7:05

Commander (MTG Song)
v4.5-all
Male Vocals, with female back-up-vocals & Duet, military Rock, Power Metal, Motivational 80's Ballad, male voice, female voice, beat, [guitarsolo], [sad drums, ] Bongos, [Violin instrumental]
5:04

Crown of the Dragonfire
v4.5-all
rock, Epic heavy rock opera with towering male vocals, galloping double-kick drums, bright cymbal crashes, and twin guitars trading melodic riffs, Verses stay tight and rhythmic, pre-chorus climbs with choir pads and tom rolls, and the chorus explodes into a stadium-sized hook with stacked harmonies, Middle bridge hits a half-time stomp and soaring lead line before a final, higher-key chorus modulation, motivation, opera, inspiring
4:49

Anje Maid of Dishonor
v4.5-all
vampire Victorian Goth with, dark morbid grit rebellion Attitude no care for haters n no time for idiots those foolish enough follow her into dark alleyway, Nu-Metal British Punk-Rock powerful epic catchy dark focus motivated opera anthem fusion, Female gothic metal Vocals, (Angry Emotional powerful Guitar Solo, ) Drums Bass doublekick Snares Doublekick drums vice versa
2:59

sad, anime, deep, heartfelt, Female vocals, ballad, alternative rock (Japanese // English// Lyric mix )
3:23

rap, Dark indie rap beat with dusty vinyl crackle and ominous choirs, mid-tempo, Male vocals with sharp, articulate delivery; verses ride a minimal drum groove and sub bass, hook widens with distorted pads and layered doubles, Occasional pitched-down ad-libs and filtered risers heighten the battle energy and give the “god vs avatar” contrast real weight, world
3:07

German Accent, 80s style Rap song, male Vocals
6:12

The Hand I'm given in MTG
v4.5-all
male vocals, female vocals, 90's, Dark heavy Nu-Metal Rock-song
3:30

3:08

male vocals, female vocals, pop punk song with cello&Violin, upbeat intro, darker end
1:55

Penny Tax Combat Phase
v4.5-all
rap, Playful MTG rap cypher; dry, tight drums and bouncy sub-bass, chopped card-sleeve foley as percussion, Male vocals, quick-fire triplet flows in verses, chanty crowd-hook chorus, Little synth brass stabs on punchlines, call-and-response ad-libs on “do you pay?” lines, ending with a stacked vocal gang shout
5:22

Tokenz (MTG Song)
v4.5-all
Male Vocals, featuring Female vocals, pop-rock, power pop, and pop-punk with an alternative edge, "gritty, on-the-edge", combining crunchy, fuzzy guitars with a highly infectious, pop-driven chorus, a punchy rhythm section, and unusual, high-pitched vocal harmonies
2:52

MTG Awaits
v4.5-all
Punk-rap nu-power-metal with driving piano stabs, orchestral hits, and psychedelic guitar swirls; verse rides tight double-time with punchy drums and clipped gang shouts, pre-chorus strips to pounding piano and low strings, chorus hits with huge unison rap-melody hooks and choir doubles, Vocal is aggressive close-mic in verses, shouted doubles on hooks, with delay throws on key words, Ear candy: reversed cymbal swells into drops, brass punches between lines, and a twisted lead guitar answering the last phrase, Mix is bright, loud, and combative, punk, metal, orchestral, rap, full on
4:24

Dark voice, Male vocals, hardcore-Punk-rock, catchy 70's horror Hardcore Emotional, Motivational, sound from "Mother" "Scream"Anthem of horror catchy unforgettable experience, ""dig up her bones ", (Titan God made of Bones, ) "Descending Angel"
4:03

Ixalan
v4.5-all
Post-punk rock anthem with male vocals, driving toms and clenched guitar riff in a mid-fast stomp; verse pushes tense and prowling, pre-chorus opens into gang shouts, chorus hits wide with stacked doubles and a shouting hook, Add roaring crowd chants, reversed cymbal swells into the drop, and a primal drum break before the last chorus, Bright, gritty, and huge in the mix, inspiring, male vocals, emotional, post-punk, punk, pop, world, rock
3:14

Broken Gruul Gospel
v4.5-all
rap, Dusty 90s boom-bap beat with gritty vinyl crackle, swung drums, and grimy bassline; male vocals spitting rugged, chest-out battle bars, Hook lifts with shouted gang vocals and call-and-response ad-libs, verses stay tight and percussive, Occasional ominous choir stabs and bell hits to sell the hell-realm vibe, DJ cuts on key punchlines
2:57

Lady Melon-Lord of the Wasteland
v4.5-all
rap, Aggressive boom-bap drums with distorted electric guitar stabs and grimy 90s synth bass; female vocals spitting double-time in verses, hook opens with chanted gang vocals and filtered rises, Snare cracks up front, brief guitar squeals answer key punchlines, Overall: snarling, heavy, battle-rap energy with occasional eerie synth pads under the beat, light, electric
3:10

the Sokka song
v4.5-all
rap battle, male teen angry vocals, anime, uplifting, emotional, rap, hip hop
2:32

Do You Pay the One?
v4.5-all
Fast punk-pop energy, crunchy guitars, snappy bass, and tight live drums, Male vocals spitting rapid, sarcastic bars; gang shouts on the hook, Short stops before punchlines, then explosive full-band hits on “Do you pay the one?”, Bridge strips to drums and vocal chant, then final chorus stacked with shout-along harmonies
2:53

Do You Pay the One?
v4.5-all
Fast punk-pop energy, crunchy guitars, snappy bass, and tight live drums, Male vocals spitting rapid, sarcastic bars; gang shouts on the hook, Short stops before punchlines, then explosive full-band hits on “Do you pay the one?”, Bridge strips to drums and vocal chant, then final chorus stacked with shout-along harmonies
3:13

Green Over Blue
v4.5-all
High-energy nerdcore rap-rock, male vocals, Double-time, gritty drums with distorted bass and chugging guitars, chiptune-style arps hinting at card game nostalgia, Verses tight and punchy; chorus explodes with gang shouts and octave vocal layers, Occasional glitch FX and crowd “hey!”s for hype
2:49

Queen by Day, Blade by Night
v4.5-all
rock, Snarling dark indie punk rock with female vocals, angular overdriven guitars, sharp cymbal splashes as ghostly accents, and a looming orchestral undercurrent, Verses stay tense and stalking with tom-heavy drums and low strings; chorus explodes with shouted gang vocals, crashing cymbals, and distorted bass, Bridge drops to eerie undead choir and distant hits, then slams back into a final triumphant hook, strong, punk, female vocals
2:42

Seven Days of Myojin
v4.5-all
Sinister horror-rap over eerie bells and detuned pads, mid-tempo with booming low-end and sparse trap hats; verses delivered in a tense, whispered male vocal that erupts into a shouted, anthemic hook, Layers of distorted backing chants in the chorus, cinematic risers and reverse impacts between lines, ending on a sudden cut-to-silence
3:43

Cardboard Confessionals
v4.5-all
rock, Fast, scrappy punk rock with male vocals; overdriven guitars and shout-along gang vocals, Verses tight and palm-muted, drums pushing straight-ahead with quick fills, Chorus opens wide with big power chords and octave leads, bass riding the root, Short middle break drops to bass and vocal before a final, faster last-chorus ramp, Slightly gritty vocal, urgent and emotional, sad, punk, harsh
4:25

Black Valentine Massacre
v4.5-all
rock, Aggressive dark punk rock, male vocals snarling over fast, gritty guitars and a pounding, straight-ahead beat, Verses are tight and tense with choked palm mutes; chorus slams open with shouted gang vocals and crashing cymbals, Brief middle break strips to bass and voice before final explosion, pushed, clipped vocal mix on the edge of distortion, punk, sad
3:39

Witchcraft vs Alchemy
v4.5-all
rap, Aggressive horrorcore-trap beat at 142 BPM, distorted 808s and gritty drums, eerie music-box plucks and reversed choirs, Female vocals switching between snarling rap and theatrical cackles; hook explodes with stacked gang chants and pitched-down ad-libs, Big dynamic drops under punchline bars, then full-throttle on chorus with booming low end and sharp risers, leaving space for clear, vicious diction, female vocals
5:25

rock, Epic orchestral trap-rap cypher, female vocals, Hard-hitting drums and growling bass under taiko-style hits, with swirling strings and choirs that swell on each goddess entrance, Verses trade off with sharp stop-and-go drops, sub-bass punches under punchlines, Hook explodes into layered gang vocals and glitchy vocal chops, then cuts back to sparse drums and low strings for the battle sections, Big cinematic outro with risers and chopped ad-libs fading into echo, female vocals
4:19

Crown of Cinders
v4.5-all
rap, Aggressive battle rap over distorted trap drums, sinister orchestral stabs, and searing bass, Verses switch between double-time flex flows and drawn-out taunts; hook explodes with shouted gang vocals and crowd chants, Female vocals lean razor-sharp and theatrical, stacking ad-libs for impact, with occasional pitched-down doubles on the nastiest punchlines, harsh, female vocals
3:24

rap, Epic anime-rap battle beat with hard-hitting kicks, wide sub, and sharp trap hats; verses trade rapid-fire flows and half-time pockets, Female vocals switch between fierce rap and soaring melodic hooks, Ethereal pads, reversed water FX, and distant choirs build a heroic, cinematic arc; final chorus stacks harmonies for a triumphant finish, female vocals
3:13

Ashes to Ashes
v4.5-all
rap, Dark cinematic trap beat with distorted 808s and heavy brass stabs, male vocals in an aggressive mid–low register, Verses double-time in places with tightly stacked ad-libs; hook opens wider with gang shouts, layered chants, and eerie choirs, Sparse piano hits in the bridge, then full drums slam back in for the final chorus, ending on a hard stop, male vocals, world, motivating
4:39

Water to Ice
v4.5-all
rock, High-energy pop-rock meets driving techno pulse; bright sidechain synths over distorted rhythm guitars and a relentless four-on-the-floor kick, Verses stay half-spoken, close-mic’d, with glitchy FX; choruses explode into big belted female vocals, octave-doubled leads, and crowd-style gang shouts, Bridge strips to pulsing bass and toms, then slams back with huge drums, reverse-cymbal swells, and shimmering pads like moonlit waves, female vocals, techno, pop rock
7:59

Azula Always Lies
v4.5-all
Heavymetal-Rock, Screamo, female vocals, drum/Guitar, Distorted electric guitar and bass guitar, Solos, Fire Princess With blue Flames Engulfed, lighting strikes
2:46

2:51

A delicate and melancholic solo piano composition in A minor with a tempo of 120 BPM, The piece features a constant eighth-note arpeggiated pattern in the left hand providing a flowing harmonic foundation, The right-hand melody consists of poignant, descending motifs and repetitive rhythmic figures that create a sense of longing and introspection, The structure follows a cyclical A-B-A form with subtle variations in dynamics and register, The production is clean and intimate, with a natural hall reverb that emphasizes the resonance of the piano strings and the soft mechanical noise of the keys, The harmonic progression moves primarily between i, VI, and iv chords, maintaining a consistent emotional tension throughout the performance
3:44

Four Mana Burn
v4.5-all
Punk rock anthem with cinematic 80s drive, fast palm-muted verses, gang-shouted chorus, half-time pre-chorus lift, and a huge opening intro; crunchy guitars, punchy live drums, shouted doubles, gang vocals on the hook, tape-slap throws on the last word of each chorus line, reverse cymbal swells into the drop, and a bright, loud mix that feels epic and immediate, rock, punk
2:16

sad Goth Rock with Dark Punk rocker influences, Distorted electric guitars play palm-muted chugging riffs and sustained power chords, A gritty, aggressive male vocals alternates between rhythmic shouting and melodic choruses with layered harmonies, The percussion consists of a compressed acoustic drum kit with a sharp snare and double-kick patterns, augmented by industrial metallic percussion hits and glitchy electronic textures, A distorted synth bass follows the guitar riffs, The production features heavy compression, bit-crushing on vocal transitions, and wide stereo imaging for the guitars, 140 BPM, D minor, 4/4 time signature


