connected with TRUTHFIGHTWARRIOR Songs
This are cover songs or songs inspired by TVW
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13 songs
8:00
5:56
A glorious rock symphonic & choir piece, female LEADS A harmonic Duet with Male vocals answering to capture attention & set the tone for escalation into orchestral instrumentation full of spiritual awakening awareness, Early verses are fueled by radiant electric violins, Gorgeous harp arpeggios dance with female, & fanfare brass mid journey progressing through start to conclusion, The choral harmonies SING intricate overlapping voices for richness, A SOARING INTRICATE ELECTRIC GUITAR SOLO SHINES AS SONG INTERLUDE, Verses float on warm keys, crisp percussion, soaring electric guitars, hanging bells, timpani, and cymbals appearing and building for powerful emphasis as we near conclusion, with shimmering triangles, anchored by continuous rich string section, Choruses explode with bold melodic choir harmonies, each break bigger, The bridge peaks as strings and woodwinds and vocals trade duet positions, full choir & orchestral glory at conclusion fading into a soft realization of BEING
6:02
A glorious rock symphonic and choir piece beginning as male and female harmonic a cappella intro to capture attention and set the tone for escalation into orchestral instrumentation full of spiritual awakening awareness, early verses are fueled by radiant electric violins, harp arpeggios and fanfare brass mid journey progessing through start to conclusion, The choral vocal harmonies are rich and intricate overlapping voices in the intro for richness, Verses float on warm keys, crisp percussion including hanging bells, timpani, and cybals appearing and building for powerful emphasis as we near conclusion, with shimmering triangles, anchored by continuous rich string section, Choruses explode with bold melodic choir harmonies, each break bigger, The bridge peaks as strings and woodwinds and vocals trade duet postions and escalate, pushing to an emotional zenith, song with a cappello intro and full choir and orchestral glory at conclusion fading into a soft realization of BEING
5:02
FEMALE Metal Vocals, riff-heavy electric guitar leading the charge, layered multi voice Chior like harmonies, and a tight syncopated rhythm section drive the verse-chorus-prechorus dynamics, The drums deliver punchy kick-snare hits, bass locks to the groove, and the guitar features soaring, delayed solos, A bold bridge spotlights instrumental interplay before a triumphant final chorus, all with a focused mix that puts the commanding vocals up front and reverb heightening their impact, The energy escalates into choral art rock orchestration with timpani and hanging bells declare A NEW NOW RISE
5:25
A soulful pop-rock track fueled by radiant electric guitar lines, stacking overlapping vocals in the intro for richness, Verses float on warm keys, crisp drums, and open textures, anchored by continuous bass, Choruses explode with bold melodic guitar, each break bigger, The bridge peaks as guitars and vocals trade and escalate, pushing to an emotional zenith, song with outro !
5:33
SlavicFolk/Prog-RockBallad|BlendsRawAcousticHonestyOfPol/UkrFolk(MinorKeys, ModalScales)WithExpansive, TechnicalStructureOf70sProg-Rock(Yes-Rush-SBB-Czesław_Niemen)Tempo|Slow(~60–70Bpm)InVerses|RisesSignificantlyInChoruses&InstrumentalBreaks, MustIncludeOneTempoChange(e, g, RitardandoBeforeBridge, AShiftTo9/8TimeInSolo)Vocals|Pure, FemaleLead|MustConveyVulnerabilityInVerses&Powerful, DefiantCertaintyInChoruses(ATransitionFromLamentToAnm)VocalDeliveryShouldBeHighlyEmotive, DrawingOnSlavicŻal(SorrowfulLonging)Instr|AcousticGuitar/Domra/Bandura|CoreMelodyBuiltOnAnAcousticInstrument, GivingItAFolkFounda, ElecGuit&SynthsAdd"Prog"Layers|NarrativeArcMovesFromBetrayal/Victimhood→Defiance/Self-Reliance(PhoenixMetaphor)|LyricalStructureProvidedStrictlyFollowed
MandatoryFolkElement:SoloSectionMustFeatureAMomentWhereElectricGuitarMomentarilyMimicsATraditionalFolkInstrument(=RapidPickingThatSoundsLikeCimbalomOrDomra)Before→SoaringRockLead|DynamicRange:ContrastBetweenSparse, QuietVersesAndBombastic Choruses
7:19
72 BPM, swampy&unhurried, late-night bayou jam dripping with humidity&mystery, thick with that “‘Weezianna” (Louisiana) flavor|The groove feels like it’s drifting on water under Spanish moss|Dobro slide guitar leads with a 0:30 solo intro, twangy and mournful, establishing the mood before vocals enter|Dobro also reappears for short interludes between verses&before the final fade-out|Picked Banjo provides accent stabs&syncopated fills/never overpowering but/adding percussive bite|Fiddle weaves in slow, soulful lines, bluesy counterpoint|Upright bass (walking, resonant) grounds the piece|brushed snare and hi-hat, a soft shush that feels like water lapping against a boat|Lead male voice in a heavy Cajun/Louisiana drawl, slow phrasing, words dragged like molasses, thick with dialect|Female backing vocals, sweet echoes, call-and-response|deep, mysterious, and foggy—like a swamp at midnight|Dobro's the “crying soul” of the piece
6:04
SlavicFolk/Prog-RockBallad|BlendsRawAcousticHonestyOfPol/UkrFolk(MinorKeys, ModalScales)WithExpansive, TechnicalStructureOf70sProg-Rock(Yes-Rush-SBB-Czesław_Niemen)Tempo|Slow(~60–70Bpm)InVerses|RisesSignificantlyInChoruses&InstrumentalBreaks, MustIncludeOneTempoChange(e, g, RitardandoBeforeBridge, AShiftTo9/8TimeInSolo)Vocals|Pure, FemaleLead|MustConveyVulnerabilityInVerses&Powerful, DefiantCertaintyInChoruses|IntenseCelloLeadSolos|VocalDeliveryShouldBeHighlyEmotive, DrawingOnSlavicŻal(SorrowfulLonging)Instr|AcousticGuitar/Domra/Bandura|CoreMelodyBuiltOnAnAcousticInstrument, GivingItAFolkFounda, ElecGuit&SynthsAdd"Prog"Layers|NarrativeArcMovesFromBetrayal/Victimhood→Defiance/Self-Reliance(PhoenixMetaphor)|LyricalStructureProvidedStrictlyFollowed
MandatoryFolkElement:SoloSectionMustFeatureAMomentWhereElectricGuitarMomentarilyMimicsATraditionalFolkInstrument(=RapidPickingThatSoundsLikeCimbalomOrDomra)Before→SoaringRockLead|DynamicRange:ContrastBetweenSparse, QuietVersesAndBombastic;ElectricCello
6:12
SlavicFolk/Prog-RockBallad|BlendsRawAcousticHonestyOfPol/UkrFolk(MinorKeys, ModalScales)WithExpansive, TechnicalStructureOf70sProg-Rock(Yes-Rush-SBB-Czesław_Niemen)Tempo|Slow(~60–70Bpm)InVerses|RisesSignificantlyInChoruses&InstrumentalBreaks, MustIncludeOneTempoChange(e, g, RitardandoBeforeBridge, AShiftTo9/8TimeInSolo)Vocals|Pure, FemaleLead|MustConveyVulnerabilityInVerses&Powerful, DefiantCertaintyInChoruses|IntenseCelloLeadSolos|VocalDeliveryShouldBeHighlyEmotive, DrawingOnSlavicŻal(SorrowfulLonging)Instr|AcousticGuitar/Domra/Bandura|CoreMelodyBuiltOnAnAcousticInstrument, GivingItAFolkFounda, ElecGuit&SynthsAdd"Prog"Layers|NarrativeArcMovesFromBetrayal/Victimhood→Defiance/Self-Reliance(PhoenixMetaphor)|LyricalStructureProvidedStrictlyFollowed
MandatoryFolkElement:SoloSectionMustFeatureAMomentWhereElectricGuitarMomentarilyMimicsATraditionalFolkInstrument(=RapidPickingThatSoundsLikeCimbalomOrDomra)Before→SoaringRockLead|DynamicRange:ContrastBetweenSparse, QuietVersesAndBombastic;ElectricCello
3:09
Journey
v5
Modern folk track opens with layered acoustic guitar and crisp, propulsive drums, establishing an intimate pulse, Raw, expressive lead vocals cut through, backed by minimal bass, Choruses elevate with airy synth pads, swirling psychedelic guitar, sparse harmonies, and haunting effects, delivering a melancholic happy yet edgy soundscape
4:31
[Title]
(Insert Final Title Here)
[Genre]
Heavy Metal / Instrumental
[Key]
E Minor
[Tempo]
Fast (Approx, 180–200 BPM)
[Instrumentation]
- Lead: Distorted Electric Guitar (primary melodic and rhythmic driver)
- Rhythm Guitar: Doubled, high-gain tone for width and power
- Bass Guitar: Low-end mirror of guitar riff with occasional fills
- Drums: Tight, aggressive kit; frequent double-bass pedal and cymbal crashes
[Structure]
- Intro: Solo guitar riff (8 bars) → full band drop-in
- Main Riff: Driving, repetitive progression in E minor
- Bridge/Breakdown: Slight variation of riff; half-time drums or syncopation
- Solo Section: Lead guitar showcases melodic runs and pinch harmonics
- Outro: Return to main riff with extended sustain and fade or abrupt stop
[Sound Design & Production]
- Guitars: Heavy distortion (high gain, tight mids, controlled low end)
- Bass: Present, slightly gritty, locked to kick drum pattern
- Drums: Punchy, compressed; double-bass emphasizes momentum
- Overall M