4:58

Sin Killer
v5.5
Industrial metal and nu metal fused with industrial hardcore and hard techno: detuned 7-string guitar chugs, machine-tight palm mutes, distorted 909 kick, metallic snare cracks, and pounding sub drops, Aggressive male vocals ride with shouted gang layers, while abrasive synth drones, chain-rattle percussion, and saturated sidechained bass drive an intense, relentless mix
4:59

Stop And Think
v5.5
Angry nu metal fused with industrial metal: drop-tuned seven-string guitar chugs, syncopated stop-start riffs, pounding kick-snare rhythm, and grinding distorted synth layers, Baritone male voice spits through saturation, then opens into a raw, unfiltered shout, Metallic percussion, sidechained bass, and cold room ambience drive the heavy groove
4:34

Paradise Lost
v5.5
Nu metal groove with downtuned palm-muted guitars, a punchy breakbeat, and acoustic guitar strums weaving between verses, Solo violin doubles the riff in gritty unison, then adds sul ponticello tension, bow scrapes, and doubled harmony lines, Thick kick, snare crack, and compressed bass drive a tense, layered hybrid mix
5:04

Accusatory nu metal opener with downtuned electric guitars, percussive acoustic strums, and a huge heavy-metal wall of sound, Male vocals alternate gritty verses and powerful belted hooks, with syncopated palm-mutes, chunky bass, punchy live drums, and saturated distortion for a tight, aggressive, high-impact mix
5:57

Dark cathedral art-rock, 4/4, 108 BPM, Lyrics only, Solo male basso profundo entire song, Very low chest voice, grave powerful delivery, clear rhythmic phrasing, ancient fallen angel confession, Pipe organ, low cello, low strings, distant bell, steady rock drums, ritual pulse, dark sacred atmosphere, Verses intimate and tense, Choruses stronger and more driving, same low bass voice, Bridge deep and dramatic with organ drone and bell, Final chorus powerful, tragic, driving, led by solo basso profundo, Outro fades with organ and bell, melodic, slow, emotional, sad, female vocals, female voice
4:42

Contra Mundum
v5.5
Orthodox and Catholic chant layers in a resonant church hall, male lead vocals carrying a melodic chanting, Nu metal and heavy metal riffs with drop-tuned palm-muted guitars, punchy double-kick drums, distorted bass, and choir-like male harmonies, Dense, sacred-to-violent contrast with roomy reverb and gritty low-end
5:21

5:29

Nu metal and industrial metal with a fast, heavy metal pulse at a powerful 80 BPM, Drop-tuned guitars hit syncopated palm-muted chugs, layered with detuned synth drones, metallic machine-noise textures, and tight programmed drums, Melodic male vocals ride a harmonized chorus, with gritty verses and dense low-end punch
5:24

If Just One
v5.5
Slow nu metal and industrial metal at a heavy midtempo pulse, with drop-tuned palm-muted guitars, syncopated djent-leaning chugs, distorted bass, and metallic factory percussion, Male lead vocals move from heartfelt clean phrases to gritty screams, backed by gospel-style choir harmonies, organ pads, and huge snare hits for a sad-yet-uplifting lift
4:56

Im Your Heretic
v5.5
Aggressive nu metal and industrial metal fusion with detuned seven-string guitar chugs, syncopated palm-mutes, gritty hard rock power chords, and a pounding half-time groove, Distorted male vocals cut through dark synthwave arpeggios, analog polysynth pads, crushed kick, metallic percussion, and huge gang harmonies for an intense, powerful finish
4:38

Prophetess
v5.5
Nu metal and industrial metal at full tilt: down-tuned seven-string guitar chugs, punchy slap bass, machine-tight kick/snare, distorted synth pulses, and metallic percussion hits, Middle Eastern flute runs weave through Phrygian riffs, with powerful male lead and soaring female harmonies over dense, aggressive, high-energy heavy metal texture
