not pop - unpublished tracks

[genre: 90s emoviolence, skramz, powerviolence, chaotic screamo, extreme hardcore, NOT 2000's screamo, please!] ​[bpm: frantic 190-220 bpm with sudden abrupt stops and erratic tempo shifts] ​[key: atonal, f minor, heavy use of dissonant chords and chaotic intervals] ​[mood: sheer panic, abrasive, violent, unhinged, devastating, claustrophobic, pure anxiety, raw] ​[instruments: thin jagged dissonant guitars with noisy abrasive distortion, heavily distorted clanky bass completely burying the low-end mix, hyper-aggressive trashy drums, relentless blast beats, erratic cymbal crashes, sudden math-grind time signature shifts, extreme lo-fi basement recording quality, physical analog tape clipping, blown-out speakers] ​[vocals: extremely high-pitched shrieks, distant unmic'd vocal style, piercing frantic throat-tearing wails, pure visceral panic, uncompressed, no meloduc vocals, DON'T FORGET THAT SUNO]

Aggressive acoustic guitar, fast tempo 142bpm, key C#minor, percussive guitar body hits, raw male vocals, head voice, whispery vocals, emotional shouting, lo-fi production, tape hiss, fret buzz, frantic strumming, experimental folk, noise acoustic, Raw Acoustic, Noise Folk, Indie Rock, Lo-Fino synths, no drums, dry vocals, high contrast, angst

[genre: 90s emoviolence, skramz, powerviolence, chaotic screamo, extreme hardcore, NOT 2000's screamo, please!] ​[bpm: frantic 190-220 bpm with sudden abrupt stops and erratic tempo shifts] ​[key: atonal, f minor, heavy use of dissonant chords and chaotic intervals] ​[mood: sheer panic, abrasive, violent, unhinged, devastating, claustrophobic, pure anxiety, raw] ​[instruments: thin jagged dissonant guitars with noisy abrasive distortion, heavily distorted clanky bass completely burying the low-end mix, hyper-aggressive trashy drums, relentless blast beats, erratic cymbal crashes, sudden math-grind time signature shifts, extreme lo-fi basement recording quality, physical analog tape clipping, blown-out speakers] ​[vocals: extremely high-pitched shrieks, distant unmic'd vocal style, piercing frantic throat-tearing wails, pure visceral panic, uncompressed, no meloduc vocals, DON'T FORGET THAT SUNO], ‑modern metalcore, ‑djent, ‑polished production, ‑clean vocals, ‑auto-tune, ‑heavy chugging, ‑synths, ‑pop-punk melodies, ‑stadium reverb, ‑quantized drums, ‑drum triggers

​[genre: 2020s experimental art rock, south london post-punk, glitchy bedroom indie, slacker rock meets tape-warped noise, KEEP IT WEIRD, SUNO!] [bpm: swaying mid-tempo, nervous unquantized groove, sudden intricate dynamic shifts, pushing and pulling the beat] [key: D minor, jazz-inflected dissonant chords, microtonal bends, tense harmonic movement] [mood: hyper-anxious, deadpan, exhaustion, spiteful, beautifully broken, shifting abruptly from quiet isolation to massive abrasive walls of noise] [instruments: intricate jagged telecaster riffs with granular delay, heavy clanky p-bass pushing through the mix, loose trashy drum grooves alternating with tight syncopated hits, chaotic modular synth blips, sudden bursts of aggressive distortion, physical tape hiss, KEEP WITH THIS SUNO] [vocals: exhausted young male, deadpan sprechgesang spoken-word delivery, shifting into a close-mic weary mumble, suddenly erupting into desperate raw shouts, vocal mix alternating with heavy tape delay]

​[style | avant-garde super sensual ASMR trip-hop, body-close electronica, ambient noir] [tempo | 70 bpm, violently sluggish, heavy] [intro | pure silence single shaky exhale, humming of stufio console] [drums | no kick, no snare, rhythmic, metallic ticking of a studio clock panned left] [bass | overwhelming droning sub-frequency that vibrates the chest, no melodic movement] [harmony | static, a single minor chord stretched over 4 minutes] [bed | heavily compressed studio room tone] [vocals | super sensual, extreme close-mic, ASMR quality, lip smacks, frantic breathing, whispered, zero reverb] [fx | maximum tape saturation, blown fuse, short-circuit] [mix | uncomfortably intimate, vocals sitting entirely on top of the mix in the dead center, maximum low-end on the stereo field] [form | gradual build, high density to the end, tension with absolutely zero pop release], ‑Ambient, ‑Dream Pop, ‑Post-Rock, ‑Cinematic, ‑Soundtrack, ‑Orchestral, ‑Symphonic, ‑Emotional Ballad, ‑Sad Pop, ‑Bedroom Pop, ‑Lo-Fi Chill, ‑Chillwave, ‑Downtempo Lounge, ‑Shoegaze Pop, ‑Indie Pop, ‑Alt-Pop, ‑Synthwave, ‑Retrowave, ‑Vaporwave, ‑EDM, ‑House, ‑Techno, ‑Trance, ‑Future Bass, ‑Hyperpop, ‑Glitch Pop, ‑Trap, ‑Hip-Hop, ‑R&B, ‑Neo-Soul, ‑Jazz, ‑Funk, ‑Disco, ‑Blues, ‑Acoustic, ‑Folk, ‑Singer-Songwriter, ‑Emo, ‑Pop-Punk, ‑Hardcore Punk, ‑Metalcore, ‑Death Metal, ‑Black Metal, ‑Power Metal, ‑Prog Rock, ‑Math Rock, ‑Jam Band