vocals, classical, jazz, classical viennese waltz meets jazz waltz piano, stylish, dreamy and elegant

lush instrumentation with swirling guitars, late 60's pop, glamorous and wistful, pop, shimmering organ, psychedelic rock, and ethereal female vocals

Hungarian folk music, in 3/4 Walt time, (gentl orchestration with piano, strings, and soft acoustic guitar), peaceful morning mood(under the warm sunlight of a quiet terrace at 10AM, (cinematic and reflective, evoking hope and memories ), female vocal, The essence of Sicily's climate and geography, female vocals, Walt, Walt, Walt, An impressive piano phrase is repeated over and over again

A bright and cheerful 1970s-style Japanese pop song Add some French pop aod Italian pop elements Embrace the Mediterranean imagery, Female vocals, energetic and sunny mood, Light bossa-pop rhythm with catchy melodies and lush arrangements, Features acoustic guitar, electric piano, string section, light brass, handclaps, and vintage-style backing vocals, The song is called "Tokimeki Summer Blue" and expresses the excitement and sparkle of a summer romance by the sea, Add a brief instrumental intro, a melodic interlude with scatting or wordless "la la la" vocals, and a soft nostalgic outro, Tempo: medium-fast, Language: Japanese

A nostalgic pop song inspired by the 1960s Liverpool sound and classic Motown rhythms, featuring warm female lead vocals and soft background harmonies, The lyrics are mainly in Japanese with a few English phrases like "Love’s in the air" and "Tonight, " The mood is romantic, gentle, and timeless, evoking a peaceful night where lovers all around the world are quietly connected under the same stars, The arrangement includes clean electric guitars, tambourine, a steady Motown-style backbeat, and subtle string or organ layers, The chorus features catchy la-la-la harmonies and a tender melodic hook, ideal for a retro romantic pop atmosphere

Style: 1960s pop ballad Arranged in the style of 1980s Japanese city pop / Niagara, 60s female trio, surf pop, a little Motown, Merseybeat and sunshine pop, Backing Vocals: Two female side vocalists Phil Spector-style wall of harmony “Be my baby” / “Sha-la-la” style responses Wide stereo spread Instruments: Drum kit with iconic “Be My Baby” style backbeat Electric bass, warm and round Acoustic piano and Electric piano layered Electric guitar with clean 80s tone Large string section (lush, emotional) Tambourine and subtle handclaps Arrangement: wall of Sound intro with drums, strings, and vocals Verses slightly restrained Chorus opens Wide with full strings and harmonies emotional bridge with lifted harmony Final Chorus big and cinematic Gentle fade-out ending Production / Sound Quality: 1980s high-fidelity Japanese pop sound clean but warm mix Rich reverb on strings and vocals Slight analog tape warmth Not modern loud, Not lo-fi Vocal: One female lead vocal Soft, emotional

A warm and soulful swamp rock ballad, Female lead vocal with rich 3-part female harmonies and gospel-style backing vocals, Arrangement includes Fender electric guitars (clean and slightly overdriven), organ with Leslie rotation, groovy bass, and loose 8-beat southern shuffle drums, Harmony vocals echo and answer the lead in the chorus (“Let it rain, let it shine”), Add a short bluesy guitar solo before the final chorus, Tempo around 110 BPM, key of E major, Mix: vintage 1970s texture, warm reverb, stereo separation of guitars and vocals, slightly “wet” room ambience for a live studio feel

A gypsy jazz style female vocal song, Medium swing tempo (♩=105), instrumentation includes lead guitar, rhythm guitar, double bass, violin, and accordion, Rhythm uses "La Pompe" gypsy swing style, Intro and interlude feature Django Reinhardt-style lead guitar phrase (C6 - E7 - A7 - Dm7 - G13), Lyrics are mainly in Japanese with French keywords, describing a romantic love story of an elegant woman, Choose one of the following French keyword themes to sing: “C’est si bon”, “C’est l’amour”, or “C’est magnifique”, Female vocal should be sweet, warm, and sultry, with the atmosphere of singing on a street corner in Paris, Overall mood is light, charming, and romantic

"A gentle jazz waltz (3/4) featuring a soft and elegant female vocal, in the style of 'Alice in Wonderland' by Sammy Fain, Title: 'Marie in happinessLand', The arrangement is for a jazz guitar trio (guitar, upright bass, brushed drums), The mood is dreamy, light, and slightly nostalgic, The melody flows smoothly with tender harmonies, Include a jazz guitar solo after the third verse, Lyrics are mainly in Japanese with some soft, poetic English phrases like 'Where is happinessLand?', 'A little miracle, don’t you see?', and 'Right here, right now… with you, Marie', Tempo: around 108 BPM, Subtle dynamics, warm tone, cinematic atmosphere, Suitable for a quiet night cafe or end-credit scene of a film, "

rock, acoustic with gentle electric touches, soulful, female vocals, folk rock

Style / Genre: 1990s alternative rock, dream pop, nostalgic indie rock, Smashing Pumpkins inspired, A little bit of acid jazz, shoegaze and Shibuya-kei, Mood: Detached, nostalgic, bittersweet, reflective, calm but emotional Tempo: Mid-tempo, steady, driving but relaxed (around 120 BPM) Key & Harmony: Major key with melancholic feel, repetitive chord progression, minimal harmonic movement Core Riff: One simple repeating riff throughout verses Clean electric guitar or soft synth Muted, steady, hypnotic Emotionless, mechanical feel Instruments: Clean electric guitar (main riff) Distorted electric guitar (chorus only) Electric bass (simple, supportive) Live drum kit (tight, dry, no fills) Soft synth pad or string pad for atmosphere Arrangement: Verses: minimal, repetitive, restrained Chorus: wide, open, layered, emotional release Bridge: same chords, shifted perspective Gradual build, no dramatic breakdown Fade-out ending with repeating riff Vocal: Female vocal, relaxed, understated

slow, musical, shibuya-kei, female lead vocals with harmonized backing vocals, the arrangement features jangly guitars, vintage vibe, a warm piano line, pop, merseybeat, and gentle drums for a nostalgic and heartfelt sound, the tempo is slow and swaying, nostalgic, association music, rock, 60s pop, with an emotional, world, shibuya-kei, melodic bass

sad, shibuya-kei, merseybeat, backing vocals; jungle guitar, rock, 60s pop, shibuya-kei music; female lead vocals, pop, jungle, drums; nostalgic and sad with a medium tempo, lead guitar, bass, nostalgic

Ultra-90s UK alternative rock + Japanese brit-pop hybrid, Female vocal: extremely lazy, doll-like tone, emotionally flat but hiding intensity, Whispery consonants, slightly nasal, light attitude, airy highs, Guitars: jangly clean electric guitars with thick chorus, mild crunch guitar doubled L/R, cloudy reverb, slightly detuned shimmer, subtle tremolo, Rhythm guitars emulate 1998-2002 J-Rock Britpop-influenced production, Drums: UK-rock style, dry snare with gated tail, tight kick, slightly late hi-hat timing for a “loose” groove, Occasional tambourine for lift, Bass: warm, round, melodic movement, slightly overcompressed, Keys: mellotron-like pad or muted organ pad for foggy layers, Do NOT overuse bright synths; keep everything cloudy and melancholic, Mix: cloudy, slightly lo-fi saturation, narrowed stereo image in verses, Tempo: 104–110 BPM mid-tempo

STYLE / GENRE: 80s Japanese City Pop, late-80s vibe, Japanese fashionable TV commercial music, Japanese Niagara music, Shibuya-kei, a little surf music and house music, upbeat but smooth, female vocal VOCAL: Female singer with clear, transparent tone, smooth and expressive mid-range, bright but gentle delivery, no belting, soft smile in the voice, relaxed and joyful INSTRUMENTATION: Clean electric guitar with light chorus Warm analog synth pads (Juno-style) Bright synth brass stabs Funky muted bass Tight 80s drum kit with gated reverb snare Open hi-hats in choruses Layered female backing vocals Soft synth riser before key change ARRANGEMENT NOTES: Keep verses light and groovy choruses should feel Open and joyful Final chorus adds extra backing vocals and brighter synth layers Overall mood: weekend happiness, city lights, romance, optimism

Style: 1960s pop / jazz pop, medium-up tempo, swing feel, female vocal, black female vocal tone, warm and soulful, gentle vibrato, classic American pop, retro but bright, bittersweet mood Vocal: Female lead vocal, rich and warm chest voice, slightly husky, expressive phrasing, soft gospel/jazz inflection, background female chorus lightly harmonized in chorus Arrangement: Piano-led arrangement with brushed drums, upright walking bass, light guitar comping, soft brass accents, subtle female backing vocals in chorus, classic 1960s pop-jazz production, mono-friendly retro mix, warm tape-like sound

Japanese pop, Shibuya-kei music and acid jazz, Electric piano–centered arrangement with a simple but groovy beat, Clean, minimal instrumentation: electric piano, bass, light drums, Bright, dry, and pop-oriented sound despite a bittersweet theme, Female lead vocal, clear and natural, emotionally restrained, Lyrics describe loss and farewell, but music stays uplifting and forward-looking, Japanese lyrics as main language with short English keywords as hooks, Tempo: mid-tempo (around 90–100 BPM), Mood: gentle, honest, warm, quietly strong, life goes on feeling, No ballad, no heavy sadness, no dramatic orchestration, Female vocal should sound calm, conversational, and confident, No over-singing, no belting, Electric piano should lead the song from beginning to end, Beat should feel steady and supportive, not aggressive, Ending should feel optimistic and open, like stepping back into daily life, Avoid / Negative prompt no ballad, no sad piano solo, no orchestral, no cinematic