2:42
2:49
chanson alt-pop, energetic, dramatic, field recording
2:29
chanson alt-pop, energetic, dramatic, field recording
3:05
A gritty, distorted waltz-rock song built on saturated tube-amp guitar riffs, dramatic tom-heavy drums, and layered baritone vocal growls, Echoes of theatrical hard rock and progressive metal ballads emerge through a slow, swinging 3/4 rhythm, The vocals remain hallucinatory but now resemble a tribal chant over roaring harmonic swells, Reverb-drenched cymbals and reverse-delay fills enhance its ritualistic edge
3:22
A gritty, distorted waltz-rock song built on saturated tube-amp guitar riffs, dramatic tom-heavy drums, and layered baritone vocal growls, Echoes of theatrical hard rock and progressive metal ballads emerge through a slow, swinging 3/4 rhythm, The vocals remain hallucinatory but now resemble a tribal chant over roaring harmonic swells, Reverb-drenched cymbals and reverse-delay fills enhance its ritualistic edge
3:29
A gritty, distorted waltz-rock song built on saturated tube-amp guitar riffs, dramatic tom-heavy drums, and layered baritone vocal growls, Echoes of theatrical hard rock and progressive metal ballads emerge through a slow, swinging 3/4 rhythm, The vocals remain hallucinatory but now resemble a tribal chant over roaring harmonic swells, Reverb-drenched cymbals and reverse-delay fills enhance its ritualistic edge
2:58
An occult ambient-horror synth track in waltz tempo, blending whispery modular synth pulses, detuned organ drones, and reversed vocal fragments, Vocal hallucinations echo like exorcism rites performed in a foggy cathedral, Reverb swells and granular crackles ripple beneath minimal percussion and bass sub-rumbles, The track breathes, stutters, and melts with every measure
2:19
A ritual a cappella performance in waltz time, with layered male and female glossolalia voices performing call-and-response invocations, The only instrumentation is the human voice — claps, breaths, and ghost-like hums serve as percussive textures, Tonal drones and rhythmic syllabic swells form the base, gradually building intensity before soft release, Echoes of sacred polyphony and spiritual folk rites
2:29
A ritual a cappella performance in waltz time, with layered male and female glossolalia voices performing call-and-response invocations, The only instrumentation is the human voice — claps, breaths, and ghost-like hums serve as percussive textures, Tonal drones and rhythmic syllabic swells form the base, gradually building intensity before soft release, Echoes of sacred polyphony and spiritual folk rites
3:34
A dreamlike blend of slowed-down trap and ambient waltz textures, The rhythm floats in 3/4 time, grounded by lo-fi phonk drums with brushed snares, soft hi-hats, and deep sub-bass pulses, The melodic layer is built from reversed electric piano, filtered analog pads, and cassette-aged textures, Vocals are glossolalic and hypnotic — whispered syllables and syllabic chanting drifting over the beat like smoke, creating an illusion of language, Echoes and micro-delays wrap the voice in a fog of reinterpretation, The mood is both dreamy and unsettling, evoking a late-night lucid dream, Production is saturated but sparse, with spatial reverb and tape flutter rounding out the surreal phonk-lullaby aesthetic
2:36
A reverent, slow-burning waltz structured as a ghost-gospel chant and sacred drone-folk hymn, The rhythm sways in 3/4, driven by bowed drone instruments (harmonium, shruti box, cello) layered with footstomp percussion and breath-hum pulses, Glossolalic vocals rise in layered call-and-response, resembling a lost spiritual language carried through weathered voices, Female and male voices alternate, forming dissonant harmonies and looped invocations, Cassette saturation, old field-recording textures, and reverb reminiscent of wooden churches create a haunting, devotional mood, It is not a song of belief — but of remembering belief, Every repetition fades into the eternal hush