
TWR Clips and Cuts
Songs made with or inspired by Clips from The Whitfield Report Live! Podcast with Sam Whitfield.
·
35 songs
3:51

Jelly AF
Custom
00s underground rap horn hook breaks dusty boom bap drums swung 16th groove head nod tempo vinyl sampled snare live brass stabs chopped soul breaks offbeat rimshots sub bass bounce tape saturation mono drum punch spring reverb call and response chants gritty punchlines late night swagger Bro-country, country pop, country rock street energy
3:05

Burn Da Brujas
Custom
dubstep reggae crossover, dancehall dub, 132 BPM, djent guitars, wobble bass, steel drums, offbeat guitar skanks, syncopated sub-bass, gated snare, tape saturation, spring reverb, sub dropouts, bass-heavy breakdowns, call-and-response hooks, sparse verse arrangement, minor key, dark club energy
4:16

industrial hip-hop, glitch-hop, 100 BPM, E minor, distorted synth bass, overdriven percussion, digital clipped snare, rapid glitch hats, rhythmic record scratches, pitch shifted vocal chop, granular synthesis, tape stop effects, heavy DJ cuts, syncopated industrial loop, resonant filter sweeps, hard stop breaks
5:01

boom bap, funk rap, 94 BPM, chopped soul sample, funky bassline, bass melody doubling, muted guitar chops, brass riff accents, rimshot backbeat, swung snare, dry drum mix, vinyl crackle, hook-driven chorus, crew chant hooks, sparse verses, stacked breakdown, 90s tape grit, radio edit punch, upbeat swagger
5:47

Mortheous
Custom
gothic rock, 70s rock opera, dark folk rock, baritone lead vocal, call and response chorus, choir unison hook, Hammond organ swells, overdriven guitar harmonies, tremolo guitar lines, melodic bass walk, tom-heavy drums, cymbal crashes, plate reverb, tape saturation, wide stereo mix, dynamic verse lift, arena chorus, midnight defiance
3:37

big band jazz, 120 BPM, brushed snare swing, walking upright bass, muted trumpet plunger, tenor sax soli, trombone section stabs, vibraphone comping, concert piano voicings, string section swells, woodwind countermelody, orchestral brass hits, call and response, dynamic breakdowns, wide hall reverb, tape warmth, smoky late-night, swaggering uplift
3:15

The track opens with lively, unscripted conversation between two male voices—one energetic and mid-toned, the other relaxed and lower, Natural room reverb and real-time overlaps enhance the authenticity, A crisp trap beat with a minimalist synth melody sits low in the mix, underscoring the raw, conversational interplay and highlighting spontaneous rhythmic speech without overpowering the vocals
3:02

The industrial techno dance track charges in with pounding kick drums, dense layers of bitcrushed percussion, and relentless dark synth bass, Chopped and stuttered samples from the original song are sliced, pitched, and looped rhythmically, driving the momentum, Brief moments of filtered buildup heighten tension before each explosive drop, while glitchy effects and digital distortion twist the energy higher throughout each section
1:30

A tight, upbeat 70s funk groove kicks off with crisp drums, syncopated bass, and prominent wah-wah guitar riffs, Guitar expresses through muted chops, expressive bends, and rhythmic stabs, Layered clavs and brass hits add depth, while solos trade between guitar and keys, With the lyrics as a narration rather than singing
3:52

Opening with syncopated electronic drums and a deep, wobbling bassline, electric guitar punctuates each verse with sharp, reggae-inflected chords, Dancehall-inspired rhythms drive the groove, while dubstep drops and distorted rock riffs intensify the chorus, The male vocalist rides the bass riddim with rhythmic, charismatic phrasing, leading to a breakdown where reverb-heavy guitar and chopped synths swirl before an explosive final hook
5:31

industrial techno, dubstep reggae crossover, 140 BPM, DJ cuts, speaker-rattling bass, syncopated reggae guitar skanks, distorted sub drops, metallic percussion, stutter edit breakdowns, call-and-response synth riffs, sidechain pumping, tape saturation, gated reverb, sparse verse drops, explosive chorus lift, menace swagger
1:04

Kicking off with a burst of trumpets and lively guitar strums, this energetic Mariachi track features vibrant vihuela, guitarrón, and spirited violins, The two male leads trade playful, conversational lines, occasionally breaking into rich, harmonic duets as the groove intensifies
4:37

The audio clip opens with a subtle jazz-infused groove—upright bass, brushed snare, and muted electric piano—setting a laid-back podcast mood, Transition stings mark topic changes with light guitar noodling, Underneath the dialogue, delicate synth pads create unobtrusive warmth, Sonic panning separates the main animated male voice and secondary speaker for spatial realism; occasional bass drops and stingers accentuate punchlines and laughter, The mix is dry and crisp, with dynamic processing ens
3:03

1:30

The track opens with a sparse ambient bed, defined by lo-fi synths and distant percussive clicks, Two animated male voices alternate and overlap in a lively, rapid-fire rhythmic exchange, their banter driving tempo at roughly 110 BPM, Foley accents punctuate punchlines, while subtle panning and dynamic headroom keep all focus on crisp, expressive vocal interplay
4:51

A lively and humorous podcast segment featuring two male speakers with a brief, soulful vocal interlude, The conversation is casual and energetic, characterized by a fast-paced, improvisational tone, The background is mostly silent, focusing on the vocal clarity of the speakers, During the musical break, a male voice performs a short, melodic phrase inspired by 90s R&B and pop, featuring smooth, melismatic runs and a soulful delivery, The tempo of the speech is rapid, approximately 140 BPM, while the vocal snippet slows down to a more rhythmic, syncopated feel, Production is clean with minimal background noise, emphasizing the natural resonance of the voices, The segment concludes with a return to the comedic dialogue, maintaining a high-energy, engaging atmosphere throughout
3:09

The segment sets a brisk 140 BPM with agile male vocal interplay, carried by minimal soft keyboard pads and faint vinyl crackle for focus, A soulful male hook brings a 90s R&B/pop feel with melismatic, silky vocals over gentle chord changes, Underlying throughout is a 70s stoner funk rock influence: steady bass, syncopated steel drum groove, skanking rhythms, and reactive guitar licks punctuate the dialogue, adding dynamic funk texture before each return to rapid vocal exchange
2:17

A lively and humorous talk-show style segment featuring two male speakers with energetic, conversational vocal qualities, The audio is characterized by a clear, studio-quality recording with minimal background noise, typical of a professional podcast or radio broadcast, The pacing is fast and rhythmic, driven by the natural cadence of the speakers' dialogue, Occasional laughter and interjections from a third person add to the spontaneous, live-audience feel, The segment concludes with a brief burst of applause and cheering, followed by a transition into further commentary, The overall production is clean, with well-balanced levels and a focus on vocal clarity
4:46

industrial hip-hop, glitch-hop, 100 BPM, E minor, distorted synth bass, overdriven percussion, clipped snare, rapid glitch hats, rhythmic record scratches, pitch shifted vocal chop, granular synthesis, tape stop effects, heavy DJ cuts, syncopated industrial loop, resonant filter sweeps, hard stop breaks, dubwise bass drops, boom bap drum swing, call and response horn stabs, tape saturation
4:29

Opening with wailing electric guitar riffs drenched in heavy reverb, the track drives forward with pounding drums and muscular bass lines, Verses feature tight syncopation and chugging rhythm guitars, building toward explosive, soaring choruses packed with layered, harmonized vocals, A blistering, virtuosic guitar solo breaks out after the second chorus, before a final triumphant refrain cranks up the intensity, closing with a bold, extended power chord outro
2:11

A chaotic and avant-garde experimental hip-hop track featuring a fast-paced, conversational vocal delivery over a minimalist, glitchy beat, The production is characterized by a distorted, overdriven bassline and sharp, metallic percussion that creates a sense of tension and urgency, The vocals are dry and upfront in the mix, with occasional pitch-shifting and stutter effects applied to emphasize specific phrases, The song structure is non-linear, resembling a frantic dialogue or a stream-of-consciousness monologue rather than a traditional verse-chorus format, The tempo is approximately 140 BPM, with a rhythmic feel that shifts between straight and syncopated patterns, High-frequency electronic chirps and industrial noise textures are layered throughout, providing a harsh, abrasive atmosphere, The key is ambiguous, leaning towards a dissonant, atonal soundscape that complements the erratic nature of the performance
4:47

Opens with glitchy, minimalist hip-hop—distorted, urgent bassline, metallic clicks, fractured samples; rapid conversational raps, dry and pushed to the front, treated with pitch-shifting and stutter FX at key lines, Abruptly erupts into a blistering death metal breakdown: pounding double-kick, savage guitars, and guttural vocals, climaxing in layered chaos before a jarring, abrupt end
3:06

The Jerky Boys
Custom
jazz rap, boom bap, 94 BPM, swung 16th groove, punchy rimshot snare, upright bass plucks, brushed drum kit, muted trumpet riffs, string quartet stabs, vibraphone chords, turntable cuts, speaker-reactive sound effects, mono vocal delay, tape saturation, playful braggadocio, comic spoken word, hook-heavy refrains
3:27

big band jazz, 120 BPM, brushed snare swing, walking upright bass, muted trumpet plunger, tenor sax soli, trombone section stabs, vibraphone comping, concert piano voicings, string section swells, woodwind countermelody, orchestral brass hits, call and response, dynamic breakdowns, wide hall reverb, tape warmth, smoky late-night, swaggering uplift
2:09

Rizz Warz Introductions
Custom
80s arena rock, boom bap crossover, boxing announcer vocals, punchy tom fills, gang shout hooks, distorted rhythm guitars, melodic bass guitar, brass hit accents, synth brass stabs, stereo room reverb, tape saturation, gated snare, midtempo 92 BPM, swung backbeat, climactic build, victory swagger
2:21

Which Is It Dani?
Custom
jazz rap, boom bap, 94 BPM, swung 16th groove, punchy rimshot snare, upright bass plucks, brushed drum kit, muted trumpet riffs, string quartet stabs, vibraphone chords, turntable cuts, speaker-reactive fx, mono vocal delay, tape saturation, comic spoken word, playful braggadocio, hook-heavy refrains, late 90s mix, dry room sound, voice overs, left-field satire
3:41

Opening with wailing electric guitar riffs drenched in heavy reverb, the track drives forward with pounding drums and muscular bass lines, Verses feature tight syncopation and chugging rhythm guitars, building toward explosive, soaring choruses packed with layered, harmonized vocals, A blistering, virtuosic guitar solo breaks out after the second chorus, before a final triumphant refrain cranks up the intensity, closing with a bold, extended power chord outro
2:04

jazz rap, boom bap, 92 BPM, brushed drums, upright bass, jazz piano comping, muted trumpet hooks, string quartet stabs, vinyl crackle, tape saturation, mono horn punch, dry close-mic vocals, laid-back swing, call-and-response hooks, confident wit, late-night swagger
4:31

Vegan Meat Party
Custom
gothic rap-rock, synthwave drill, 142 BPM, half-time bounce, metallic guitar accents, arpeggiated dark synths, chorus-drenched bassline, cathedral synth pads, echoed toms, gated snare reverb, pulsing sub-bass, analog synth brass, sparse verse build, dense chorus lift, call-and-response hook, brooding midnight
1:40

Daveina
Custom
90s bubblegum pop, girl group vocals, 132 BPM, four-on-the-floor kick, syncopated rimshots, bright handclaps, stacked choruses, octave unison hooks, tambourine drive, glossy synth bass, bell synth layers, gated snare, chorus guitar jabs, tight stereo width, spring reverb, radio polish, uplifted swagger, breakneck hooks
5:29

glitch techno, dubstep reggae crossover, male spoken vocals, overlapping chatter, filtered vocal chops, wobble sub-bass, syncopated rimshots, distorted kick, metallic percussion, dub delays, gritty compression, stereo wideners, tempo shifts, halftime drops, anxious swagger, confrontational energy, 132 BPM, broken beat, dark disco synths
5:06

dancehall dubstep, dark rap-rock, 142 BPM, syncopated drum programming, wobble bassline, reggae guitar skanks, distorted power chords, chopped synth stabs, reverb-heavy lead guitar, sub-bass drops, plate reverb, delay throws, minor key groove, swaggering baritone, grimy club energy
3:26

Max Talks Sh%t
Custom
jazz rap, boom bap, 110 BPM, swung 16th groove, upright bass plucks, brushed drum kit, muted trumpet riffs, string quartet stabs, vibraphone chords, turntable cuts, mono vocal delay, dry room mix, speaker reactive fx, comic spoken word, hook heavy refrains, playful braggadocio, late-night grit
3:09

Sam The Bully
v5.5
jazz rap, boom bap, 94 BPM, swung 16th groove, upright bass plucks, brushed drum kit, muted trumpet riffs, string quartet stabs, vibraphone chords, turntable cuts, speaker-reactive fx, mono vocal delay, dry room mix, plate-less vocal space, late-night grit, playful braggadocio, comic spoken word, hook-heavy refrains
4:53

Bright, jangling electric guitars set a classic 60s western tone, joined by upright bass and punchy snare for a driving, toe-tapping rhythm, Steel guitar accents and harmonica fill the spaces, while gritty, commanding male vocals lead the story through rollicking verses and rowdy gang-chorus hooks


