SawyerHouse Genres Published Songs Playlist
This list tracks all songs published by the SawyerHouse Genres project for more info see our profile.
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57 songs
2:36
Boogie rock with a driving swung backbeat, chunky guitar shuffle, walking bass, handclaps, and gritty male vocals; verse rides tight guitar riffs and drum snaps, pre-chorus lifts with shouted pickups, chorus hits with gang-vocal chants and bluesy call-and-response, Add tambourine hits, short drum fills, and a slide-guitar lick between lines, Bright, punchy, bar-band mix with a live room feel, simple, rock
2:57
Ghettotech with frantic 170 BPM four-on-the-floor drive, clattering syncopated snares, rubbery bass stabs, and chopped party chants; verse rides sparse kick, handclaps, and talky vocal riffs, pre-chorus strips to a ticking synth and rising crowd shouts, chorus hits with stacked call-and-response hooks and harder drums, Raw male/female hype vocals with doubles on key phrases, quick delay throws, machine-gun ad-libs, vinyl crackle into transitions, and a bright, punchy club mix with sharp low end, simple, ghettotech
3:18
Dutch House with 128 BPM four-on-the-floor kick, clipped offbeat bass stabs, and bouncy syncopated synth riffs; verse stays lean with tight drum hits and a repeating pluck motif, pre-chorus lifts with filtered risers and vocal chops, chorus hits hard with big saw lead, gang chants, and octave bass punch, Breathy lead vocal with doubled hook lines, short delay throws on the last word, and chopped ad-libs bouncing left to right, Bright, glossy, club-ready mix with sidechain pump, reverse swells, and sparkling top-end, dutch house, simple
3:40
Psych-rock with sitar-led riffing and a loose, groovy swing; verse rides a dry drum pocket and buzzing tanpura drone, pre-chorus adds hand percussion and rising tamboura swells, chorus opens with stacked gang vocal chants and a bright sitar hook, Use double-tracked lead vocal, playful call-and-response, and quick delay throws on the last word of each hook, Ear candy: reversed cymbal swells into choruses, tabla fills between lines, and a pennywhistle-like synth tag, Mix is bright, raucous, and slightly dusty, with the sitar sitting forward and wide, simple
3:13
Country trap with slow half-time drums, acoustic guitar twang over 808 slides, verse rides sparse and dusty, pre-chorus tightens with handclaps and rising pads, chorus hits with stacked vocal harmonies and a blunt chant hook, Close-mic male vocals, a little grit on the verses, doubled hook lines, reverse guitar swells into each drop, bright punchy mix with a heavy low end, country, simple
3:12
Makina with very fast four-on-the-floor kicks, sharp offbeat synth stabs, rolling rave bass, and hectic snare lifts; verse stays lean with punchy two-line phrases, pre-chorus climbs in clipped repetition, chorus hits as a chanty crowd hook with stacked doubles and shouted ad-libs, Add siren risers, reverse crashes, and a brief breakbeat switch before the final drop, Bright, hard, and club-bright with a glossy, high-energy mix, makina, simple
3:02
Makina with a fast four-on-the-floor drive, sharp kick pulses, bouncing offbeat bass, and bright synth stabs; verse stays lean with clipped vocal lines and a steady machine-like groove, pre-chorus lifts with rising filters and handclap tension, chorus hits wide with a chantable hook and stacked doubles, Quick risers, metallic tick-ticks, and a short break before the final drop, Bright, hard, and punchy mix with a glossy club edge, simple, makina
2:38
Celtic folk jig-and-reel with brisk 6/8 verses and a faster 4/4 reel chorus; acoustic guitar, fiddle, tin whistle, bodhrán, and handclaps lead the dance, Verse rides a lilting bounce with small story details; pre-chorus lifts on snare taps and whistle turns; chorus snaps into a reel with group shouts and stomping accents, Bright, lively, close-mic vocals with stacked harmonies on the hook, reel break between chorus repeats, airy pub-room mix, jig and reel, simple
3:37
Purple Sound with mid-tempo swung drums, rubbery sub-bass, glassy synth plucks, and a hazy nocturnal groove; verse stays lean with dry close-mic vocals and sparse chord stabs, pre-chorus lifts with filtered arps and reverse swells, chorus opens into stacked harmonies and a sticky chant hook, Add tape flutter, sparkly ear-candy bell hits, and a soft sidechain pulse, Bright, glossy, and dreamy, simple
2:09
Brazilian funk with a syncopated tamborzão groove, fast party bounce, and rattling hand percussion; verse stays lean with clipped calls and bass hits, pre-chorus tightens with rising claps and chant doubles, chorus opens into gang vocals and a repeated crowd hook, Lead vocal is playful and close-mic with ad-lib throws, response shouts, and short delay on key lines, Add tape-stop fills, whistle pops, and a quick percussion break before the final hook, Bright, heavy, and club-ready mix with hard low-end punch, simple, funk
2:59
Cyber Racing synthwave-pop with fast four-on-the-floor kick, skittering hi-hats, and turbocharged bass pulses; verse rides clipped arpeggios and minimal drums, pre-chorus opens with rising filter sweeps and vocal stacks, chorus hits wide with neon lead hooks and gang shouts, Breathier lead vocal with doubles on key lines, delay throws on the title phrase, chopped ad-libs in the gaps, Road-noise whooshes, reverse risers, and Doppler pings bridge sections, Bright, glossy, high-contrast mix with a sharp low end, simple
3:01
Truck Driving Country with steady mid-tempo two-step groove, brushed drums, twangy Telecaster licks, pedal steel fills, and a walking bass under the verses; verse stays roomy with acoustic guitar and solo vocal, pre-chorus lifts with harmony and snare pickup, chorus opens with gang vocals and a singback hook, Road-noise ear candy, passing-mile markers, and short steel swells between lines, Warm, open mix with a dusty radio feel and a bright, punchy low end, simple, country
3:57
Zilizopendwa old-school Swahili rumba with lilting guitar arpeggios, walking bass, soft hand percussion, and a steady mid-tempo shuffle; verse stays warm and conversational, pre-chorus leans into call-and-response, chorus opens with sweet singalong repetition, Lead vocal is smooth and close-mic with gentle harmony tails, light ad-libs, and a nostalgic radio feel, Add accordion-like fills, short guitar licks between lines, and a dusty, rounded mix, simple
3:50
Rock anthem with driving four-on-the-floor kick, crunching power chords, and a steady backbeat; verse rides tight guitar riff and bass pulse, pre-chorus strips to toms and a rising vocal line, chorus hits with gang doubles and open chords, Vocal is close-mic in verses, shouted doubles on the hook, with short delay throws on the last word, Use a cymbal lift into each chorus, a reverse guitar swell before the bridge, and a final crashy tag, Bright, gritty, and punchy with a live-room edge, rock, simple
2:40
Electro swing with a bouncy four-on-the-floor pulse, clipped brass stabs, walking bass, and syncopated rhythm-guitar chop; verse stays lean with toy piano and finger snaps, pre-chorus adds filtered horns and rising synth sparkle, chorus opens with big swing brass hits and gang vocal shouts, Vocal is playful and close-mic with doubled hook lines, short delay throws on key words, and little scat ad-libs, Ear candy includes vinyl crackle, reverse cymbal lifts, and a cheeky horn pickup before each chorus, Bright, glossy mix with vintage charm and modern punch, electro swing, simple
3:14
Eurobeat with a fast four-on-the-floor pulse, bouncing synth stabs, bright bass runs, and driving snare lifts; verse keeps tight and rhythmic, pre-chorus strips to bass and claps, chorus hits wide with layered synth hooks and shouted doubles, Add filtered risers into each drop, quick vocal chops between lines, and a sparkling lead melody, Crisp, glossy, and high-energy mix made for the dance floor, simple
3:02
Chicha with a laid-back cumbia groove, swung percussion, bright guitar twang, bouncy bass, and airy Andean-flavored melodies; verse stays nimble and conversational, pre-chorus opens with rising guitar figures, chorus lands on a simple chant with gang doubles, Add reversed guiro swells, tropical bell fills, and small delay throws on the hook, Warm, slightly dusty mix with vivid mids and dance-floor bounce, simple
2:05
Bassline with skippy 2-step rhythm, rolling sub bass, sharp garage-style claps, and bouncy offbeat stabs; verse stays lean with clipped lead vocal and a few call-and-response ad-libs, pre-chorus lifts with a rising bass run and filtered percussion, chorus drops harder with a chanty hook and doubled vocals, Add tape-stop sweeps, short snare fills, and a bright synth flick between lines, Mix is clean, punchy, and low-end heavy, bassline, simple
3:01
Chicago house with four-on-the-floor kick, clipped offbeat hi-hats, rubbery bassline, and organ stabs; verse stays sparse with kick, bass, and handclap, pre-chorus adds filtered piano and rising synth shimmer, chorus opens with full jackin’ groove and vocal repeats, Layered lead vocal with doubled hook, ad-lib echoes, and short delay throws on key words, Tape hiss, vinyl crackle, and a snare fill into each drop; bright, raw, club-loud mix with punchy mids, simple, chicago house
2:44
Psychobilly with a slapped upright bass groove, fast reckless swing, and tremolo guitar licks; verse rides stripped drums, bass, and twangy riff, pre-chorus snaps tighter with handclaps, chorus hits with gang shouts and a nasty walk-up hook, Vocal is close-mic and gritty with shouted doubles on the hook, plus wild ad-libs and short delay throws, Ear candy: guitar slides into the chorus, reverse-swell crash before the last hook, and a trashy hi-hat pickup between lines, Bright, greasy, and loud with dusty garage punch, simple, psychobilly
3:09
Screamo with fast half-time drums, jagged downstroke guitars, and a tense dynamic arc — verses start restrained and raw, pre-chorus climbs with gang shouts, choruses explode into screamed hooks and unison gang vocals, bridge drops to near-silence before the last detonation, Harsh lead vocal with stacked doubles, strained shout harmonies, and ragged ad-libs; alarm-like risers, reversed cymbal swells, and feedback bursts between lines, Bright, abrasive, and crushingly wide, screamo, simple
2:55
Channel pop with mid-tempo four-on-the-floor drums, clappy snaps, and bright synth plucks; verse stays lean with bass, hand percussion, and a filtered arpeggio, pre-chorus opens with rising vocal stacks and a snare lift, chorus lands big with wide pads and a chantable topline, Lead vocal is close-mic and glossy with doubled hooks, quick delay throws on key words, and soft gang ad-libs in parentheses, Tiny sweep risers, digital blips, and a reverse crash bridge the sections; crisp, polished mix with shiny high end and punchy low-end bounce, simple, channel pop
2:59
Tipico merengue with fast accordion lead, bubbling guira, and punchy tambora on a lively two-step groove; verse rides lean rhythm guitar and bass, pre-chorus lifts with call-and-response shouts, chorus hits with bright accordion hooks and stacked gang vocals, Lead vocal stays close and playful with short doubles on key lines, quick delay throws on the last word of each hook, and handclap accents between phrases, Add tambora fills, guira shimmer, and a short accordion turnaround into each chorus, Crisp, festive mix with an upfront dancehall feel, simple
3:56
Breakbeat hardcore with 170 BPM chopped break drums, punchy sub kicks, rave stabs, and bright hoover synth hooks; verse rides lean and tight with rapid vocal phrasing, pre-chorus strips to snare rolls and a filtered piano loop, chorus hits with full breakbeat chops and gang-vocal shouts, Add tape-stop turns, reverse cymbal swells, and laser-like ear candy between lines, Mix is loud, wide, and gritty, with crisp top end and heavy club punch, simple, hardcore, breakbeat
2:16
Catalan Rumba with brisk swung compás, nylon-string guitar rasgueado, palm-muted bass hits, handclaps, and playful palmas; verse stays light and conversational, pre-chorus adds rising gang claps and a short shouted reply, chorus opens with bright group vocals and singalong hooks, bridge drops to guitar and voice before the final lift, Warm, lively, close-mic mix with crisp percussion and sunlit stereo width, simple, rumba
3:18
Vapor trap with half-time 140 feel, cloudy sub pulse, clipped hi-hat triplets, glassy synth pads, and a sparse arpeggiated hook; verse rides low and roomy, pre-chorus lifts with filtered chords and reverse swells, chorus opens with stacked doubles and a chantable topline, Auto-tuned lead with soft octave layers, ad-lib throws on key words, tape hiss and distant chimes between phrases, Glossy, hazy, and intimate with a wet low end, simple
3:22
Jiuta, slow and measured with free-breathed phrasing, intimate shamisen and koto interplay, sparse shakuhachi fills, and delicate hand percussion, Verse stays hushed and spacious; chorus opens with longer held tones and a gentle communal lift, Soft close-mic female vocals with breath detail, subtle unison doubles on key lines, and a few whispered backing echoes, Tea-cup chimes and a paper-door creak mark transitions, with a warm, natural room mix and refined, old-world clarity, simple
3:06
Jamgrass with a bright swung two-step feel, quick banjo rolls, snapping mandolin chop, fiddle fills, and upright bass walking the floor, Verse rides sparse acoustic pickin’; pre-chorus opens with handclaps and harmony lifts; chorus hits full-band with gang vocals on the hook, Lead vocal stays close-mic and earthy, with tight thirds on the chorus, Add whistle fills, a short drum break, and a rising fiddle turn before each lift, Crisp, open, front-porch mix with warm wood tone and wide room air, simple
3:47
Nightrun synth-pop with steady four-on-the-floor pulse and rubbery bass, mid-tempo and propulsive; verse rides sparse kick, snapped percussion, and a single cold synth motif; pre-chorus opens with rising arpeggios and breathy doubles; chorus hits with stacked vocal hooks and a glowing lead synth line, Short delay throws on key words, vinyl hiss at transitions, and a wide, glossy mix that feels fast and nocturnal, simple
3:42
Ostrock with driving mid-tempo rock groove, steady backbeat, chiming guitar arpeggios, pulsing bass, and a touch of organ; verse stays tight and almost разговорчивый, pre-chorus opens with rising drums and layered handclaps, chorus hits wider with gang vocals on the hook, Lead vocal is firm and warm, lightly doubled in choruses, with short delay throws on the title words, Add vinyl crackle into the intro, a snare pickup before each chorus, and a brief guitar lift into the bridge, Bright, punchy, slightly gritty mix, simple, ostrock
3:26
Broken Transmission glitch-pop with stuttering offbeat drums, detuned synth blips, and fractured tape-stop edits; verse rides a sparse pulse and chopped vocal snippets, pre-chorus tightens with filtered noise and rising digital fizz, chorus opens into a broken singalong with doubled lead and gang ad-libs, Use radio-scan squeals, reversed clicks, and brief dropouts between phrases, Crisp, jagged, neon-bright mix with a cracked signal edge, simple
2:41
Glitch hop with half-time swing, chopped percussion, punchy sub drops, and syncopated synth stabs; verse rides sparse clicks and wobbling bass, pre-chorus tightens with filter sweeps and vocal chops, chorus hits with big skewed drums and a repeating hook, Processed lead vocal with doubles, stutter edits, and delay throws; bitcrushed fills, reverse blips, and scanline risers between sections, Bright, gritty, and wide with a hard digital edge, glitch hop, simple
2:54
Balfolk with a lively 3/4 dance pulse and bouncy acoustic groove; verse rides fiddle, guitar, and low hand drum; pre-chorus lifts with foot-stamp claps and a rising accordion line; chorus opens into bright unison singing and short chant replies, Close-mic lead vocal with light harmonies, quick call-and-response doubles on the hook, and little bowed-string turns between phrases, Crisp, warm, roomy mix with a handmade village-dance feel, simple
2:38
Phonk Gaze with a slow half-time pulse, warped cowbell patterns, gritty low-end, and washed-out guitar haze; verse stays sparse with close-mic vocal and chopped ad-libs, pre-chorus lifts with reverse swells and a rising hook, chorus opens into stacked drenched harmonies and a chantable repeat, Short delay throws on key words, vinyl crackle between lines, sidechained air on the drops, dark but glossy mix, simple
2:27
Phonk Gaze with half-time snap, swung hi-hats, distorted sub hits, and woozy detuned synth leads; verse stays sparse with close-mic vocal and chopped ad-libs, pre-chorus opens on filtered chords and reversed swells, chorus lands with a grim chant and layered doubles, Ear candy: tape warble between lines, sub drops into the hook, pitch-bent vocal chops, Brightly compressed but shadowy and gritty, simple
3:06
Baroque pop with a lilting mid-tempo sway, harpsichord pulse and chamber-pop rhythm lifted by brushed drums and walking bass, Verse stays intimate with piano, harpsichord, and sparse strings; pre-chorus opens into rising cello and tambourine; chorus blooms with stacked harmonies, fuller drums, and ornate string counterlines, Lead vocal is close-mic and airy, with doubled hooks and choir-like backing on the refrain, Ear candy: glockenspiel pickups, reversed string swells, and a short string flourish between lines, Mix is lush, warm, and glossy with a vintage sheen, simple, baroque, pop
3:09
Minneapolis Sound funk-pop with crisp syncopated guitar chops, rubbery bass, punchy Linn-style drum patterns, and bright keyboard stabs; verse rides tight and playful, pre-chorus opens with stacked harmony lift, chorus hits with gang vocals and handclap snaps, Lead vocal stays close-mic with double-tracked hook words, short delay throws on the last phrase, and quick filter sweeps into each section, Clean, glossy mix with sharp low-end and wide upper sparkle, simple
3:15
Minneapolis Sound with clipped funk guitar, punchy synth bass, bright drum-machine snap, and swaggering four-on-the-floor pulse; verse rides lean and percussive, pre-chorus opens with stacked handclaps and rising synth stabs, chorus hits with a tight falsetto chant and group shouts, Vocal is close-mic and playful with double-tracked hook lines, quick ad-libs, delay throws on the last word, and a talk-box style edge in spots, Ear candy includes reverse cymbal swells, short keyboard fills between lines, and a glossy synth lift into the final chorus, Mix is crisp, glossy, and high-energy, simple
2:56
Tribal House with a steady four-on-the-floor pulse, hand drums and tom patterns locked in a syncopated groove; verse section rides dry kick, conga loops, and a single chant stab, pre-chorus strips to shakers and a low tom roll, chorus opens with layered tribal percussion, primal vocal chops, and a bigger clap stack, Short filtered breaks, rising woodblock fills, and a reverse cymbal into each drop, Wide, earthy, club-ready mix with punchy low end and crisp percussion, simple, tribal house
3:29
Trip hop with a slow broken-beat groove, smoky bass pulses, dusty drum loops, and a dragged-back swing; verse stays sparse with close-mic vocal and filtered repeats, pre-chorus opens on a rising pad and clipped vocal chop, chorus lands heavier with doubled lines and low harmony support, Add vinyl crackle, reversed swells into section changes, and a few delayed phrase tails, Dark, intimate, and cinematic with a grainy low-end mix, simple, trip hop
2:16
Bassline UK garage with a brisk four-on-the-floor kick and skippy shuffled hats, rubbery sub-bass bouncing on the offbeats; verse stays sparse with clipped drum hits and a single vocal lead, pre-chorus strips to bass and handclaps, chorus opens wider with stacked chant doubles and a sharp synth stab, Add reverse risers into each drop, tiny vocal delay throws on the hook word, and a short bass glide between lines, Bright, punchy club mix with a heavy low-end snap, simple, bassline
3:20
Smutny Rap with slow trap drums, dusty piano loop, and a half-time bounce; verse stays intimate and conversational, pre-chorus pulls back with filtered keys and breathy doubles, chorus lands on a short chantable hook with stacked harmonies, Add tape hiss, subtle vinyl crackle, and delayed ad-libs on the last word of each hook, Mix is dark, close-mic, and raw with a warm low end, simple, rap
3:03
Smutny rap, mid-tempo and laid-back with a dusty boom-bap drum swing, muted sub-bass pulses, and a tired piano loop that repeats like a thought you can't drop; verse rides sparse drums and bare keys, pre-chorus opens with filtered chords and a rising vocal stack, chorus lands with doubled lead and a simple chant hook, Close-mic male vocals, dry and intimate in verses, with soft ad-lib echoes on the hook, Vinyl crackle, reversed piano swells, and a late snare fill into the chorus, Warm, lo-fi, and bruised but polished, rap, simple
2:34
Smutny Rap with slow half-time drums, muted kick and snare, and a bare piano loop; verse rides sparse with close-mic dry lead, subtle doubles on key lines, and short ad-lib echoes, Pre-chorus opens with filtered chords and a low synth swell, chorus lands with stacked vocal unisons and a simple chant, Vinyl hiss, reverse swell into hooks, intimate and darkly polished mix, simple, rap
3:13
Progressive bluegrass with a driving acoustic pulse, mandolin chop, banjo rolls, fiddle lines that wander and answer the vocal, and upright bass locking the groove; verse stays lean and nimble, pre-chorus lifts with harmony stacks, chorus opens wider with gang vocal repeats and a rhythmic hook, Thin intro pick, banjo break after verse two, then a dynamic bridge with traded licks, Bright, crisp, live-room mix with punchy transients and wood-grain warmth, simple, progressive bluegrass
3:33
Groove metal with mid-tempo palm-muted riffs, syncopated downbeat punches, and a head-nodding half-time stomp; verse stays tight and heavy, pre-chorus opens with tom rolls and shouted pickups, chorus lands with gang vocals and long-held chords, Harsh male vocals with layered doubles on the hook, gritty shout backs, and short delay throws on key words, Ear candy comes from chrome scrape rises, stop-start chugs, and a low bass swell into the chorus, Mix is thick, dry, and punchy with a raw live-room edge, simple
3:01
Future house with a bouncy four-on-the-floor groove, clipped offbeat bass, and bright pluck synths; verse stays sparse with tight kick, muted clap, and short vocal phrases, pre-chorus lifts with filtered chords and rising risers, chorus drops a wide sidechained lead and punchy vocal chops, Double-tracked lead vocal on hooks, ad-lib repeats in parentheses, sparkly fills between lines, crisp glossy mix built for clubs, simple
3:18
Rare Groove Soul with laid-back swung drums, fat syncopated bass, clean wah guitar flicks, and Rhodes chords rolling under the pocket; verse rides tight and intimate, pre-chorus lifts with stacked harmonies, chorus opens wide with handclaps and group vocals, Lead vocal stays warm and close-mic with soft doubles, ad-lib answers, and occasional delay throws on the hook, Tape hiss, vinyl crackle, and a filtered conga pickup slide into the transitions; mix is dusty, warm, and very groove-forward, simple, soul
3:24
Rare Groove Soul with a laid-back swung pocket, finger-snapped backbeat, warm bassline, clipped guitar chops, and Rhodes chords drifting through the verses; pre-chorus opens with stacked harmony lift and a subtle tom build, chorus lands on a smoother, wider groove with call-and-response ad-libs, Lead vocal stays close-mic and intimate with double-tracked hooks, soft group shouts, tape delay throws on the last word, Vinyl crackle, filtered brass swells, and a short turnaround lick between sections, Warm, dusty, and luxurious in the mix, simple, soul