
Celtic sevdah
A narrative following Vladimir and Sean who just arrived in Belgrade, one night through the following morning, after being released from the Foreign Legion.
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12 songs
5:44

Pet godina (overture)
v4.5-all
80s synthwave celtic sevdah turbo-folk/outrun-folk fusion, Instrumentation, all with low pass filter and generated by PSX SPU: - lead: uillean pipes, bass: wall of distorted droning heavy guitars (generated by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: tin whistle doubling lead, Duet of two male vocals: white voice (A) + sean-nos (B), Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: heavy-hearted passacaille in quantized reel pattern in 40-50 bpm, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
4:54

Foreign legion Pascha
v4.5-all
macedonian turbo-folk/celtic outrun-folk fusion, Instrumentation, all with low pass filter and generated by Atari Jaguar's "Tom" and "Jerry" dual DSP - lead: serbian-style accordion (Dallape), bass: wall of distorted droning heavy guitars (generated by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: scottish great highland pipes doubling lead, Duet of two male vocals: white voice (A) + sean-nos (B), Constant speed throughout, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: festive passacaille in quantized irish 2/4 hornpipe pattern in 100-110 BPM, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
5:10

Letters
v4.5-all
macedonian turbo-folk/celtic outrun-folk fusion, Instrumentation, all with low pass filter and generated by Atari Jaguar's "Tom" and "Jerry" dual DSP - lead: serbian-style accordion (Dallape), bass: wall of distorted droning heavy guitars (generated by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: scottish great highland pipes doubling lead, Duet of two male vocals: white voice (A) + sean-nos (B), Constant speed throughout, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: festive passacaille in quantized irish 2/4 hornpipe pattern in 100-110 BPM, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
5:13

Round and round
v4.5-all
macedonian turbo-folk/celtic outrun-folk fusion, Instrumentation, all with low pass filter and generated by YM2612 soundchip - lead: serbian-style accordion (Dallape), bass: wall of distorted droning heavy guitars (generated by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: tin whistle + fiddle doubling lead, Dialogue between two male vocals: протяжный (A) + sean-nos (B), Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: festive passacaille in quantized irish treble jig pattern in 100-110 BPM, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
6:36

80s synthwave celtic karasevdah turbo-folk/outrun-folk fusion, Instrumentation, all with low pass filter and generated by Atari Jaguar's "Tom" and "Jerry" dual DSP - lead: uillean pipes, bass: wall of distorted droning heavy guitars (generated by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: irish bouzouki with sawari buzz doubling lead, Male sean-nos vocals, Constant speed throughout: locked to grid from beginning to end, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: florid passacaille in quantized inverted račenica in 90-100 bpm, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
6:39

Parking and barking
v4.5-all
macedonian turbo-folk/celtic outrun-folk fusion, Instrumentation with bourdon setup, all with low pass filter and generated by YM2612 soundchip - lead: wall of distorted droning heavy guitars (generated by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly; bass: distorted bass guitar, Accents: serbian-style accordion (Dallape) doubling lead, Dialogue between two male vocals: протяжный (A) + sean-nos (B), Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: sad passacaille in quantized evolving račenica with silsilah breathing space pattern in 100-110 BPM, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
5:33

80s synthwave celtic sevdah turbo-folk/outrun-folk fusion, Instrumentation, all with low pass filter and generated by PSX SPU: - lead: uillean pipes, bass: wall of distorted droning heavy guitars (generated by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: tin whistle doubling lead, Female sean-nos vocals, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: heavy-hearted passacaille in quantized reel pattern in 40-50 bpm, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
7:03

Clear dawn
v4.5-all
macedonian turbo-folk/celtic outrun-folk fusion, Instrumentation, all with low pass filter and generated by Atari Jaguar's "Tom" and "Jerry" dual DSP - lead: serbian-style accordion (Dallape), bass: wall of distorted droning heavy guitars (generated by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: scottish great highland pipes doubling lead, Dialogue between two male vocals: протяжный (A) + sean-nos (B), Constant speed throughout, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: festive passacaille in quantized irish 2/4 hornpipe pattern in 100-110 BPM, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
6:11

One way trip
v4.5-all
macedonian turbo-folk 80s synthwave/celtic outrun-folk fusion, Instrumentation with bourdon setup, all with low pass filter and generated by YM2612 soundchip - lead: tin whistle; bass: wall of distorted droning heavy guitars (generated by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: serbian-style frula or kaval, Plerurnichard male sean-nos vocals, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: sad passacaille in quantized evolving račenica with silsilah breathing space pattern in 100-110 BPM, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
4:38

Ticket for a new life
v4.5-all
macedonian turbo-folk 80s synthwave/celtic outrun-folk fusion, Instrumentation with bourdon setup, all with low pass filter and generated by YM2612 soundchip - lead: weeping irish fiddle; bass: wall of distorted droning heavy guitars (generated by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: weeping serbian-style fiddle, Male протяжный vocals, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: sad passacaille in quantized marching reel with silsilah breathing space pattern in 140-150 BPM, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
6:21

Pet godina (closure)
v4.5-all
80s synthwave celtic sevdah turbo-folk/outrun-folk fusion, Instrumentation, all with low pass filter and generated by PSX SPU: - lead: uillean pipes, bass: wall of distorted droning heavy guitars (generated by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: tin whistle doubling lead, Duet of two male vocals: white voice (A) + sean-nos (B), Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: heavy-hearted passacaille in quantized reel pattern in 40-50 bpm, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
4:57

macedonian turbo-folk/celtic outrun-folk fusion, Instrumentation, all with low pass filter - lead: serbian-style accordion (Dallape), bass: wall of distorted droning heavy guitars (generated by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: Irish war pipes (píob mhór) doubling lead with reedy attack and minimal ornamentation, Female sean-nos vocals, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: festive passacaille in quantized slip jig pattern in 130-140 BPM, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
