Live Frequency

Live festival opener, then drops into the rest of the song, Start with loud crowd cheers/whistles (2–4 bars), Optional short MC pre-roll (outside the song), then instrumental intro hook, Core: cinematic trip-hop backbone → loop-driven big-beat drums; ultra-low resonant sub; analog pads; tape-wobble keys; gritty percussive engine; wide stereo; 1-bar breath mute before drops, Vocals policy: ONE hook only by Vashyn (pronounced “Vash-On”), sing the written lines verbatim—no ad-libs, no extra lyrics, After the hook, trigger a giant bass drop with full-time breakbeat and perceived double-time hats, Energetic, optimistic, rebel-unite mood, 4/4, ~98 BPM, minor with bright color tones, End widescreen and triumphant

A full orchestra, symphonic cinematic theme, epic build to chemical beats, 808 deep bass, minimal vocals, very short, under 2 minutes

Instrumental only, 82 BPM, 4/4, Cinematic noir trip-hop meets minimal, phasey electronica with DJ-style turntablism, Dirty break layered with a tight live kit (tape-saturated, roomy), deep mono sine-sub + gritty picked bass, detuned Wurlitzer/electric piano through band-passed dub delays, glassy polysynth doing a 5-over-4 ostinato (subtle nod to odd-meter feel, but keep the grid 4/4), Vinyl crackle + city field texture low in mix, DJ elements: transformer cuts, chirps, flares, baby scratch fills; tasteful spinbacks at section turns; no tonal sample quotes, Brooding post-rock guitars = low-passed, wide, textural only (not lead), Mix: dark plate on guitars, long stereo autopan on keys, parallel drum crush, mono’d sub <100 Hz, gentle bus glue 2:1, Vibe: late-night freeway, vapor lights, slow tension → release, Form (longest duration): Field-noise intro (8) → Verse A groove (16, minimal drums; side-chained keys) → Chorus lift (16, open hats, bass variation; scratch fills on bar 8 & 16) → B

Cinematic sci-fi hip-hop with ominous respirator motif; dusty halftime breakbeat at 84 BPM, ultra-low resonant sub that blooms on downbeats, crushed room snare with ghost-note chatter, crisp hats that shift to perceived double-time in hooks, Analog synth drones, laminar pad beds, bowed metal swells, low brass surges at section changes; granular reverses and sabre-adjacent sweeps (no literal quotes), dramatic pre-drop breath, Monolithic, imperial mood; rain-slick noir, cavernous halls, red-edge aperture glows, Keep timing human, light saturation, wide stereo, deep sidechain on pads; preserve 1-bar “breath only” drop before hooks, No spoken-word narration; sung/rap blend allowed but stays rhythmic

trip-hop x big-beat, 100–118 BPM, 4/4, minor/Dorian, Cinematic pads/strings, dusty crate-style breakbeats (lazy swing), layered vinyl drums, saturated Reese/sub bass with gentle sidechain, tremolo guitar stabs, filtered/phased synth arps (no glossy leads), short boxy plate/room verbs for “basement” vibe, Wide image; mono-solid kick/bass; tape grit; punchy bus comp

Core DNA intact, BPM 100, 4/4, swing 53; constant tempo, Style order: DOWNTEMPO TRIP-HOP → HIP-HOP → BREAKBEAT → JUNGLE/DnB (return to HIP-HOP outro), Bass: resonant, woody; octave leaps + glide; parallel sat, Drums: transient-forward breaks, brushed ticks, Motif: ring-mod pad with slow LFO shifts, Textures: rainroom field noise, microcassette chatter, VHS dropouts, Transitions: reverse-swell → gated noise; single scratch stab, Harmony: minor + bVI color, Vocals (opt): hushed rhythmic lines, airy harmonies; long pre-delay plate, Dynamics: skeletal verses → layered hooks; filtered fade

Core DNA intact, BPM 98, 4/4, swing 54; constant tempo, Style order: DOWNTEMPO TRIP-HOP → HIP-HOP → BREAKBEAT → JUNGLE/DnB (return to HIP-HOP fade), Absolutely NO HORNS/BRASS, Motif: ring-mod pad + detuned piano fragments, slow LFO; 8–16 bar morphs, Drums: transient-forward breaks, brushed ticks, clipped room bus, ringy tails, Bass: resonant, woody, parallel saturation, light speaker rub; occasional glide, Dirt layer: vinyl crackle, rainroom field noise, microcassette hiss, VHS dropouts, bit-grit on keys, subtle wow/flutter, Transitions: 1–2 bar tape stop or vinyl brake; reverse-swell chop; single scratch stab, Harmony: minor with bVI color; sporadic sus2/sus4, Vocals (opt): hushed half-spoken lines + airy doubles; long pre-delay plate; band-passed throws, Dynamics: skeletal verses → dense hooks with noisy beds; end with filtered HIP-HOP pocket and slow fade

[INSTRUMENTAL] Trip-hop / cinematic at 92 BPM, 4/4, Drums lead: layered Shadow-style breaks + roomy live kit, SP-1200 crunch, ghost-note snares, rim/tom fills, occasional gated verb tails, open hats driving, Add shaker/tambourine loops, metallic found-hits, vinyl brake into sections, Bass: tight sub-sine following kick; side-chain gentle, Harmony: minimal D minor bed—detuned Rhodes/pad drone; strings enter only for swells, Vocal: intimate alt-pop, doubled in hook; light plate; no spoken word, Form: Intro8 (drum tease + hiss) → Verse16 (stacked breaks) → Pre8 (halftime kit, low-pass) → Hook16 (breakbeat lift, straight hats) → Post2 (stop) → Verse16 (busier fills) → Bridge8 (drum dropout then tom build) → Final Hook24 (add subtle 4-on-the-floor under breaks), Mix: parallel comp on drums, transient shape snare, 320–420 Hz carve, mono bass, pads wide, Avoid: trap rolls, EDM risers, dialogue samples

Electronic indie-pop atmosphere, light synth pads, gentle and airy vocals, introspective lyrical tone, dreamy textures, minimalistic percussion, crisp electronic beats, subtle guitar layers, nostalgic