5:08

Atmosphere first: toxic neo-noir haze — seductive, cruel, elegant decay, Smoke-soaked intimacy, velvet darkness, controlled psychological pressure, Everything feels slow, heavy, inevitable, Cinematic slow tempo, dark industrial blues-rock aesthetic, Extreme female vocals: russian language, smoky, raspy, intimate; mixed with whispered profanity, psycho taunts, manic spoken-word bursts, Occasional low guttural accents only — no clean singing, no screaming, Guitars: twisted country-metal twang, sinister blues slides, sharp staccato riffs; gritty character tone, raw and expressive, avoiding modern high-gain polish, slow, seductive, oppressive industrial pulse, Minimal punchy drums, sleazy electronic textures, dirty analog synth bass with a cold mechanical groove, subtle glitch interference, broken VHS noise, vinyl scratches, percussive machine pulses — sparse, nervous, Overall mood: seductive menace, playful psychosis, toxic neon noir — intimate, predatory, psychologically dominant
4:46

Experimental Electronic, Dark Comedy, Storytelling, The track is a genre-shifting journey, Verses are Gloomy Deep House with atmospheric pads, a deep sub-bass, and a tired male monologue, The chorus explodes into aggressive Dark Techno with a heavy 4/4 kick, a sinister bassline, and desperate vocals, The bridge features chaotic, jarring shifts into ironic laid-back Reggae and a short, brutal Death Metal breakdown with blast beats and guttural growls, The track ends with a sparse, ambient outro featuring an acapella female voice, Soundscape: cinematic, immersive, rich with sound effects (fridge door, cleaning, slap, comical farts, medical sounds) that are crucial to the storytelling, Hook: The Dark Techno chorus serves as the powerful, recurring hook, representing the peak of the crisis
3:25

6:55

male vocals, female vocals, English:
Create a crystal-clear, star-like music piece: pure, transparent, ethereal, and silver-toned, Use soft classical instruments, Vocals MUST strictly follow song text tags: 'male' or 'female' for sung parts, 'spoken' for radio-like narration, Untagged parts are clean singing, often as a duet, The final words are a male/female duet, The last two lines are a choir, Русский:
Создай хрустальную, звёздную музыку: чистая, прозрачная, манящая, серебряная, Используй негромкие классические инструменты, Вокал СТРОГО по тегам текста: 'male' или 'female' для пения, 'spoken' — как диктор радио, Без тегов — пение чистыми голосами, часто дуэтом, Заключительные слова — дуэт мужского и женского вокала, Последние две строки — хор
4:28

serene ambient‑ethnic track blending traditional Chinese instruments (guqin and pipa) with modern synth textures, The mood is contemplative and balanced: acoustic timbres sit at the forefront, supported by warm, subtle electronic layers, Tempo is gently upbeat (90–100 BPM), maintaining a flowing, meditative pulse without rushing, Guqin provides introspective melodies and harmonics; pipa adds rhythmic articulation and bright, percussive phrases, Synths (soft pads, light arpeggios) enhance the atmosphere without overpowering the acoustic core, Sound design includes natural elements — breath sounds, soft wind, distant water, and subtle field recordings — to deepen the sense of space, Vocal performance is clean and melodic throughout, with smooth transitions between whispered passages and clear, expressive singing, The voice should blend harmoniously with the instruments, following the emotional arc of the lyrics, Prioritize elegance, clarity, and a sense of inner calm
5:26

Ключ от чужой двери - #Чердак
v4.5-all
children's fairy tale, bedtime story, mystery tale, minstrel, medieval bard, 16th century ballad, philosophical reflections
4:28

Cafeteria Punk
Sharp, defiant, DIY punk meets cafeteria chaos, 140 beats per minute, frantic energy, Female Vocals: shouts with feigned enthusiasm, then a murmur, Instruments: distorted piano, trash can drums, alarm clocks as cymbals, Sound effects: intercom announcements ("No lunch!"), falling trays, Mood: rebellion against the mundane nature of dining—where every line is a middle finger to everyday expectations
5:04

2:50

6:16

Gloomy Deep House, Melodic Techno, Dark Ambient Soundscape, driving hypnotic rhythm, 122 BPM, A minor, The track is built around a pulsating, hypnotic chromatic bassline and a breathy, intimate female vocal with Billie Eilish's whispery, close-mic delivery, conveying ironic dark humor, A subtle, melancholic acoustic guitar motif occasionally surfaces, especially during the chorus, The song features a mid-track breakdown with a clear female spoken word section over an atmospheric train soundscape, SOUNDSCAPE: The constant, rhythmic sound of a train on tracks, distant train horns, a spacious and cold atmosphere, creating a feeling of being trapped in a moving space, HOOK: The chorus ("Не тот поезд") features layered female vocals with heavy reverb and the clearest appearance of the acoustic guitar motif over the full deep house beat
4:08

4:57

Одиночество... #чердак
v4.5-all
male vocals, participation of a mixed choir where indicated in the tags, Instruments: symphony orchestra, saxophones, percussion, Style: the beginning is like a pop lyrical slow sad song, the melody is deep, soulful, with feeling, drawn-out, very beautiful, Starting with the “rap” tag, you need to sing in a modern voice, pronouncing the words clearly and quickly
3:01

baby voice 8-year-old, chiIdren's choir, recording studio quality, synth, nu disco, eurodisco, Italo-disco style, powerful bass line, stereo effects, syncopated rhythm, abundance of harmonies and dynamic percussion, Modern Talking style track from "Romantic Warriors": upbeat Euro disco with romantic atmosphere
4:14

Прогулка с собакой #чердак
v4.5-all
Vocal duet, Charleston, two-step, fast tempo 110, big band, jazz band, style by 1920s-1930s, cinematic music, clear pronunciation, clear sound
5:59

The track fuses medieval rock lutes and hand percussion with driving trance synths over a deep house groove, Dreamy acoustic guitars lend an ethereal texture in the verses, while hypnotic, repeating melodic hooks layer in and out, Builds peak with dense, rhythmic, festival-ready drop
4:58

Black alley cyber jazz, deep cyberpunk noir, rain-soaked backstreet atmosphere, flickering neon, cigarette smoke, night tension, Ferocious unhinged jazz saxophone lead, screaming, growling, bending notes to distortion, raw emotional violence, Dark virtuosic piano as second lead, Rachmaninoff-style dramatic classical tension fused with jazz harmony, heavy left hand, cascading runs, dissonant chords, obsessive repetitions, sudden piano-only interludes like broken concert cadenzas in an alley, Vinyl crackle, vinyl scratch cuts, tape saturation, dirty analog warmth, lo-fi grime, human imperfection, Subtle experimental electronica only as shadow texture: low cybernetic pulse, distant drones, mechanical clicking, metallic foley, minimal glitch artifacts, Female raspy spoken-word vocals, English with authentic Russian conversational accent, smoky whiskey-soaked jazz tone, dry noir delivery, intimate close-mic presence, subtle vocal fry, restrained menace, Minimal broken jazz breakbeats
6:57

Black alley cyber jazz, deep cyberpunk noir, rain-soaked backstreet atmosphere, flickering neon, cigarette smoke, night tension, Ferocious unhinged jazz saxophone lead, screaming, growling, bending notes to distortion, raw emotional violence, Dark virtuosic piano as second lead, Rachmaninoff-style dramatic classical tension fused with jazz harmony, heavy left hand, cascading runs, dissonant chords, obsessive repetitions, sudden piano-only interludes like broken concert cadenzas in an alley, Vinyl crackle, vinyl scratch cuts, tape saturation, dirty analog warmth, lo-fi grime, human imperfection, Subtle experimental electronica only as shadow texture: low cybernetic pulse, distant drones, mechanical clicking, metallic foley, minimal glitch artifacts, Female raspy spoken-word vocals, English with authentic Russian conversational accent, smoky whiskey-soaked jazz tone, dry noir delivery, intimate close-mic presence, subtle vocal fry, restrained menace, Minimal broken jazz breakbeats
5:21

The track opens with dark, atmospheric synth pads and a pulsing, saturated bass line weaving through a 115-125 bpm deep house groove, Layer in electric guitar textures for a gothic alternative rock vibe, syncopated hi-hats, and dynamic rap flow on verses, Choruses lift with dense synth arpeggios, overdriven guitar swells, and driving four-on-the-floor rhythm, fusing deep trance’s lush breakdowns with brooding rock energy for a sensual, danceable fusion, ‑Pop
7:59

I contemplative, enigmatic, desert‑evocative, Instruments: bamboo flute, oud, darbuka, subtle synth pads, oriental folk fusion, mystical atmosphere, slow tempo (70 BPM), deep male baritone vocals with slight rasp, prominent flute solos, sparse percussion (darbuka, frame drum), warm reverb
4:31

Neo-Swing / Electro-Swing, upbeat, playful, retro-modern fusion, Swing rhythm with strong groove control, walking bass, brushed swing drums, piano comping, muted trumpet, clarinet, light brass stabs, Modern electronic layer underneath, subtle sidechain, danceable but classy, Female narrator vocal only, Playful, theatrical, semi-spoken singing, clear diction, smiling irony, Frequent eastern female vocal chants and vocalise phrases (ah, oh, ya), inspired by Eastern European and Central Asian folk intonations, rhythmic, hypnotic, call-and-response feel, Some chants layered as background textures, Vocal alternates between vintage radio vocal (AM radio, band-limited, mono, light distortion) and clean wide vocal, Heavy vinyl sound design: gramophone intro, needle drop, vinyl crackle and hiss throughout, mechanical gramophone noise, record surface noise, Subtle vinyl scratches and backspin accents (tasteful, not hip-hop), Vinyl texture swells between sections, Analog warmth, no autotune
4:33

Neo-Swing / Electro-Swing, upbeat, playful, retro-modern fusion, Swing rhythm with strong groove control, walking bass, brushed swing drums, piano comping, muted trumpet, clarinet, light brass stabs, Modern electronic layer underneath, subtle sidechain, danceable but classy, Female narrator vocal only, Playful, theatrical, semi-spoken singing, clear diction, smiling irony, Frequent eastern female vocal chants and vocalise phrases (ah, oh, ya), inspired by Eastern European and Central Asian folk intonations, rhythmic, hypnotic, call-and-response feel, Some chants layered as background textures, Vocal alternates between vintage radio vocal (AM radio, band-limited, mono, light distortion) and clean wide vocal, Heavy vinyl sound design: gramophone intro, needle drop, vinyl crackle and hiss throughout, mechanical gramophone noise, record surface noise, Subtle vinyl scratches and backspin accents (tasteful, not hip-hop), Vinyl texture swells between sections, Analog warmth, no autotune
7:59

Oriental Desert Folk Fusion, Mystical Contemplative Atmosphere, Slow Tempo ~70 Bpm, Spacious And Hypnotic, Instruments:
Oud (Deep, Dry Plucked Phrases, Hijaz / Minor Feel), Ney Or Bamboo Flute (Airy, Mournful, Desert Wind Tone), Darbuka + Frame Drum (Very Sparse, Ritual, Heartbeat-Like), Subtle Warm Drone Synth Pad (Sandstorm Haze, No Modern Gloss), Vocal:
Deep Female Fragile Narrator, Spoken Word (Not Singing), Russian Language, Delivered With Arabic-Style Declamatory Phrasing, Elongated Vowels, Throat Resonance, Rolling Consonants, Measured Pacing, Pauses, Prophetic Desert Recitation, Slight Rasp, Dry Sun-Burnt Voice, Style:
Bedouin Chants, Arabic Poetry Recitation, Sufi Spoken Ritual, No Western Pop Phrasing, No Edm, Timeless Ancient Feel, Production:
Wide Stereo, Warm Long Reverb Like Open Desert Night, Minimalism, Silence As Part Of Music, Flute Answers Vocal Phrases, Mood:
Enigmatic, Sacred, Lonely, Night Desert Under Cold Stars, грубый мужской голос
4:29

male vocals, female vocals, duet, trio, electronic, synth, star melody, music of star spheres, space melodic and dans space
3:21

Lo‑fi jazz‑pop with cyberpunk aesthetics, heavy vinyl crackle, and ASMR, Instruments: Rhodes piano (warped by vinyl noise), double bass (bit‑crushed edges), brush drums (with scratch effects), saxophone (distorted, vocoder‑treated), cyberpunk synths (8‑bit arpeggios, metallic pads, data mosh glitches), Female vocal — low, smoky; processed with reverb, tape slow‑down, and light distortion, Tempo: 85 BPM, swinging but hazy groove, Mood: neon‑lit cafe at dawn — rain on the windows, vinyl hiss, circuit noise, distant sirens, Key effects: constant vinyl pops/hiss, data glitches on keywords, ASMR (breathing, paper rustle, cup clinks, snow crunch), Dynamics: verses — minimal, hushed; choruses — synths swell, glitches intensify, Outro — slow data decay, fading neon hum and vinyl crackle
3:38

Spoken word cyberpunk trip-hop, Slow tempo (70–85 BPM), Deep warm sub-bass, dusty trip-hop beat, soft vinyl crackle, Atmospheric analog pads mixed with subtle digital glitches, Neon-noir cyberpunk mood, but intimate and cozy, Minimal percussion, no aggressive drums, Voice: intimate spoken word, calm, slightly ironic, философский тон, as if narrating late at night by a window in a futuristic city, No singing, no hooks, no chorus, Long evolving structure, cinematic flow, Mood: cozy existentialism, warm solitude, gentle absurdity, Layered environmental Foley: muffled sounds of rain on glass, distant maglev hum, low holographic advertisements murmur, Electric piano Rhodes chords with heavy reverb, Brushing drum style, lo-fi aesthetics, Sophisticated soundstage, ultra-wide stereo imaging, Occasional delay on voice for space, Final mix: warm tape saturation, nostalgic yet high-tech
3:26

Spoken word cyberpunk trip-hop, Slow tempo (70–85 BPM), Deep warm sub-bass, dusty trip-hop beat, soft vinyl crackle, Atmospheric analog pads mixed with subtle digital glitches, Neon-noir cyberpunk mood, but intimate and cozy, Minimal percussion, no aggressive drums, Voice: intimate spoken word, calm, slightly ironic, философский тон, as if narrating late at night by a window in a futuristic city, No singing, no hooks, no chorus, Long evolving structure, cinematic flow, Mood: cozy existentialism, warm solitude, gentle absurdity, Layered environmental Foley: muffled sounds of rain on glass, distant maglev hum, low holographic advertisements murmur, Electric piano Rhodes chords with heavy reverb, Brushing drum style, lo-fi aesthetics, Sophisticated soundstage, ultra-wide stereo imaging, Occasional delay on voice for space, Final mix: warm tape saturation, nostalgic yet high-tech
5:56

Soviet pop, 1970s, nostalgic, warm acoustic guitar, light piano, female gentle vocals, sentimental atmosphere
6:38

Spoken Word, ASMR, Cinematic Post-Apocalyptic Soundscape, Dark Ambient transition to Orchestral, Industrial SFX, Whispered Male Baritone, 60 BPM, Clear Diction, Close-miking, Dry Vocals, No Melody, Minimal instrumentation
3:45

Cinematic Dark Pop, Alternative Hip-Hop, Trap, A narrative track that evolves dynamically, Start with a creepy nursery rhyme intro (whispers, piano), Verses feature an intimate, rhythmic male vocal over a deep 808 bass and minimalist trap beat, The pre-chorus builds tension with synth risers and fast hi-hats, The hook ("Жадность фраера сгубила") is a hard-hitting beat drop, The main chorus ("На груди жаба душит") is an explosive, emotional peak with layered, belted vocals, distorted bass, and a soaring synth lead, similar to FINNEAS's dramatic production style, The bridge introduces a sampled Japanese Koto melody to create a focused, samurai-inspired atmosphere, The outro is cinematic and abrupt, with a katana'ssound effect, Soundscape: A journey from a claustrophobic, internal monologue to a wide, epic battlefield in the chorus, and finally to a calm, resolved silence, HOOK: The track has two hooks: the punchy, rhythmic hook at line 12 ("Жадность фраера сгубила") and the main, powerfu
5:56

"Зоопарк" #Чердак
v4.5-all
breakbeats, deep sub‑bass pressure, deep Bassoon pads, male rap vocal
5:31

4:41

танцы под дождём. #Чердак
v4.5-all
male soft voice, back female soft voice, violin melody, classic guitar
3:14

Чемодан. #Чердак.
v4.5-all
scary melody, railway station noise, male vocals, synth, upbeat
3:34

[Instrumental] [130 BPM] [Key: A Minor] Dark Cyberpunk Breakbeat Anthem, Driving, aggressive, with a prominent, distorted synth lead and heavy, glitched-out drums, Powerful sub-bass and a hypnotic analog arpeggio, Industrial sound design with subtle sci-fi FX, Energetic, club-ready, like a modern Prodigy's track for a game soundtrack
5:25

Саундтрек в жанре инди-баллады начинается с атмосферных синтезаторов и тихого пианино, К куплету присоединяются глубокие басовые ноты и малые перкуссионные акценты, подчёркивающие низкий, напряжённый мужской вокал, Хорроровые текстуры и едва уловимый гитарный реверб создают ощущение неизвестности, В припеве: струнныеинтенсификация и электронные слои добавляют масштаб, но сохраняют минимализм, В инструментальном бридже — резкие циклические эффекты, будто эхо внутри туннеля, Финал угасает в мягкий эмбиент, оставляя пространство для раздумий
5:14

Плати, дааа! #чердак
v4.5+
Johnny Silverhand influence, Dirty rebellion nihil rock, Dark alternative rock, heavy electric guitar-driven, Drop-tuned fuzz/overdrive guitars dominate: brutal palm-muted chugging, nasty power chords, sizzling feedback, sharp slides, cyber-mechanical riffs, industrial noise grit, Bass: heavy distorted foundation, Electro-industrial drums (heavy kick/snare), glitch hits drive a tense, swaggering rhythm, Male vocals Johnny Silverhand: raspy, aggressive, furious punk-rock delivery, raw grit, snarling lyrics, layered shouting, distorted rebel energy, Synth/Ambient backdrop: minimal atmospheric support, eerie pads, chilling neon pulses, digital static/decay, cinematic tension, Rain on metal, distant sirens, holographic flicker, Mood: dystopian industrial cyberpunk, noir-blues, guitar-heavy oppression, mechanized brutality, rebellious rage
4:08

Create a song for Suno with a duration of no more than 4 minutes and 30 seconds (4:30), 4 minutes and 30 seconds (4:30)
2:58

SvambahiCore: steampunk dark cabaret, theatrical pop, Mood: absurdly humorous, slightly eerie, Male vocal, expressive and theatrical, Instruments: accordion, upright piano, music box, metallic percussion, Sound design: steam hisses, gear ticks, valve clicks, glitch effects, ASMR textures (soft clicks, hisses), Sync sound effects with lyrics (door slam, zap, clucking), Tempo: 100–115 BPM
6:26

"Горы помнят". #Чердак.
v4.5-all
soft male baritone, none children articulate, adult voice only, piano melody background, acoustic guitar slow, folk rock ballad, echo effect, wind in the background, Tibetan motif
3:19

[Intro] (Klezmer-Folk-Punk, 155 BPM, G minor, punchy mix) Energetic Balkan brass riff, driving accordion, stomping kick drum, [Verse 1] (Male theatrical storytelling vocal, clear and punchy) Bouncy upright bass, rhythmic acoustic guitar, [Pre-Chorus] (Building tension, frantic clarinet melody, djembe crescendo), [Chorus] (MASSIVE, INSTANTLY MEMORABLE HOOK, anthemic, singalong gang vocals, full band power, brass blasts, infectious energy, main melody is extremely catchy) "Loud, celebratory, stomping party anthem!" [Bridge] (Short, quirky tuba/trombone break, then build back up), [Outro] (Energetic fade with crowd cheers and final brass hit), Production: Polished live sound, festival ready
2:51

90s Eurodance, Ragga House, high-energy, anthemic, dance party, The production is heavily inspired by Reel 2 Real's "I Like to Move It" energy and Ice MC's vocal structure, A driving Roland TR-909 beat, a bouncy and funky synth bassline, and an iconic Korg M1 house piano riff, Signature 90s elements like synth sirens, air horns, and orchestra hits are essential, The track features a male rapper with a fast, confident, rhythmic flow for the verses, and a powerful female diva vocalist with a soaring, melodic belt for the massive chorus, Soundscape: The atmosphere of a massive 90s rave party or a summer beach festival, The sound of a cheering crowd is subtly mixed in, especially during the chorus and outro, HOOK: The chorus is the explosive, melodic centerpiece, sung by a powerful female vocalist, It's a simple, unforgettable melody designed to be shouted by a crowd on the dance floor
3:17

SvambahiCore: Dark cabaret x cyber‑east, 78 BPM, Female smoky vocals (whisper → theatrical cry), enigmatic laughter, Instruments: honky‑tonk piano (detuned), guqin (clean in verses, distorted in choruses), taiko drums, gritty guitar slides, Synths: cold analog pads, binaural pulses, Dynamics: verses (piano + guqin + rain), choruses (doubled guitars + taiko), Mood: erotic tension in a smoke‑filled cabaret, digital decay behind velvet curtains
3:03

3:04

3:29

Genre: Catchy 1960s Soviet Big Band Twist, Tempo: 135 BPM, Instrumentation: Punchy estrada orchestra with powerful, driving brass (trumpets, trombones, saxophones), tight rhythm section (upright bass, crisp jazz drums, bright piano), lush strings, Vocals: Energetic male lead vocal, clear and charismatic, with powerful call-and-response backing vocals, Mood: Exuberant, instantly uplifting, perfect for a dance floor, Structure: Short, impactful intro, verse with clear melodic line, strong pre-chorus build, highly memorable and danceable chorus (triumphant brass fanfare, full orchestra, catchy vocal hook), concise instrumental break, grand outro with big finish, Production: Polished 60s analog sound, bright and dynamic mix, prominent lead vocal, punchy drums, designed for maximum radio impact













