Instrumental Originals
Original music instrumental demos that have been "lightly polished" with Suno, keeping them as close to the original as possible. I have used these to create cover songs with lyrics.
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18 songs
2:30
Hard rock with post-metal and nu-metal influences, Distorted, down tuned electric guitars play heavy palm-muted, chugging riffs and syncopated power chord progressions, The bass guitar has a thick, overdriven tone and will often harmonize with the guitar riffs, Drums feature a natural sound with prominent double-kick pedal technique, a crisp, tight snare on the backbeat, and frequent splash and china cymbal accents, The rhythms are complex and technical, Lead guitar sections include melodic lines often following the melodies of the song, pinch harmonics, and blues-based bends, Production is modern, with less compression, ‑guiat soloing, ‑arpeggios, ‑fast leads
3:34
Brass Tacks OG
v5.5
Hard rock with post-metal and nu-metal influences, Distorted, down tuned electric guitars play heavy palm-muted, chugging riffs and syncopated power chord progressions, The bass guitar has a thick, overdriven tone and will often harmonize with the guitar riffs, Drums feature a natural sound with prominent double-kick pedal technique, a crisp, tight snare on the backbeat, and frequent splash and china cymbal accents, The rhythms are complex and technical, Lead guitar sections include melodic lines often following the melodies of the song, pinch harmonics, and blues-based bends, Production is modern, with less compression, ‑guiat soloing, ‑arpeggios, ‑fast leads
2:39
Nu-metal with industrial influences, Distorted electric guitars play syncopated, palm-muted riffs alongside a five-string bass with a metallic, clanking tone, The drum kit features a dry, high-pitched snare and double-kick pedal patterns, ‑guitar solos
3:22
Fall in Line OG
v5.5
Hard rock with post-metal, industrial, and nu-metal influences, Distorted, down tuned electric guitars play heavy palm-muted, chugging riffs and syncopated power chord progressions, The bass guitar has a thick, overdriven tone and will often harmonize with the guitar riffs, Drums feature a natural sound with prominent double-kick pedal technique, a crisp, tight snare on the backbeat, and frequent splash and china cymbal accents, The rhythms are complex and technical, Lead guitar sections include melodic lines often following the melodies of the song, pinch harmonics, and blues-based bends, Production is modern, with less compression, ‑fast leads, ‑arpeggios, ‑sweep picking
2:53
Hard rock with post-metal and nu-metal influences, Distorted, down tuned electric guitars play heavy palm-muted, chugging riffs and syncopated power chord progressions, The bass guitar has a thick, overdriven tone and will often harmonize with the guitar riffs, Drums feature a natural sound with prominent double-kick pedal technique, a crisp, tight snare on the backbeat, and frequent splash and china cymbal accents, The rhythms are complex and technical, Lead guitar sections include melodic lines often following the melodies of the song, pinch harmonics, and blues-based bends, Production is modern, with less compression, ‑guiat soloing, ‑arpeggios, ‑fast leads
3:25
Hard rock with post-metal, industrial, and nu-metal influences, Distorted, down tuned electric guitars play heavy palm-muted, chugging riffs and syncopated power chord progressions, The bass guitar has a thick, overdriven tone and will often harmonize with the guitar riffs, Drums feature a natural sound with prominent double-kick pedal technique, a crisp, tight snare on the backbeat, and frequent splash and china cymbal accents, The rhythms are complex and technical, Lead guitar sections include melodic lines often following the melodies of the song, pinch harmonics, and blues-based bends, Production is modern, with less compression, ‑guitar solos, ‑fast leads, ‑arpeggios, ‑sweep picking
3:15
Distant Hero OG
v5.5
Hard rock with post-metal and nu-metal influences, Distorted, down tuned electric guitars play heavy palm-muted, chugging riffs and syncopated power chord progressions, The bass guitar has a thick, overdriven tone and will often harmonize with the guitar riffs, Drums feature a natural sound with prominent double-kick pedal technique, a crisp, tight snare on the backbeat, and frequent splash and china cymbal accents, The rhythms are complex and technical, Lead guitar sections include melodic lines often following the melodies of the song, pinch harmonics, and blues-based bends, Production is modern, with less compression, ‑guiat soloing, ‑arpeggios, ‑fast leads
2:50
Reckless OG
v5.5
Nu-metal with industrial influences, Distorted electric guitars play syncopated, low-tuned riffs using palm muting and power chords, A five-string electric bass follows the guitar patterns with a clanky, overdriven tone, The drum kit features a dry, high-pitched snare, a clicky kick drum, and frequent use of china and splash cymbals and double-kick patterns
2:43
Opus Intro OG
v5.5
Hard rock with post-metal, industrial, and nu-metal influences, Distorted, down tuned electric guitars play heavy palm-muted, chugging riffs and syncopated power chord progressions, The bass guitar has a thick, overdriven tone and will often harmonize with the guitar riffs, Drums feature a natural sound with prominent double-kick pedal technique, a crisp, tight snare on the backbeat, and frequent splash and china cymbal accents, The rhythms are complex and technical, Lead guitar sections include melodic lines often following the melodies of the song, pinch harmonics, and blues-based bends, Production is modern, with less compression
3:19
A Minor Jam OG
v5.5
progressive groove metal, death metal elements, polyryhthmic instrumentation, atmospheric art-rock, post-metal
3:03
Song 1 OG
v5.5
Nu-metal with industrial influences, Distorted electric guitars play a syncopated, low-tuned riff using palm muting and heavy downstrokes, The bass guitar follows the guitar riff with a thick, overdriven tone, Drums feature a punchy kick, a high-tuned snare with a short decay, and consistent hi-hat eighth notes, A high-pitched, dissonant synth lead or guitar harmonic provides a repetitive melodic motif, The tempo is 100 BPM in 4/4 time, The production is compressed and aggressive, emphasizing the low-end punch of the kick and bass, The arrangement alternates between a dense, full-band texture and a slightly stripped-back section where the dissonant lead is more prominent
3:48
Song 3 OG
v5.5
progressive metal, alternative metal, and art rock, complex song structures, intricate rhythms, and mathematical time signatures, an atmospheric blend of heavy prog and alternative rock, ‑guitar solos
3:14
3:28
3:17
lightning crashes, Alternative Rock and Post-Grunge, anthemic melodies, a mix of hard rock and 1990's post-grunge, ‑Guitar Solos
3:06
karnivool, progressive rock, progressive metal, incorporating strong elements of alternative rock and alternative metal, intricate song structures, polyrhythms, and atmospheric textures, ‑Guitar Solos
4:09
A Final Cry OG
v5.5
Destrage, Progressive Metalcore and Mathcore, blending intricate musicianship with heavy grooves, incorporating elements of Djent, Thrash, and Alternative Rock, ‑Guitar Solos
3:19
Hard rock with post-metal, industrial, and nu-metal influences, Distorted, down tuned electric guitars play heavy palm-muted, chugging riffs and syncopated power chord progressions, The bass guitar has a thick, overdriven tone and will often harmonize with the guitar riffs, Drums feature a natural sound with prominent double-kick pedal technique, a crisp, tight snare on the backbeat, and frequent splash and china cymbal accents, The rhythms are complex and technical, Lead guitar sections include melodic lines often following the melodies of the song, pinch harmonics, and blues-based bends, Production is modern, with less compression