2:02

The Bunny Went Mad
v4.5-all
rap-infused verses with acoustic guitar in the background, edgy and surreal textures, acoustic, male vocals, distorted guitars, electronic, rap, rock
1:37

rap-infused verses with acoustic guitar in the background, edgy and surreal textures, acoustic, male vocals, distorted guitars, electronic, rap, rock
2:35

The Bunny's ultimate Triumph
v4.5-all
symphonic elements, male vocals, rap, metal, epic metal, explosive energy, dual male and female vocals, female vocals, intense rap interludes, aggressive riffs, dynamic pacing
3:29

The purple Bunny's Triumph
v4.5-all
symphonic elements, male vocals, rap, metal, epic metal, explosive energy, dual male and female vocals, female vocals, intense rap interludes, aggressive riffs, dynamic pacing
1:49

Oh My PCCCCCCCC
v4.5-all
male vocals, emo, combining smooth guitar riffs and a rap breakdown; dual vocals, electronic, male and female, rap, jazz-inspired fusion with electronic elements, jazz, female vocals, playful undertones, alternate for dynamic storytelling; emotional delivery with quirky
1:43

Oh My P-C-C-C-C-C-C-C-C-C-C-C
v4.5-all
male vocals, emo, combining smooth guitar riffs and a rap breakdown; dual vocals, electronic, male and female, rap, jazz-inspired fusion with electronic elements, jazz, female vocals, playful undertones, alternate for dynamic storytelling; emotional delivery with quirky
3:09

the bunny went mad 2
v4.5-all
male vocals, guitar, electronic, rap, electric guitar, j-pop, powerful, heavy metal, upbeat, punk, violin
2:59

male vocals, guitar, electronic, rap, electric guitar, j-pop, powerful, heavy metal, upbeat, punk, violin
3:55

male vocals, guitar, electronic, rap, jazz, uplifting, electropop, punk, disco, epic
3:15

male vocals, guitar, electronic, rap, jazz, uplifting, electropop, punk, disco, epic
3:08

3:38

the bunny went mad 5
v4.5-all
male vocals, guitar, female vocals, electronic, rap, piano, k-pop, dreamy, epic, punk, violin, female singer, fast, powerful, opera, emo
4:41

the bunny went mad 6
v4.5-all
male vocals, female vocals, rock, uplifting, rap, electronic, guitar, epic, psychedelic
2:04

spaghetti power up
v4.5-all
spaghetti power up"is a funz upbeat Mario themed song that focuses on Mario's absolute love for spaghetti, instead of mushrooms or Stars, spaghetti is his true power up, the song leans into cartoon humor, fast energy, and playful bragging, showing Mario at his happiest-covered in sauce, full of noodles, and ready to jump into action, this track sets the tune for the Mario trilogy by introducing his goofy, cheerful side before things get more intense later
4:13

Bring Back the Magic
v4.5-all
Nostalgic pop ballad with female vocals, gentle piano and soft acoustic guitar in the verses; choruses bloom with warm pads, subtle strings, and layered harmonies, Steady, understated drums enter on the first chorus to lift the emotion, with a bright bell synth echoing the hook, Final chorus adds ad-libbed runs and higher backing vocals for a bittersweet, triumphant swell before a quiet piano outro, female vocals
4:05

Pills and Pixels
v4.5-all
rap, Female vocals over clean emo guitar and airy pads, double-time trap drums under a swung electronic groove, Verses flip into agile rap with playful pockets; chorus opens into big melodic hooks with stacked harmonies and side‑chained synth swells, Occasional glitchy FX on key phrases, bridge drops into a mellow half‑time section then rushes back fast and epic for the final hook, electronic, emo, female vocals, mellow
3:04

Barnaby the Black Cat
v4.5-all
rap, Aggressive male vocals spitting rapid-fire rap over distorted electronic punk: sawtooth synth stabs, glitchy dubstep drops, and blown-out 808s under palm-muted guitars, Verses stay tight and fast, double-time hi-hats and bit-crushed fills; chorus explodes into half-time, huge emo gang shouts and octave guitars, with experimental risers and cat-like FX weaving through the mix, Big cinematic hits and choral pads close it out epic and apocalyptic, male vocals, emo, experimental, punk, dubstep, electronic
3:19

Barnaby the Black Cat
v4.5-all
rap, Aggressive male vocals spitting rapid-fire rap over distorted electronic punk: sawtooth synth stabs, glitchy dubstep drops, and blown-out 808s under palm-muted guitars, Verses stay tight and fast, double-time hi-hats and bit-crushed fills; chorus explodes into half-time, huge emo gang shouts and octave guitars, with experimental risers and cat-like FX weaving through the mix, Big cinematic hits and choral pads close it out epic and apocalyptic, male vocals, emo, experimental, punk, dubstep, electronic
3:05

Green Thunder’s Turn
v4.5-all
rap, Psychedelic trap-rap with warped synth bass, glitched arps, and eerie choir pads, Male vocals, half-snarled, half-playful, Verses ride a swung, head-nod pocket; hook explodes with stacked chant vocals and octave jumps, FX throws, pitch-drops, and stutters on key villain lines, like a twisted cartoon supervillain anthem
3:35

Green Thunder’s Turn
v4.5-all
rap, Psychedelic trap-rap with warped synth bass, glitched arps, and eerie choir pads, Male vocals, half-snarled, half-playful, Verses ride a swung, head-nod pocket; hook explodes with stacked chant vocals and octave jumps, FX throws, pitch-drops, and stutters on key villain lines, like a twisted cartoon supervillain anthem
3:12

Italulk vs. Waluigi
v4.5-all
rap, Psychedelic electronic rap with male vocals; distorted synth bass, glitched arps, and swung trap drums, Verses stay tight and menacing with pitch-shifted ad-libs; chorus explodes into widening stereo pads, chanting gang vocals, and stuttered vocal chops, Bridge drops into a warped, half-time vortex before a final, maximal chorus, male vocals, electronic
3:24

Cutie Marks vs. Capsules
v4.5-all
rap, Aggressive pop-punk rap with female vocals over distorted guitars, hard-hitting drums, and percussive piano stabs; violin lines slice through the hook, adding epic tension, Verses spit tight, attitude-heavy bars; chorus explodes with shout-along gang vocals and octave guitar riffs, Bridge drops to piano and violin for a dramatic build, then slams back huge for the final chorus, violin, punk, female vocals
3:11

Wasting Every Bite
v4.5-all
rap, Hyper-fast pop-rap with female vocals over crunchy distorted guitars, bright synth leads, and driving electronic drums, Verses double-time with nimble rap cadences, violin and flute trading quick riffs, Chorus explodes with epic stacked harmonies, wide pads, and a soaring lead line; brief breakdowns strip to guitar and 808-style hits before everything slams back in, Big, animated, energetic arc like a boss-battle theme, female vocals, electronic, violin
2:34

No Giggles, Cutie Mark Crusaders
v4.5-all
Bouncy, candy-colored pop-punk energy with bright distorted guitars, upbeat drums, and playful synth bells, Verses stay tight and rhythmic, leaving space for quick, comedic storytelling; choruses explode with gang-vocal shouts and call-and-response hooks, Occasional stop-start hits for tickle “fake-outs, ” and childlike group chants on the outro, Female vocals, hyper-animated and characterful
3:20

Laundry Mat Crusaders
v4.5-all
Bouncy pop-punk energy with bright electric guitars, live bass, and snappy drums; playful gang vocals in the chorus from three young female voices, Verses stay tight and rhythmic, choruses explode with big harmonies and claps, Bridge drops to half-time with tambourine and stomps, then a final high-energy chorus, clean
3:53

Cutie Mark Revenge
v4.5-all
rap, Hyperactive pop-rock-rap fusion with female vocals: distorted guitars locked to a fast side-chained synth bed, glitchy percussion, and bright EDM leads, Verses spit agile rap over stuttering electronic hits; pre-chorus shifts to melodic tension with choral pads, Chorus explodes in operatic belting over huge drums and stacked harmonies, Brief guitar riff breaks between sections; ending ramps energy to a triumphant, theatrical peak, electronic, female vocals, opera, pop rock
3:44

Quarter Hearts at the Arcade
v4.5-all
rap, Hyper-color electro-punk with female rap vocals and chanty gang hooks, Glitchy synth bass, four-on-the-floor kick, and crunchy guitars punctuating the ends of rap lines, Bright chiptune leads and airy flute riffs float on top, pre-chorus pulls energy back with half-time drums then chorus explodes with shouted harmonies from the whole crew, Occasional 8-bit sound FX stabs and crowd-style “hey!”s for a messy-fun, Saturday-night-at-the-arcade feel, classic, female vocals, punk, electronic
3:15

Cutscene on the Cutie Mark Crew
v4.5-all
rap, Hyperactive mashup of phonk bass, emo trap guitars, and bright EDM leads; female vocals flipping between melodic hooks and rapid-fire rap, Verses bounce over swinging drum grooves with distorted low-end and glitched flute chops; choruses explode into punky gang shouts and layered harmonies, Occasional acoustic guitar strums and chill breakdowns give breath before slamming back into a dramatic, uplifting finale, acoustic, emo, swing, edm, female vocals, uplifting, electronic, metal, dramatic, deep, punk
3:06

Cutscene on the Cutie Mark Crew
v4.5-all
rap, Hyperactive mashup of phonk bass, emo trap guitars, and bright EDM leads; female vocals flipping between melodic hooks and rapid-fire rap, Verses bounce over swinging drum grooves with distorted low-end and glitched flute chops; choruses explode into punky gang shouts and layered harmonies, Occasional acoustic guitar strums and chill breakdowns give breath before slamming back into a dramatic, uplifting finale, acoustic, emo, swing, edm, female vocals, uplifting, electronic, metal, dramatic, deep, punk
3:18

Fish Flood Forever
v4.5-all
rap, Female vocals over hyper-bright electro-pop punk: distorted guitars and fizzy synth leads on a bouncy four-on-the-floor drum groove, with half-sung K-pop-style rap in the verses, Pre-chorus adds airy pads and climbing violin countermelodies, chorus explodes with gang shouts, octave-doubled topline, and sidechained bass, Middle-eight drops the drums for a chill, cinematic build then slams back into a final, triumphant hook, punk, female vocals, electronic, violin, k-pop
3:20

Ten Days After the Fish Flood
v4.5-all
rap, Epic hybrid of synthy trap and pop-rock with female rap vocals, Dark electronic bass and swaggering drums under verses; choruses explode with distorted electric guitar, bright lead synths, and stacked harmonies, Jazz-tinged chords on keys and violin countermelodies add a playful, cinematic feel, Energy builds from chill storytelling to heroic climax, finishing with a triumphant, spacious outro, electronic, jazz, pop rock, deep, electric, female vocals, violin, metal
3:09

Fifteen Days After the Pipe
v4.5-all
High-energy pop-punk rock with playful cartoon chaos, distorted guitars, and bouncy drums, Verses sprint with palm-muted riffs and tight bass; chorus explodes with gang vocals and chanty hooks, Brief half-time bridge for drama, then big final chorus with layered harmonies and kids-choir shouts, world
3:19

Cutie Marks vs. Tetris fake
v4.5-all
rap, Aggressive pop-punk rap with female vocals over distorted guitars, hard-hitting drums, and percussive piano stabs; violin lines slice through the hook, adding epic tension, Verses spit tight, attitude-heavy bars; chorus explodes with shout-along gang vocals and octave guitar riffs, Bridge drops to piano and violin for a dramatic build, then slams back huge for the final chorus, violin, punk, female vocals
3:29

Luigi, Lord of Overload
v4.5-all
metal, Modern heavy metal with galloping twin guitars, double-kick on the verses and a massive halftime stomp on the chorus; male vocals that shift from playful, mid-range storytelling to harsh, screamed hooks, Add thrash-inspired riff breaks, a shreddy solo section under the bridge, and gang shouts on key words to sell the cartoonish brutality
3:54

metal, Crushing heavy metal with double‑kick assault, dropped tuning guitars and dissonant leads, Male vocals shifting between snarled verses and roar-sung choruses; gang shouts on key phrases, Brief halftime breakdown before the final chorus with divebomb guitar squeals and tom-heavy fills, ending on a sustained feedback note
5:03

WAAAH OF THE VIOLET FLAME
v4.5-all
metal, Crushing heavy metal with double‑kick assault, dropped tuning guitars and dissonant leads, Male vocals shifting between snarled verses and roar-sung choruses; gang shouts on key phrases, Brief halftime breakdown before the final chorus with divebomb guitar squeals and tom-heavy fills, ending on a sustained feedback note
4:41

metal, Glitchy electronic metal with chugging 7‑string guitars, blast-beat bursts, and distorted synth arps, Female vocals that shift from whispered glitch-pop into full-on feral screams on the choruses, stacked with robotic harmonies, Breakdowns hit with stuttered vocal chops and sub drops; outro resolves into a massive halftime groove with triumphant lead synth over ringing power chords, female vocals, world, electronic
4:38

metal, Glitchy electronic metal with chugging 7‑string guitars, blast-beat bursts, and distorted synth arps, Female vocals that shift from whispered glitch-pop into full-on feral screams on the choruses, stacked with robotic harmonies, Breakdowns hit with stuttered vocal chops and sub drops; outro resolves into a massive halftime groove with triumphant lead synth over ringing power chords, female vocals, world, electronic
5:11

Cheesy Bread and Broken Hearts
v4.5-all
Bittersweet piano ballad with subtle chiptune pads, gentle trap-style drums, and a slow build, Verses are tender and spacious; chorus swells with group harmonies from the ensemble cast, Final hook leans playful and uplifting as the energy lifts into a brighter, singalong outro, Male and female vocals trading lines, soft bells and synth strings adding nostalgia, sad
3:54

Too Close To The Villain
v4.5-all
metal, High-octane modern metal with downtuned guitars, double-kick barrages, and snarling male vocals; verses ride a chugging, syncopated riff, chorus explodes with an anthemic gang-vocal hook, brief halftime breakdown before final chorus, bass growls under sharp lead squeals
3:57

Too Close To The Villain
v4.5-all
metal, High-octane modern metal with downtuned guitars, double-kick barrages, and snarling male vocals; verses ride a chugging, syncopated riff, chorus explodes with an anthemic gang-vocal hook, brief halftime breakdown before final chorus, bass growls under sharp lead squeals
3:29

HowToTragic
v4.5-all
metal, Hyper-aggressive thrash metal with double-kick barrages and chugging drop-tuned guitars; male vocals that shift from rapid-fire barked verses to gang-shouted hooks, Breakneck tempo, discordant lead lines, and abrupt stop-start breaks, Chorus explodes with layered shouts and octave guitars, bridge dives into a crushing half-time stomp before a final blast-beat sprint
3:22

Lava War: HowToTragic
v4.5-all
metal, Hyper-aggressive thrash metal with double-kick barrages and chugging drop-tuned guitars; male vocals that shift from rapid-fire barked verses to gang-shouted hooks, Breakneck tempo, discordant lead lines, and abrupt stop-start breaks, Chorus explodes with layered shouts and octave guitars, bridge dives into a crushing half-time stomp before a final blast-beat sprint
3:59

Peach of Thorns
v4.5-all
Dark cinematic pop-rock with female vocals, distorted guitars, and ominous choir swells, Verses stay tense and sneering over brooding low strings and toms; chorus explodes with roaring drums, octave synth bass, and stacked gang vocals on the hook, Bridge strips to piano and reverse-reverb vocals, then slams back with towering guitars, orchestral hits, and a triumphant key change for the final chorus, happy
3:46

Peach of Thorns calm version
v4.5-all
Dark cinematic pop-rock with female vocals, distorted guitars, and ominous choir swells, Verses stay tense and sneering over brooding low strings and toms; chorus explodes with roaring drums, octave synth bass, and stacked gang vocals on the hook, Bridge strips to piano and reverse-reverb vocals, then slams back with towering guitars, orchestral hits, and a triumphant key change for the final chorus, happy
6:02

metal, Relentless double-kick metal with detuned, chugging guitars and screaming male vocals; verses gallop with rapid-fire riff changes, chorus explodes into a huge, chantable hook and gang shouts; mid-song breakdown gets slower, drop-tuned, and theatrical with character-callouts and dissonant leads; final section accelerates into a frantic tremolo-picked climax with layered shouts and a soaring, melodic lead line on top
3:39

Tickle Blaster Breakdown
v4.5-all
metal, Chaotic groove-metal with thrashy, palm-muted guitars, gang shouts, and male vocals on the edge of a scream; verses ride a jagged, syncopated riff, chorus opens into an anthemic, shout-along hook with double-time drums, breakdown hits hard with chugs, pinch harmonics, and stomping toms as the energy peaks in a wild, mosh-ready finale, sonic
5:43

Luigi’s Secret Cheat Button
v4.5-all
metal, Fast, galloping power metal with a thrashy edge; twin guitars chugging and harmonizing over double-kick drums, Male vocals that shift from dramatic storytelling in the verses to shout-along gang vocals in the chorus, Big halftime breakdown before the final chorus, with a shreddy solo and choir-style backing vocals stacking the hook
3:24

Cheap Button Showdown
v4.5-all
metal, Chaotic theatrical metal with galloping double-kicks, crunching twin guitars, and shout-along gang vocals, Male vocals, half-snarled verses and soaring, melodic chorus; sudden half-time breakdown for the tickle-blast moment, then a final riff sprint to the end
4:48

Button Masher of the Dead
v4.5-all
metal, Modern thrash metal with syncopated double-kick and down-tuned chugs; verses sprint with rapid-fire riffs and gang shouts, chorus drops into a huge half-time stomp, Screamed male vocals up front, high harmony shrieks on hooks, brief dissonant guitar leads before the final breakdown, Tight, punchy mix that keeps the vocal story razor clear over a wall of guitars
