4:39
Infernal Embrace
v4.5-all
tremolo-picked guitars, dark, metal, guttural growls, lilith, and ominous synth textures, slow, black metal, demonic black metal with eerie atmospherics
5:57
Upon broken altars
v4.5-all
metal, Slow, abyssal blackened doom; downtuned guitars drag in half-time with dissonant tremolo bursts, grim bass locked to a cavernous, unrelenting kick, Vocals shift between tortured shrieks and low growls, with sparse, bleak lead guitar lines hanging over the mix like fog, Long, ringing chords and sudden silences build suffocating tension; cymbals bleed into distant reverb to keep everything dark, brooding, and crushing, slow, black metal
4:14
Tithes of the Damned
v4.5-all
metal, Classic blast-beat death metal, drop-tuned guitars with dissonant tremolo riffs and pinch harmonics, bass locked to double-kick for a churning low-end wall, Vocals shift from guttural growls to higher screeches on key words, Verses are tight and relentless, chorus opens slightly with half-time groove and gang shouts, Brief chromatic solo in the bridge, then final breakdown slams into an abrupt stop, soul, death metal
3:31
Serpent Gospel
v4.5-all
metal, Brutal death metal with guttural male vocals, down-tuned guitars chugging in triplets, relentless double-kick, and dissonant tremolo riffs, Verses stay tight and claustrophobic; chorus drops into a half-time hammering groove with layered growls and high shrieks, Brief atonal lead in the bridge, then a final slam breakdown with gang shouts and nasty pinch harmonics, death metal, soul
6:31
Thrones Of Rust
v4.5-all
metal, Slow, oppressive black metal; downtuned guitars in a crawling tremolo wall, double-kick in waves instead of blasts, Male vocals: deep, cavernous growls with occasional tortured shrieks; bass grinds under a dissonant lead line, Choruses open into massive, chanting gang vocals and tolling bells, with reverb-drenched ambience thick as smoke, slow, black metal
6:14
Goetia In My Grimoire
v4.5-all
Crushing doom-metal crawl, dropped-tuned guitars in a slow tritone riff, male vocals alternating between low chant and tortured scream, Sparse tom-heavy drums, bass grinding with slight fuzz, Verses feel ritualistic and restrained, chorus swells with stacked gang vocals like a cult, Occult choir pads and distant bell hits glue sections, with a feedback-drenched guitar lead in the bridge, slow
3:52
Ashes on Her Halo
v4.5-all
metal, Bleak, mid-tempo black metal with tremolo-picked guitars, dissonant chords, and relentless double-kick, Vocals shred between cavernous growls and tortured shrieks, with rare low-chant harmonies in the chorus, Drums stay furious, with blasting in verses and half-time crush in the hook, Guitars layer icy melodies over a thick, grimy rhythm; bass grinds in unison, Sudden stops and feedback swells underline key lines for maximum impact, black metal
4:52
Children of Samael
v4.5-all
metal, Cathedral-sized blackened metal: tremolo-picked minor-key guitars, dissonant chords, and blast beats under cavernous male vocals, Verses are mid-tempo and atmospheric with tolling bells, pipe-organ swells, and choral pads; chorus drops into a half-time stomp with layered screams and low chants, Reverb-drenched production, distant choral screams, and orchestral hits push a Gothic, apocalyptic mood
5:56
Graveyard Where My Angel Fell
v4.5-all
metal, Slow, suffocating blackened death metal dirge: detuned guitars in a crawling tempo, tolling church bells, and towering pipe organs swelling like a funeral mass, Male vocals alternate between cavernous growls and anguished high shrieks; drums move from plodding, spacious hits to rolling double-kicks in climactic moments, Mix drenched in reverb to feel like singing from an open grave in a ruined cathedral, slow, black death
4:23
Desecrate the Holy
v4.5-all
metal, Abyssal blackened death assault: blastbeat barrage, tremolo-picked minor-key riffs, downtuned guitars, cavernous bass, Vocals switch between guttural growls and high shrieks, Atmosphere built with dissonant chord swells and reverb-drenched lead lines, Mid-song break opens into a towering, melodic-yet-dissonant guitar solo before snapping back into relentless speed, black death, worship