2:14

Kian Got Cooked
v4.5-all
rap, Aggressive trap banger with blown-out 808s, rattling hi-hats, and sharp snare cracks; male vocals in a snarling mid-low register, Verses ride a menacing half-time pocket, then choruses explode with stacked gang vocals on the hook, Dark, detuned synths and sub drops accent every punchline, with occasional tape-stop moments before the hardest bars land
2:21

Kian Got Cooked
v4.5-all
rap, Aggressive trap banger with blown-out 808s, rattling hi-hats, and sharp snare cracks; male vocals in a snarling mid-low register, Verses ride a menacing half-time pocket, then choruses explode with stacked gang vocals on the hook, Dark, detuned synths and sub drops accent every punchline, with occasional tape-stop moments before the hardest bars land
2:00

Kian vs Thomas
v4.5-all
Hard-hitting boom-bap beat with aggressive male vocals; dry, upfront rap delivery and sharp snare cracks, Verses stay tight and taunting with subtle pitch-shifted ad-libs; chorus widens with gang-style shouts, layered doubles, and a distorted 808 drop on the hook, Energy climbs from cold, mocking calm to full-on crowd-chant battle rage by the last chorus
2:19

Kian vs Thomas
v4.5-all
Hard-hitting boom-bap beat with aggressive male vocals; dry, upfront rap delivery and sharp snare cracks, Verses stay tight and taunting with subtle pitch-shifted ad-libs; chorus widens with gang-style shouts, layered doubles, and a distorted 808 drop on the hook, Energy climbs from cold, mocking calm to full-on crowd-chant battle rage by the last chorus
2:11

Thomas Fell Off The Lobby
v4.5-all
Hard-hitting trap beat with playful diss energy, crisp hi-hats, booming low-end, and bouncy plucks, Verses are tight and taunting with male vocals up front; hook explodes with stacked gang shouts and call-and-response ad-libs, Short breakdown before the last chorus for a rewind-worthy punch
1:40

Thomas Fell Off The Lobby
v4.5-all
Hard-hitting trap beat with playful diss energy, crisp hi-hats, booming low-end, and bouncy plucks, Verses are tight and taunting with male vocals up front; hook explodes with stacked gang shouts and call-and-response ad-libs, Short breakdown before the last chorus for a rewind-worthy punch

