ADM - The War and Home

indie alt-rock, southern rock undertones, mid-tempo driving energy, jangly electric guitars, hard-hitting live drums, expressive male tenor with raspy growls and on-pitch screams, heartland production, no programmed drums, polished studio production

indie alt-rock, southern rock undertones, mid-tempo to slow, acoustic and electric guitars layered, brushed drums on verses opening to full kit on chorus, expressive male tenor with rasp on hooks, americana drift, no programmed drums

indie alt-rock, southern rock undertones, up-tempo driving energy, jangly electric guitars with crunchy power chords on choruses, hard-hitting live drums, expressive male tenor with raspy growls and on-pitch screams on hooks, heartland production with grit, no programmed drums

americana folk, sparse and reflective, fingerpicked acoustic guitar, soft brushed snare, upright bass, expressive male tenor with subtle rasp, no screams, intimate close-mic vocal, room sound, no programmed drums, no electric guitar

indie alt-rock, garage rock energy, up-tempo driving rhythm, crunchy electric guitars with rhythm hooks, hard-hitting live drums with cracking snare, prominent bass, expressive male tenor with shouted backing vocals on chorus, raw heartland production, no programmed drums, no autotune

americana, slow-to-mid tempo, fingerpicked acoustic guitar lead, pedal steel, quiet electric guitar layered, brushed snare with upright bass, expressive male tenor with subtle rasp, intimate vocal, warm heartland production, no programmed drums, no autotune

indie alt-rock, mid-tempo with builds, restrained verses opening to heavy distorted guitars on choruses, hard-hitting live drums with thunderous tom fills, expressive male tenor with raspy growls and on-pitch screams on hooks, dark cinematic weight, heartland production with grit, no programmed drums, no autotune

indie alt-rock, up-tempo and loose, crunchy jangly electric guitars, hard-hitting live drums with loose feel, prominent melodic bass, expressive male tenor with raspy warmth and group shout on chorus, celebratory heartland production, no programmed drums, no autotune

indie alt-rock, mid-tempo reflective, acoustic and electric guitars layered, brushed snare opening to full kit on choruses, pedal steel underneath, expressive male tenor with controlled rasp, intimate close-mic vocal, heartland production, no programmed drums, no autotune

indie alt-rock, mid-tempo with explosive choruses, restrained verses with clean guitar, full distorted guitars and crashing cymbals on choruses, hard-hitting live drums with cracking snare, expressive male tenor with raspy growls on verses and on-pitch screams on chorus peaks, raw heartland production, no programmed drums, no autotune

indie alt-rock, slow burn with builds, restrained clean guitars opening to heavy distorted chords on chorus, hard-hitting live drums with sparse verse pattern building to full kit, expressive male tenor with controlled rasp building to on-pitch screams on chorus, dark and weighted production, no programmed drums, no autotune

indie alt-rock, garage rock energy, up-tempo and loose, crunchy distorted electric guitars with driving rhythm, hard-hitting live drums with loose snare and crashing cymbals, prominent bass line, expressive male tenor shouting verses with raspy growls, female and male group vocals on chorus, raw production with live room bleed, no programmed drums, no autotune, ‑no female voice in song

americana folk, slow and sparse, expressive male tenor with exhausted rasp, intimate close-mic vocals, fingerpicked acoustic guitar, pedal steel, upright bass, brushed snare, no electric guitar, no programmed drums, no autotune

indie alt-rock, slow build from sparse to heavy, piano opening moving to acoustic then full electric band, hard-hitting live drums entering after first chorus, expressive male tenor starting near-whispered building to on-pitch screams on final chorus, dark weighted production, no programmed drums, no autotune, no female vocals

indie alt-rock, anthemic and driving, full electric band from the first note, crunchy jangly guitars with power chord choruses, hard-hitting live drums with driving kick and crashing cymbals, prominent melodic bass, expressive male tenor with raspy power building to on-pitch screams on final choruses, male group shout on chorus, massive heartland production, no fade ending, no programmed drums, no autotune, no female vocals