Henkin Huuto [Shout of The Soul]

A tribal proto-Finnic ritual chant in G Phrygian at 60 BPM unfolds from silent breaths to awakening antler percussion, chest drones, and overtone throat singing, Birch-bark flute and raw, primal male-female chants interweave with polyphonic incantations, animalistic vocals, and reconstructed Proto-Finnic sounds, Field recordings—forest wind, thunder, ice cracks—blend with distorted, uneven rhythms and earthy reverb, evoking a sacred pit ritual's escalating trance and spirit-fade, ‑Exclude modern language, ‑instruments invented after Iron Age, ‑tonal clarity, ‑pop structure, ‑electronic effects, ‑harmony, ‑melody arcs, ‑or cinematic scoring, ‑No synthesizers, ‑orchestras, ‑clean studio polish, ‑or chord progression, ‑Do not use major scales, ‑traditional lyrics, ‑or rhyming stanzas, ‑No tuning, ‑no EQ, ‑no Western cadence, ‑Avoid digital textures, ‑pads, ‑or atmospheric layering, ‑Keep everything analog, ‑acoustic, ‑tribal, ‑organic, ‑Vocals should sound rough, ‑prelinguistic, ‑ritualistic, ‑No repetition for hook effect, ‑No modern genre tropes or percussion patterns

A tribal proto-Finnic ritual chant in G Phrygian at 60 BPM unfolds from silent breaths to awakening antler percussion, chest drones, and overtone throat singing, Birch-bark flute and raw, primal male-female chants interweave with polyphonic incantations, animalistic vocals, and reconstructed Proto-Finnic sounds, Field recordings—forest wind, thunder, ice cracks—blend with distorted, uneven rhythms and earthy reverb, evoking a sacred pit ritual's escalating trance and spirit-fade, ‑Exclude modern language, ‑instruments invented after Iron Age, ‑tonal clarity, ‑pop structure, ‑electronic effects, ‑harmony, ‑melody arcs, ‑or cinematic scoring, ‑No synthesizers, ‑orchestras, ‑clean studio polish, ‑or chord progression, ‑Do not use major scales, ‑traditional lyrics, ‑or rhyming stanzas, ‑No tuning, ‑no EQ, ‑no Western cadence, ‑Avoid digital textures, ‑pads, ‑or atmospheric layering, ‑Keep everything analog, ‑acoustic, ‑tribal, ‑organic, ‑Vocals should sound rough, ‑prelinguistic, ‑ritualistic, ‑No repetition for hook effect, ‑No modern genre tropes or percussion patterns

A tribal proto-Finnic ritual chant in G Phrygian at 60 BPM unfolds from silent breaths to awakening antler percussion, chest drones, and overtone throat singing, Birch-bark flute and raw, primal male-female chants interweave with polyphonic incantations, animalistic vocals, and reconstructed Proto-Finnic sounds, Field recordings—forest wind, thunder, ice cracks—blend with distorted, uneven rhythms and earthy reverb, evoking a sacred pit ritual's escalating trance and spirit-fade, ‑Exclude modern language, ‑instruments invented after Iron Age, ‑tonal clarity, ‑pop structure, ‑electronic effects, ‑harmony, ‑melody arcs, ‑or cinematic scoring, ‑No synthesizers, ‑orchestras, ‑clean studio polish, ‑or chord progression, ‑Do not use major scales, ‑traditional lyrics, ‑or rhyming stanzas, ‑No tuning, ‑no EQ, ‑no Western cadence, ‑Avoid digital textures, ‑pads, ‑or atmospheric layering, ‑Keep everything analog, ‑acoustic, ‑tribal, ‑organic, ‑Vocals should sound rough, ‑prelinguistic, ‑ritualistic, ‑No repetition for hook effect, ‑No modern genre tropes or percussion patterns

A tribal proto-Finnic ritual chant in G Phrygian at 60 BPM unfolds from silent breaths to awakening antler percussion, chest drones, and overtone throat singing, Birch-bark flute and raw, primal male-female chants interweave with polyphonic incantations, animalistic vocals, and reconstructed Proto-Finnic sounds, Field recordings—forest wind, thunder, ice cracks—blend with distorted, uneven rhythms and earthy reverb, evoking a sacred pit ritual's escalating trance and spirit-fade, ‑Exclude modern language, ‑instruments invented after Iron Age, ‑tonal clarity, ‑pop structure, ‑electronic effects, ‑harmony, ‑melody arcs, ‑or cinematic scoring, ‑No synthesizers, ‑orchestras, ‑clean studio polish, ‑or chord progression, ‑Do not use major scales, ‑traditional lyrics, ‑or rhyming stanzas, ‑No tuning, ‑no EQ, ‑no Western cadence, ‑Avoid digital textures, ‑pads, ‑or atmospheric layering, ‑Keep everything analog, ‑acoustic, ‑tribal, ‑organic, ‑Vocals should sound rough, ‑prelinguistic, ‑ritualistic, ‑No repetition for hook effect, ‑No modern genre tropes or percussion patterns

A tribal proto-Finnic ritual chant in G Phrygian at 60 BPM unfolds from silent breaths to awakening antler percussion, chest drones, and overtone throat singing, Birch-bark flute and raw, primal male-female chants interweave with polyphonic incantations, animalistic vocals, and reconstructed Proto-Finnic sounds, Field recordings—forest wind, thunder, ice cracks—blend with distorted, uneven rhythms and earthy reverb, evoking a sacred pit ritual's escalating trance and spirit-fade, ‑Exclude modern language, ‑instruments invented after Iron Age, ‑tonal clarity, ‑pop structure, ‑electronic effects, ‑harmony, ‑melody arcs, ‑or cinematic scoring, ‑No synthesizers, ‑orchestras, ‑clean studio polish, ‑or chord progression, ‑Do not use major scales, ‑traditional lyrics, ‑or rhyming stanzas, ‑No tuning, ‑no EQ, ‑no Western cadence, ‑Avoid digital textures, ‑pads, ‑or atmospheric layering, ‑Keep everything analog, ‑acoustic, ‑tribal, ‑organic, ‑Vocals should sound rough, ‑prelinguistic, ‑ritualistic, ‑No repetition for hook effect, ‑No modern genre tropes or percussion patterns

Tempo: 60 BPM, Key: G Phrygian, Create a tribal proto-Finnic ritual chant steeped in prehistoric Uralic mysticism, Center the track around deep chest drones, overtone throat singing, antler percussion, and birch-bark flute, Use breathing as rhythm and vocals as invocation, Structure follows ancient rite: silence, awakening, spirit-call, trance escalation, and spirit-fade, Feature male-female alternating chantlines, polyphonic repetition, and sung incantations using reconstructed Proto-Finnic sounds, Include field recordings: forest wind, distant thunder, lake ice cracking, Must sound like it was captured inside a sacred earth pit, Vocals must be primal, raw, almost animalistic, Embrace distortion, uneven rhythm, and natural reverb, ‑Exclude modern language, ‑instruments invented after Iron Age, ‑tonal clarity, ‑pop structure, ‑electronic effects, ‑harmony, ‑melody arcs, ‑or cinematic scoring, ‑No synthesizers, ‑orchestras, ‑clean studio polish, ‑or chord progression, ‑Do not use major scales, ‑traditional lyrics, ‑or rhyming stanzas, ‑No tuning, ‑no EQ, ‑no Western cadence, ‑Avoid digital textures, ‑pads, ‑or atmospheric layering, ‑Keep everything analog, ‑acoustic, ‑tribal, ‑organic, ‑Vocals should sound rough, ‑prelinguistic, ‑ritualistic, ‑No repetition for hook effect, ‑No modern genre tropes or percussion patterns

Tempo: 60 BPM, Key: G Phrygian, Create a tribal proto-Finnic ritual chant steeped in prehistoric Uralic mysticism, Center the track around deep chest drones, overtone throat singing, antler percussion, and birch-bark flute, Use breathing as rhythm and vocals as invocation, Structure follows ancient rite: silence, awakening, spirit-call, trance escalation, and spirit-fade, Feature male-female alternating chantlines, polyphonic repetition, and sung incantations using reconstructed Proto-Finnic sounds, Include field recordings: forest wind, distant thunder, lake ice cracking, Must sound like it was captured inside a sacred earth pit, Vocals must be primal, raw, almost animalistic, Embrace distortion, uneven rhythm, and natural reverb, ‑Exclude modern language, ‑instruments invented after Iron Age, ‑tonal clarity, ‑pop structure, ‑electronic effects, ‑harmony, ‑melody arcs, ‑or cinematic scoring, ‑No synthesizers, ‑orchestras, ‑clean studio polish, ‑or chord progression, ‑Do not use major scales, ‑traditional lyrics, ‑or rhyming stanzas, ‑No tuning, ‑no EQ, ‑no Western cadence, ‑Avoid digital textures, ‑pads, ‑or atmospheric layering, ‑Keep everything analog, ‑acoustic, ‑tribal, ‑organic, ‑Vocals should sound rough, ‑prelinguistic, ‑ritualistic, ‑No repetition for hook effect, ‑No modern genre tropes or percussion patterns

Tempo: 60 BPM, Key: G Phrygian, Create a tribal proto-Finnic ritual chant steeped in prehistoric Uralic mysticism, Center the track around deep chest drones, overtone throat singing, antler percussion, and birch-bark flute, Use breathing as rhythm and vocals as invocation, Structure follows ancient rite: silence, awakening, spirit-call, trance escalation, and spirit-fade, Feature male-female alternating chantlines, polyphonic repetition, and sung incantations using reconstructed Proto-Finnic sounds, Include field recordings: forest wind, distant thunder, lake ice cracking, Must sound like it was captured inside a sacred earth pit, Vocals must be primal, raw, almost animalistic, Embrace distortion, uneven rhythm, and natural reverb, ‑Exclude modern language, ‑instruments invented after Iron Age, ‑tonal clarity, ‑pop structure, ‑electronic effects, ‑harmony, ‑melody arcs, ‑or cinematic scoring, ‑No synthesizers, ‑orchestras, ‑clean studio polish, ‑or chord progression, ‑Do not use major scales, ‑traditional lyrics, ‑or rhyming stanzas, ‑No tuning, ‑no EQ, ‑no Western cadence, ‑Avoid digital textures, ‑pads, ‑or atmospheric layering, ‑Keep everything analog, ‑acoustic, ‑tribal, ‑organic, ‑Vocals should sound rough, ‑prelinguistic, ‑ritualistic, ‑No repetition for hook effect, ‑No modern genre tropes or percussion patterns

Compose a haunting 64 BPM tribal ritual chant in E Dorian, rooted in proto-Finnic mysticism and primal masculinity, Build around untempered baritone chest drones, overtone throat singing, and cracked pine-wood flutes, Introduce elk-bone percussion, heavy breathing loops, distant howls, deep wooden foot-stomps, and layered growl chanting, Add earth-pit ambience: dripping water, firewood crackles, low thunder rumbles, and bones rattling in clay bowls, Use antler horns, throat rasp harmonics, and vocal grunts as call-and-response phrases between male and female shamans, Structure is archaic and nonlinear: begin with silence → awakening → invocation → trance → climax → decay, Deliver in immersive Dolby Atmos-style wide stereo and high-fidelity analog texture, ‑Exclude all modern instruments, ‑digital synths, ‑tempo quantization, ‑clean mixdowns, ‑and polished harmonies, ‑Avoid pop song structure, ‑chord progressions, ‑melodic refrains, ‑autotuned vocals, ‑cinematic strings, ‑and Western genre elements, ‑No upbeat or melodic content, ‑no EDM drops, ‑no orchestral cues, ‑Do not use major keys, ‑rhyme schemes, ‑or lyrical stanzas, ‑Ban all production FX that mimic pop, ‑trap, ‑metal, ‑or ambient electronica, ‑Keep all texture natural, ‑flawed, ‑and raw—ritualistic, ‑archaic, ‑and non-commercial, ‑No synthetic pads, ‑drum machines, ‑loops, ‑or symmetrical phrasing, ‑Voice must be raspy, ‑broken, ‑and animalistic

A ritualistic fusion at 60 BPM: layers of forest wind, fire crackle, lake ice field recordings; overtone throat chants; antler and bone percussion; deep 808 sub bass; detuned cello motifs, Proto-Finnic call-response vocals in proto-suomi, unfolding in breath-led, trance-like, low-fi earth-pit space, ‑Exclude traditional pop or hip-hop structure, ‑no hooks or symmetrical verse/chorus layout, ‑No autotune, ‑clean digital synths, ‑trap hi-hat rolls, ‑jazz chords, ‑major key harmony, ‑or EDM-style risers, ‑Avoid orchestral swells, ‑acoustic guitar, ‑upbeat rhythms, ‑and lush melodic layers, ‑No modern vocal stacks, ‑chorused vocals, ‑or radio pop mix clarity, ‑Avoid cinematic scoring, ‑polished production, ‑or commercial dynamics, ‑Do not use electric guitar, ‑bright pads, ‑string sections, ‑or synth arpeggios, ‑Keep percussion ritualistic (no drum kit), ‑keep instrumentation lo-fi, ‑breath-driven, ‑analog, ‑and uneven, ‑Exclude modern pop/trap structures, ‑no hooks, ‑no autotune, ‑no pop phrasing or polished vocal harmonies, ‑Avoid arpeggiators, ‑major-key melodies, ‑chord progressions, ‑orchestral scoring, ‑synths, ‑or cinematic build-ups, ‑No studio sheen, ‑no quantized rhyt All rhythms should emerge from natural sources, ‑not quantized programming, ‑The result must sound haunted and organic, ‑as if unearthed—not produced