LOT Radio

uplifting modern praiserock powerful warm male lead vocal with grit midtempo 8088 bpm groove bright acoustic strumming electric swells piano atmospheric pads strong live drums rich harmony stacks subtle choir Contemporary Christian, Pop big daddy weave elevation worship 2025 vibe anthemic triumphant high production midtempo praiserock anthem start soft with acoustic strum pads male lead warm confident full of awe joy slight grit for power verses storytelling reverent prechorus builds with harmony layers chorus big anthemic release stompsclaps full band gang vocals bridge strips back to acousticstomps then explodes in final chorus triumphant optional key lift keep joyful victorious energy focus on praise worthiness and jesus dual nature for warmer grounded tone tune master to a 432 hz postproduction or daw retune by 32 cents

congregational worship, gospel, pop, energy

Upbeat gospel-influenced modern worship, warm confident male or female lead, joyful 92-102 bpm groove, hand claps on 2 & 4, driving acoustic + electric guitars, organ/Rhodes, light live drums, rich harmony stacks, natural crowd sing-along & call-response layers, celebratory praise energy, Belonging Co / Maverick City 2025 vibe-Start punchy & joyful: bright acoustic + claps + kick groove, Lead vocal confident, inviting, full of life, Verses bounce with light swing feel, Chorus lifts with full band + layered crowd voices, Bridge call & response style, Final chorus huge but heartfelt — focus on celebration of surrender, not heaviness, Keep gospel warmth, praise momentum, unifying joy

Upbeat modern congregational worship anthem, confident warm male lead (Belonging Co / Elevation style), joyful high-energy 88-96 bpm groove, driving acoustic + electric guitars, strong live drums with claps & stomps, big male/female harmony stacks, natural crowd sing-along layers, hand-clap / stomp cues, massive praise build, celebratory & fun, 2025 worship vibe Start punchy & exciting: bright acoustic strum + kick/claps, Male lead bold, inviting, fun, Verses bounce with call-response echoes, Chorus huge sing-along, full band + crowd voices building, Spontaneous section call & response style, Keep joyful, alive, unifying energy — perfect for a room full of people jumping and shouting hosanna together, No ballad moments — pure praise momentum

Modern intimate worship, warm confident male lead vocal (Bryan Torwalt / Belonging Co style), smooth emotive tone, rich male + female harmonies, confident warm male lead (slightly husky, grounded tone), gentle 74-80 bpm groove, acoustic fingerpicking + light pads, subtle piano/strings, deep relational peace, quiet joy, high production, Belonging Co / Torwalt 2025 feel

confident modern worship, strong joyful energy, no fragile or whispery vocals -Production direction for Suno: - Start warm and intimate but never weak: clean acoustic fingerpicking + heartbeat kick pulse - Verse: clear, emotive female lead (not breathy), soft female harmony support, keep energy present and alive - Pre-chorus: add rhythmic drive — snare build, light piano/electric swells, vocal lifts with confidence & backup - Chorus: strong full-band release — solid kick/snare groove, rich female harmony stack (3–5 parts), soaring but controlled lead vocal, no screaming or over-belting - Overall feel: confident joy, deep love, strength in surrender, being fully alive in God right now - Vibe references: "Build My Life" (Pat Barrett), "Graves Into Gardens" (Elevation), "The Blessing" (Kari J, & Carnes), "Way Maker", but more acoustic-forward and rhythmic - Never drag, never mournful, never fragile — keep forward momentum and warmth smooth pace vocals

contemporary praise band, bold, energy, crowd involved signing at times, style like elevation worship

praise band Upbeat americana / Blues Rock, 110 BPM, Driving B3 Organ, Punchy Electric Guitar, Heavy Stomp-and-Clap, Soulful Vocals, gritty, High-Energy Anthem, Dynamic Build, Big Chorus Release, Raw Passion, not over the top

Style of Music Box: Neo-Soul Gospel, 85 BPM, B-Minor, Deep Groovy Bass, Pentatonic Guitar Riffs, Atmospheric Rhodes Piano, Soulful Male Vocals, Emphatic Drum Hits, Spiritual Anthem, Cinematic Build, Modern Worship, Producer "Prompt" For the "Surprise" Minor Feel: In the Style box, specifically include "Dark Soulful Gospel" or "Minor Key", This prevents it from being too "bouncy, " The "In Every Way" Hit: In the lyrics, you can use [Stop] or [Drum Fill] before the phrase "In every way" to try and trigger that "Diamond Hit" we discussed, The Outro Build: Use the tag [Crescendo] or [Big Choir Finale] right before the Outro to make sure it finishes with that heavy authority

PRAISE ROCK BAND, STADIUM, joyous, VOCALS SMOOTH AND FLOWING, AD LIBS, Back up singers, bands sound like passion the band, balanced instruments, elevation worship style, anthem

PRAISE ROCK BAND, STADIUM, joyous, VOCALS SMOOTH AND FLOWING, AD LIBS, Back up singers, bands sound like passion the band, balanced instruments, upbeat, worship

PRAISE ROCK BAND, STADIUM, joyous, VOCALS SMOOTH AND FLOWING, AD LIBS, Back up singers

PRAISE ROCK BAND, STADIUM, ENERGETIC, VOCALS SMOOTH AND FLOWING, AD LIBS

americana Rock, soutthern Rock, SCOTS, gritty, Gibson guitars, grooving bass line, backup choir, stong vocals with smooth control and ad-lib, interjection, or a vocalise, slightly, rhythm, energy, ‑no contemporary praise or worship, ‑no Caribbean or island

americana Rock, soutthern Rock, gritty, bass gauiltar fills rythm well, backup singers, stong vocals with smooth control and ad-lib, interjection, or a vocalise, slightly, rhythm, energy, ‑no contemporary praise or worship, ‑no Caribbean or island

Rock, soul, just slightly gopsel, and backup choir, ‑no contemprary worship or praise, ‑not middle eastern sounding

Style: praise rock like sons of sunday, gritty, with dynamic movement, energetic build-ups, and emotional lifts Tempo: 75-85 BPM, lively but reverent groove Key: C minor (or similar minor scale for emotional depth) Feel: Rhythmic, syncopated with accents on key words, surprise melodic runs in chorus and outro Instrumentation: Percussion-driven, with melodic lifts in vocals, layered with gentle pads, rhythmic guitar or piano accents Emotion: Expectant, confident, joyful, victorious—build intensity toward chorus and outro Special cues: Use melodic surprises on key phrases, emphasize rhythmic accents on "harvest today, " "Much More, " and "overflow, " Allow space for dynamic shifts between reflective verses and energetic choruses, ‑dont relpy on contemporary worship praise style

multi split choir meets muddy waters, southrn gospel blues rock, gritty powerful backup and strong main vocals, Declarations, Energy, Moving rhythm, ‑Not contemporary praise and worship

american rock, anthem, big bass, guitar, soulful, strong, Gritty, Gospel, strong, driving rhythm, Uplifting, passionate, strong vocals, In some parts, let there be breath in vocals

rock, american rock, anthem, big bass, guitar, rootsy, soulful, strong

Genre: Soul-Funk / Blues-Funk / Southern Soul / Roots Blues with Gospel Influences Mood & Feel: Warm, soulful, gritty, uplifting, authentic, rootsy, energetic, emotionally deep Tempo: 85-100 BPM (moderate groove, danceable yet soulful) Key & Scale: Minor key, pentatonic scale, with gospel-style melodic runs and bluesy bends Instrumentation: Electric bass with deep groove Electric guitar with wah or bluesy bends Hammond organ or vintage keyboard sounds Gospel-style backing vocals (optional) Percussion: congas, shakers, or hand drums for groove Drums with a tight, funky pocket (playful, syncopated beats) Optional horn section for accentuation (trumpet, sax) Rhythm & Groove: Emphasis on groove, syncopation, and pocket Use of swung or shuffle feel Bassline should be thick, melodic, and rhythmic Percussion should add layers without overpowering Vocal Style: Soulful, gospel-infused, expressive, with bends and runs Call-and-response elements encouraged Vocal delivery should feel raw, em

like the song, oh jesus, style and world beat, strong vocals, female, male, and choir

(Stray Cats, Surfer Rock, Southern Culture on the Skids, Fast, driving Rockabilly Shuffle, Emphasis on slap bass, sharp guitar, and chaotic energy, )

funk and soul track, often categorized under funk/soul and jazz-funk, It is an instrumental, high-energy, and rhythmic song, released as a 7-inch vinyl B-side to the track "Good Weed & Red Wine", Southern culture SCOTS, ‑praise and worship, ‑contemporary

Southern culture SCOTS, punk, blues, southern rock

(Rockabilly Punk Boogie, Less Blues, Fast, relentless SCOTS shuffle rhythm, Heavy slap bass and aggressive guitar hits emphasize the amalgam boogie feel, )

(Blues Rockabilly Punk Shuffle with Surf Edge, Slap bass foundation, fast rhythm, Chorus uses clean Stray Cats-style jump; verses use gritty, sharp guitar stabs, )

(Stray Cats Rockabilly Swing meets SCOTS Blues Punk, Slap bass driven, syncopated chorus groove with clean guitar chords; gritty, distorted verses, Fast shuffle, )

Blues Rockabilly Punk with prominent funk/R&B groove, bass/guitar interplay, fast shuffle, tight drum pocket, and sharp, stop-time rhythm, )

Rockabilly, Blues, Rock, Punk, #SouthernCulture (SC OTS), #Scat Cats

(Rockabilly Punk Blues with Surf and R&B elements, high energy, fast shuffle, heavy reverb, and driving beat, punk, )

#southerncultureontheskids SCOTS #swamprock #rootsgospel #surfrock #americana #amalgam of rockabilly, boogie, blues, Twangy Tele riffs, upright/slap bass, surf reverb lead, Hammond B3 pad, horn stabs, backbeat shuffle drums, male/female shout vocals, energy = steady build 8/10 → finale 10/10, emotional tone = gritty and victorious

#southerncultureontherock SCOTS #swamprock #rootsgospel #surfrock #americana #amalgam of rockabilly, boogie, blues, Twangy Tele riffs, upright/slap bass, surf reverb lead, Hammond B3 pad, horn stabs, backbeat shuffle drums, male/female shout vocals, energy = steady build 8/10 → finale 10/10, emotional tone = gritty and victorious

#southerncultureontherock #SCOTS' music is a quintessentially Southern-fried amalgam of rockabilly, boogie, country, blues, swamp pop, and chitlin circuit R&B #swampabilly #rootsrock #southernsurf Twangy guitars, slap bass, swamp-groove drums, Hammond B3 pad, mariachi horn stabs, male/female backing vocals, revival energy, tempo ≈ 92 BPM, key Cm, groove = laid-back shuffle with surf guitar flare

#southerncultureontherock #swampabilly #rootsrock #southernsurf Twangy guitars, slap bass, swamp-groove drums, Hammond B3 pad, mariachi horn stabs, male/female backing vocals, revival energy, tempo ≈ 92 BPM, key Cm, groove = laid-back shuffle with surf guitar flare

that gritty, roots-meets-rebellion energy — rockabilly + surf + country-fried garage + R&B + punk edge — and you just want to slightly soften the punk to make it fit a worship tone while keeping the drive, swagger, and soul

94 BPM; gospel-pop worship; piano, guitars, drums, choir; bright joyful energy; chorus “we are saved, redeemed, baptized, now royalty”; life and freedom in Christ

Genre/Vibe: Arena Rock / Southern Rock Anthem Tempo/Key: ~110–112 BPM · G Major · 4/4 shuffle Lead Vocal: Male baritone (Jennings style) — gritty, soulful, steady Harmony Vocal: Female (Parton style) — silent in verses, strong lift in choruses + bridge Choir: Gospel backing choruses + outro only, Never in verses, Enter late in bridge swell, Echo phrases, never overtake lead, Instruments: • Guitars: Driving rhythm, slide accents for color • Keys: Hammond B3 + piano swells • Rhythm: Arena drums (snare punch, tom fills), steady bass drive Arrangement: • Intro: 4 bars max, band only (no choir) • Verses: Waylon lead, restrained groove, no backing • Chorus: Dolly + choir lift, organ/guitar swell • Bridge: Waylon + Dolly only → choir enters on final swell • Final Chorus/Outro: Stadium lift, choir chant fade Feel: Southern grit + arena anthem, Clean space for vocals, celebratory lift at choruses, big finale, References: W, Jennings, Dolly P, Seger arena d

98 BPM; gospel-rock worship; live drums, bass, electric gtr, organ, claps, choir; joyful testimony vibe “You Heard Me From the Start”; faith, energy, celebration

88 BPM; anthemic pop-rock worship; soaring major key; guitars, drums, choir; bold unified vocals; revelation→praise theme — “God is Life, Unshaken, Forever Good, ”

84 BPM; acoustic-cinematic duet; piano, guitar, warm pads; male/female vox; Isa 41:10 comfort → empowerment; hook “I can take your fears”; Spirit voice brings peace + lift

78 BPM; cinematic worship ballad; piano, strings, acoustic guitars; duet option; romantic first half then divine reveal; wedding vow meets covenant with Christ

indie rock, drivign rock, lectric guitars, live drums, crowd claps; anthemic

Deep bass house worship; 124 BPM; soulful male/female vox; bright synth pads, gospel claps, Moog sub, sidechain groove; energy uplift and radiant light theme

[Style Sheet] Genre: Worship rock / modern praise Tempo: 80 BPM (mid-tempo, steady groove) Key: G Major Lead Vocal: Male, warm and earnest Harmony: Female harmony in Pre-Chorus and Chorus Choir: Swell in final Chorus for lift Instruments: Acoustic guitar strum (foundation), electric guitar with ambient delay (lift in Chorus/Bridge), piano pads (soft under verses), bass guitar (steady, warm), drums (soft in verses, full in Chorus) Dynamics: - Verse 1: stripped down, acoustic + pad only - Pre-Chorus: harmony enters, light band build - Chorus: full band, uplifting energy - Verse 2: add bass and percussion - Bridge: big rise, layering vocals + electric guitar swells - Final Chorus: full band + choir harmonies, fade on “straight path”

Rock, folk, dividic, powerful, excitement, soaring point in song build full and sustains choruses full and back up

Oprah vocals tenor like Pavarotti, light orchestra full

rhythmic, devic, atmospheric, folk, soul, bass line, Drums

-rooted jazz, R&B, blues, and boogie-woogie, vocals paced, explosive group singing on choruses and rocking piano, martigra