2:39

3:07

3:39

2:53

2:12

2:59

3:14

2:19

3:43

3:16

Built on Lies
v4.5-all
Dark rap with female vocals, mid-tempo head-nod swing and trap hats; verse rides sparse piano stabs and sub hits, pre-chorus tightens with snapped percussion and rising pads, chorus opens with doubled lead and gritty gang vocal echoes on the hook word, Bridge drops to voice and filtered bass, then final chorus returns bigger with sharp ad-lib stacks, reverse swells, and a cold polished mix, rap, female vocals
2:50

rap, Minimalist trap beat with close, dry drums and a rubbery sub; sparse keys tucked in the background, Female vocals, half-sung half-rapped, tight pocket on the verses with crisp doubles and the occasional pitched-down ad-lib, Hook widens with airy harmonies and a simple, chantable top line, Energy: cool restraint in the verses, sharp lift in the chorus, final hook rides out with extra ad-libs and dropouts for emphasis, female vocals
2:23

Tryna
v4.5-all
rap, Minimal, gritty boom-bap with female vocals, close-mic’d and slightly overdriven, Sparse kick-snare groove, swung hi-hats, and a dark, detuned piano loop, Verses push up front with dry vocal, quick triplet runs and clipped attitude; hook widens with layered doubles, subtle octave harmonies, and a heavy sub swell on the downbeat, Occasional reverse FX and stutter edits for emphasis, leaving air between bars so every line lands hard, female vocals
3:04

Back Off My Man
v5.5
Rap with female vocals, mid-tempo trap bounce and hard-snapped snares; verse rides sparse 808 knock and clipped hats, pre-chorus tightens with rising toms and a filtered synth curl, chorus hits with doubled lead, sharp ad-libs, and gang-style backing repeats, Add tape-stop swells into the hook, phone-buzz stutters between lines, and a clean sub drop under the title phrase, Mix is bold, glossy, and upfront, with a close-mic lead and wide hook stack, female vocals, rap
3:04

Mine Tonight
v4.5-all
Female rap with a hard-hitting bounce, syncopated trap drums and rattling hi-hats; verse rides spare kick, snare, and a tense bass pulse, pre-chorus strips to handclaps and a rising synth smear, chorus hits with stacked doubles and gang shouts on the hook word, Ear candy includes reverse swells into each drop, sharp ad-lib echoes, and a filtered vocal chop between lines, Bright, punchy, and aggressive mix with close-mic lead, rap, female vocals
2:51

Not My Hands
v5.5
Alt-pop with a midtempo pulsing groove, snapped percussion and synth bass; verse stays tight and close-mic with sparse piano and finger snaps, pre-chorus opens into stacked harmonies and rising filters, chorus hits with a sticky four-word chant and wide doubles on the key lines, Breathy female lead, sharp backing echoes in parentheses, reverse swells into each chorus, tiny glitch pops between phrases, bright and punchy mix with glossy low end, female vocals
2:39

No Reason Hate
v5.5
Pop-R&B with midtempo swung drums and a warm sub groove; verse stays intimate with sparse keys and finger snaps, pre-chorus opens with rising harmony stacks and filtered percussion, chorus lands on a wide singalong hook with doubled lead and airy ad-libs, Use vocal chops between lines, a reverse swell into each chorus, and a crisp glossy mix with close-mic female vocals and lush top-end sheen, female vocals


