Die Sonette an Orpheus_Part I - Reiner Maria Rilke
Following the tradition of German Lieder.
The poems have been set to music in their original language.
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27 songs
4:13
KEEP this melody, Piano solo, Pronounce the German words better, especially the first line, ‑Modern, ‑electronic instruments, ‑hip-hop, ‑rap, ‑rock, ‑pop, ‑drum
2:37
EXACTLY THE SAME SONG, ONLY MAKE THE TENOR VOICE LOUDER, AND CLEARER, ‑modern instruments, ‑hip hop, ‑rap, ‑rock, ‑pop
2:59
Mood: Existential, melancholic, deep, intense, meditative, philosophical, Camera ensemble (piano, cello, viola, and violin), MALE classical, operatic voice, Poignant, intense, German, 19th-century romantic melody, Follow Romantic German Lieder in Richard Strauss' and Wagner's style, ‑Modern instruments, ‑drum, ‑pop, ‑rock, ‑hip hop, ‑rap
1:49
German 19th-Century Lied, Mood: existential, philosophical, deep, melancholic, a reflection around life and death, Piano solo, MALE tenor voice, The accompanying piano will be polyphonic, doing counterpoint with the singer, Follow Schumann's and Wolf's style, Harmony: complex chords flowing with Wagner-style modulations to add complexity, Melody: beautiful, with contrasts between high-pitched and low notes, ‑modern instruments, ‑electronic ambient, ‑pop, ‑hip hop, ‑rap, ‑rock, ‑drum
2:59
German 19th-Century Lied, Mood: existential, philosophical, deep, melancholic, a reflection around life and death, the myth of Orpheus, and the meaning of time, Piano solo, FEMALE soprano voice, The accompanying piano will be polyphonic, doing counterpoint with the singer, Follow Wagner's style, with longer musical phrases, Harmony: complex chords flowing with Wagner-style modulations to add complexity, Melody: beautiful, with contrasts between high-pitched and low notes, ‑modern instruments, ‑electronic ambient, ‑pop, ‑hip hop, ‑rap, ‑rock, ‑drum
2:40
German 19th-Century Lied, Mood: existential, philosophical, deep, melancholic, a reflection around life and death, the myth of Orpheus, and the meaning of time, Piano solo, FEMALE mezzo-soprano voice, The accompanying piano will be polyphonic, counterpointing with the singer, The music will follow Brahms's style, with longer musical phrases, Harmony: complex chords flowing with Brahms-style modulations to add complexity and color to the chords and melody, Melody: beautiful and somber, with contrasts between high-pitched and low-pitched notes, ‑modern instruments, ‑electronic ambient, ‑pop, ‑hip hop, ‑rap, ‑rock, ‑drum
3:28
KEEP the song as is, fix the sound in the first line, and add an ending with piano solo
2:33
German 19th-Century Lieder, Piano solo and female soprano voice, The piano plays a brief introduction (4 compasses) before the soprano sings, The voice sounds clear and loud, Mahler's style, Mood: melancholic, sad, but majestic, It describes a lament that sometimes leads to fruition and happiness, Melody: complex but tender, romantic, and beautiful, Complex and dark chords that bloom into open, bright harmonies, Pay attention to the correct pronunciation of the German words, ‑Modern instruments, ‑electronic ambient, ‑pop, ‑rock, ‑hip hop, ‑rap
2:39
German 19th-Century Lieder, Schumann’s style: complex and dark chords, intricate melody, MALE tenor voice, Piano solo, Melody: complex, intense, melancholic, prophetic, premonitory, beautiful, and romantic
2:25
German 19th-Century Lieder, Brahms' style; complex, modulating chords, Piano solo and male, baritone voice, Tempo: vivace ma non troppo, medium-pace, some rubato for piano and voice, Mood: somber, meditative, existential, anxious, Melody: beautiful, mysterious, some high-pitched notes, ‑modern instruments, ‑hip hop, ‑pop, ‑rap, ‑rock
2:36
SAME SONG, SAME MELODY, UNIFY AND CLARIFY THE MALE CONTRA-TENOR VOICE, ONLY Piano part orchestrated for a full orchestra, ‑modern instruments, ‑rap, ‑hip hop, ‑rock, ‑pop
4:19
Late Romantic and early 20th-century German Lieder, Male tenor voice with Orchestral Accompaniment, Piano with full orchestra, Mood: philosophical, existential, dark, intense, deeply introspective, Harmony: complex chords with modulations, Melody: stunningly beautiful, colorful, rich in rubato and pitches, Tempo: Largo ma non troppo, Examples: Mahler’s orchestral songs (Rückert-Lieder, Das Lied von der Erde), and Strauss’s Vier letzte Lieder, ‑Modern instruments, ‑guitar, ‑rock, ‑pop, ‑hip hop, ‑rap
2:59
German 19th-Century Lieder based on Rilke's poem, Piano and full orchestra, Female soprano voice, Mood: reflexive, mysterious, clear but meditative, grave but luminous, Melody: clear, beautiful, playing counterpoint with the orchestra and the piano, The orchestra and piano play chord waves in blocks, wrapping the voice in a mysterious but dynamic atmosphere, Example: Schumann's Lieder but with orchestral arrangement, ‑Modern instruments, ‑pop, ‑hip hop, ‑rap, ‑rock
2:52
19th-Century German Lied and sing it with a male, tenor, classical, operatic voice!!!
Piano and full orchestra, Beautiful melody, pensive but hopeful, I NEED a male tenor voice that is strong and projected, Tenor and soprano sing together in duet the last stanza, Example: Schumann's and Strauss' Lieder, ‑MODERN instruments, ‑rap, ‑hip hop, ‑rock, ‑pop
3:02
MODIFY THE LAST STANZA, The las line retakes the previous rythm and is sung by the Soprano only, German 19th-Century and 20th-Century Lieder, Full symphonic orchestra, Tenor and Soprano in a Duett, Majestic, deep, reflexive, philosophical, and an exhortation to love and truth, Astonishingly beautiful melody intertwining the two voices of tenor and soprano, Example: Wagner, Mahler, and Bruckner, ‑modern music and instruments, ‑hip hop, ‑rock, ‑pop, ‑rap
2:25
German 19th-Century and 20th-Century Lieder, Full symphonic orchestra, Male, tenor voice, The music is majestic, rich in chord modulations, deep, reflexive, philosophical, and an exhortation to love and truth, Astonishingly beautiful melody in counterpoint with the orchestra, Example: Wagner, Mahler, and Bruckner, Classical, operatic, ‑modern music and instruments, ‑hip hop, ‑rock, ‑pop, ‑rap
2:27
German 19th-Century and 20th-Century Lieder, piano solo, Tenor voice, operatic, classical, The music is majestic, noble, rich in modulations, deep, reflexive, philosophical, An astonishingly beautiful, complex melody, Example: Schubert, Schumann, Wolf, ‑modern music, ‑pop, ‑hip hop, ‑rap, ‑rock, ‑musical
2:23
Brief symphonic poem for full orchestra and mixed choir, German Late Romanticism and early 20th-century choral music, Mood: introspective, pessimistic, dark, between fear and despair, Melody: beautiful, intensely romantic, with contrasts between low- and high-pitches, The music flows majestic and grandiose, ‑modern music, ‑pop, ‑hip hop, ‑rap, ‑rock, ‑musical
2:18
Late Romantic German Lieder, Female soprano voice with Orchestral Accompaniment, Piano with full orchestra, Mood: philosophical, existential, dark, intense, deeply introspective, Harmony: complex chords with modulations, Melody: stunningly beautiful, colorful, rich in rubato and pitches, Examples: Mahler’s orchestral songs (Rückert-Lieder, Das Lied von der Erde), and Strauss’s Vier letzte Lieder, ‑Modern instruments, ‑musical, ‑hip hop, ‑rap, ‑pop, ‑rock
3:12
Use this same song, Correct the pronunciation, Correct the last word, DO NOT add other words, Stick to the lyrics as is, Change to a male tenor voice, ‑Modern instruments, ‑Broadway musical, ‑hip hop, ‑rap, ‑pop, ‑rock
3:24
Keep the song as is, Same extension, Make the soprano voice classical and operatic, Ensure to pronounce the German lyrics correctly, Do not invent words
2:24
19th-Century German Lieder, Male tenor voice with Symphonic Orchestral Accompaniment, Tempo: Andante
Mood: philosophical, existential, intense, deeply introspective, Harmony: complex chords with modulations, Melody: stunningly beautiful, colorful, rich in rubato and high and low pitches, Examples: Mahler’s orchestral songs (Rückert-Lieder, Das Lied von der Erde), and Strauss’s Vier letzte Lieder, ‑Modern instruments, ‑Broadway-musical, ‑hip hop, ‑rap, ‑pop, ‑rock
3:11
USING THIS MELODY, ADD THE LYRICS PROVIDED, SING WITH A SOPRANO VOICE, FOLLOWING OPERATIC, CLASSICAL STYLE, ‑Modern instruments, ‑Broadway-musical, ‑hip hop, ‑rap, ‑pop, ‑rock
3:28
19th-century German Lieder, Baritone and camera quartet, Rhythm andante maestoso (at a walking pace, majestic, with dignity and grandeur): 80–100 BPM, Melody will be intense, ominous, and dark, The mood is deeply melancholic, existential, Ensure to pronounce the German lyrics correctly, Example: Schubert and Schumann's Lieder, ‑Modern instruments, ‑Broadway-musical, ‑hip hop, ‑rap, ‑pop, ‑rock
3:51
Compose a 19th-century German Lied in the style of Wagner, Piano and tenor, Use rich chromaticism, Wagnerian leitmotifs, and Mahler-like tenderness and silences, The mood is majestic, melancholic, noble, and existential, Melody is beautiful, complex with low and high-pitched notes, and voice–piano counterpoint, Be inspired by this beautiful poem by Rainer Maria Rilke, Rhythm will be energetic, fast, and dynamic, Ensure you pronounce the German lyrics correctly, ‑Modern instruments, ‑Broadway-musical, ‑hip hop, ‑rap, ‑pop, ‑rock
3:19
Keep the song as is, The singer is a male, strong tenor voice, Add also full orchestra to the piano, ‑Modern instruments, ‑musical, ‑hip hop, ‑pop, ‑rock, ‑rap
4:06
Keep the melody and harmony of the song as they are, Fix the ending of the song, Pronounce clearly and don’t repeat the same note