6:18
Organ and female voice, Andante but not too much, Solemn and introspective, In mourning, Use dark, complex chords and melody, Modulations, Musical intensity, Sad, lyric, meditative, ‑rock, ‑pop, ‑modern instruments, ‑hip hop, ‑rap, ‑recitative
4:11
Medieval, Provençal style, Duet, male and female vocals, Melancholic, sad, tender, emotional song, Female and male voices, Beautiful melody, Slow rhythm, Instruments: Harp, flute, violin, and gittern, ‑rock, ‑pop, ‑modern instruments, ‑hip hop, ‑rap
3:45
Medieval, troubadour style, Duet, male and female vocals, Melancholic, sad, tender, emotional song, Female and male voices, Beautiful, haunting melody, Slow rhythm, Instruments: Harp, flute, violin, gittern, and moderate percussion, Tempo andante, ‑rock, ‑pop, ‑modern instruments, ‑hip hop, ‑rap
6:12
Medieval music, Lyrical, rhythmic, and beautiful melody, Provencal trobadoure style, Instruments: Gittern, violin, and flute, The male voice sings the main lyrics, The female choir replies with the antiphon "Loyal to noon, loyal to alle", ‑modern styles or instruments, ‑hip hop, ‑rock, ‑pop, ‑rap, ‑or recitative
4:44
Create a hauntingly beautiful composition in the style of a late 13th–early 14th century Liturgical–Ars Nova hybrid, Use a modal scale (e, g, Dorian or Phrygian) to evoke medieval spiritual solemnity, Feature a mixed choir that follows the early polyphony of 13th-century Italian madrigals, The vocal delivery should feel solemn, visionary, and elevated, as if sung by a soul in transit, Instrumentation:
– Vielle (melodic proto-violin)
– Harp to evoke angelic presence and celestial order
– Flute or recorder with airy, Visionary or pastoral accents, Weave 2–3 voice polyphony in the style of early Italian Ars Nova (e, g, Landini, Jacopo da Bologna), Use slow to moderate tempo, Let the music breathe, Emotional tone: mystical, mournful, luminous polyphony, ‑rock, ‑modern instruments, ‑pop, ‑hip hop, ‑rap
3:14
A medieval monophonic song in the style of the Cantigas de Santa María, sung in Old Galician-Portuguese, The melody is modal (Dorian or Mixolydian), slow and lyrical, with a solemn and devotional tone, Male solo voice, warm and clear, with light ornamentation and expressive phrasing, Instruments: vielle (medieval fiddle) leading the melody, harp for soft accompaniment, flute for occasional response phrases, and a subtle frame drum to mark the rhythm, The rhythm will be 3/4 and andante, Include refrains repeated like a lament or invocation, The music evokes courtly love and spiritual longing, set in a sacred, Iberian medieval soundscape, Style resembles Alfonso X's court music, with poetic narrative and rich emotional atmosphere, The mood is bittersweet, contemplative, noble, and mystical, ‑modern instruments, ‑hip hop, ‑rock, ‑pop, ‑rap
5:19
A medieval monophonic song in the style of the Cantigas de Santa María, sung in Old Galician-Portuguese, The melody is modal (Dorian or Mixolydian), slow and lyrical, with a solemn and devotional tone, Male solo voice, warm and clear, with light ornamentation and expressive phrasing, Instruments: vielle (medieval fiddle) leading the melody, harp for soft accompaniment, flute for occasional response phrases, and a subtle frame drum to mark the rhythm, Include refrains repeating “Isabela mia” like a lament or invocation, The music evokes courtly love and spiritual longing, set in a sacred, Iberian medieval soundscape, Style resembles Alfonso X's court music, with poetic narrative and rich emotional atmosphere, The mood is bittersweet, contemplative, noble, and mystical, ‑moder instruments, ‑hip hop, ‑rock, ‑pop, ‑rap
3:59
A medieval monophonic song in the style of the Cantigas de Santa María, sung in Old Galician-Portuguese, The melody is very lyrical and modal (Dorian or Mixolydian), slow and lyrical, with a solemn and devotional tone, MALE (masculine) solo voice, warm and clear, with light ornamentation and expressive phrasing, Instruments: vielle (medieval fiddle) leading the melody, harp for soft accompaniment, flute for occasional response phrases, and a subtle frame drum to mark the binary (4/4) rhythm, Rhythm is slow and heavy, Include refrains repeated like a lament or invocation, The music evokes courtly love and spiritual longing, set in a sacred, Iberian medieval soundscape, Style resembles Alfonso X's court music, with poetic narrative and rich emotional atmosphere, The mood is bittersweet, contemplative, noble, and mystical, ideal for a lament, ‑Modern instruments, ‑rock, ‑pop, ‑hip hop, ‑rap
3:59
A medieval monophonic song in the style of the Cantigas de Santa María, sung in Old Galician-Portuguese, The beautiful and haunting melody is modal (Dorian or Mixolydian), slow and lyrical, with a solemn and devotional tone, Male solo voice, warm and clear, with light ornamentation and expressive phrasing, Slow and solemn rhythm, Instruments: vielle (medieval fiddle) leading the melody, harp for soft accompaniment, flute for occasional response phrases, and a subtle frame drum to mark the rhythm, Include refrains repeating “Isabela mia” like a lament or invocation, The music evokes courtly love and spiritual longing, set in a sacred, Iberian medieval soundscape, Style resembles Alfonso X's court music, with poetic narrative and rich emotional atmosphere, The mood is bittersweet, contemplative, noble, and mystical, ‑Modern instruments, ‑electronic instruments, ‑rock, ‑pop, ‑hip hop, ‑rap
2:54
A medieval monophonic song in the style of the Cantigas de Santa María, sung in Old Galician-Portuguese, The melody is modal (Dorian or Mixolydian), slow and lyrical, with a solemn and devotional tone, Famous troubadour Pero da Ponte is singing this song, Male solo voice, warm and clear, with light ornamentation and expressive phrasing, Instruments: vielle (medieval fiddle) leading the melody, harp for soft accompaniment, flute for occasional response phrases, and a subtle frame drum to mark the rhythm, Include refrains repeated like a lament or invocation, The music evokes courtly love and spiritual longing, set in a sacred, Iberian medieval soundscape, Style resembles Alfonso X's court music, with poetic narrative and rich emotional atmosphere, The mood is bittersweet, contemplative, noble, and mystical, ‑Modern instruments, ‑electronic instruments, ‑pop, ‑hip hop, ‑rock, ‑rap
3:54
A medieval monophonic song in the style of the Cantigas de Santa María, sung in Old Galician-Portuguese, Style of Mester de Juglaría, The melody is modal (Dorian or Mixolydian), slow and lyrical, with a solemn and devotional tone, Famous troubadour Pero da Ponte is singing this song, Male solo voice, warm and clear, with light ornamentation and expressive phrasing, Instruments: vielle (medieval fiddle) leading the melody, harp for soft accompaniment, flute for occasional response phrases, and a subtle frame drum to mark the rhythm, Include refrains repeated like a lament or invocation, The music evokes courtly love and spiritual longing, set in a sacred, Iberian medieval soundscape, Style resembles Alfonso X's court music, with poetic narrative and rich emotional atmosphere, The mood is bittersweet, contemplative, noble, and mystical, ‑Modern instruments, ‑electronic instruments, ‑pop, ‑hip hop, ‑rock, ‑rap
4:40
Medieval trouvère song in Old French, sung by a solo male voice with soft vibrato, Modal melody in Dorian mode, slow tempo, melancholic and noble, Accompanied by vielle, harp, and light frame drum, with occasional drone tones from a rebec, The tone is elegiac and solemn, evoking sorrow and chivalric ruin, Sung in a stone hall or abbey setting, with natural reverb, Emphasize vocal clarity and modal phrasing, Style reference: 12th-century trouvère songs from Arras or the court of Champagne, ‑Modern and electronic instruments, ‑pop, ‑rock, ‑hip hop, ‑rap
4:39
A solemn medieval composition combining Notre-Dame polyphony with Trouvère instrumental style, Features 2–3 interwoven vocal lines in 12th-century Parisian organum, modal and sacred in tone (Dorian and Phrygian modes), Accompanied by vielle, harp, frame drum, and rebec drone, gently underscoring the vocal lines, Texture should alternate between chant-like solo passages and harmonic layering, creating a mystical, ceremonial atmosphere, Tempo: slow and processional, Reverb: cathedral-like acoustics, Language: Old French, Emotion: elegiac, sacred, Grail-mystic, ‑electronic instruments, ‑modern instruments, ‑hip hop, ‑rock, ‑rap, ‑pop
4:17
Keep the song exactly as is: same voice, same music, Just switch the instrument to a harp with a clear harp sound, Do Not Touch anything else, ‑modern instruments, ‑electronic instruments, ‑hip hop, ‑rock, ‑poo, ‑rap
4:48
Medieval Andalusian style in the tradition of Ziryab, Slow modal melody (maqam Hijaz or Bayati), Melismatic male vocals with lute (ʿūd), rebab, ney, and frame drums (daf), Express sorrow and nobility, evoking frontier exile, Use Arabic-Andalusian instrumentation and rhythm, poetic narrative tone, ‑Modern instruments, ‑electronic instruments, ‑hip hop, ‑rap, ‑pop, ‑rock
4:57
Compose a sorrowful medieval lament in the style of a 12th-century Iberian planto, titled “Planto de Doña Ximena, ”
Use laúd (Spanish lute, not acoustic guitar) and vielle as primary instruments, Each refrain should include small choir harmonies (chant-like), light percussion (frame drum or tabor), laúd, and vielle, Alternate between female solo voice (for Ximena’s lines, marked with quotation marks) and male voice (for the rest), The tone should be lyric, plaintive, and dignified, with slow, modal melodies, evoking loss and loyalty in exile, Use natural medieval phrasing and emotion, Blend Iberian medieval sound (Castilian) with light Andalusian sorrow for nuance, ‑modern instruments, ‑electronic instruments or atmosphere, ‑hip hop, ‑rap, ‑rock, ‑pop
5:17
Create a medieval-style musical setting for an epic chanson de geste consisting of 8 stanzas and a recurring refrain, The piece should follow three distinct sections, each with specific tempo, mood, and instrumentation:
1, Stanzas 1–3
Tempo: Allegro ma non troppo
Mood: Energetic, heroic
Instruments: Vielle, flute, laúd (medieval lute), and light percussion (e, g, tabor or frame drum)
Voice: Male narrator, strong and rhythmic, 2, Stanzas 4–6
Tempo: Slow and majestic (Largo)
Mood: Reverent, intimate, introspective
Instruments: Harp and solo voice only
Voice: Female singer preferred, expressing lament and solemnity, 3, Stanzas 7–8 (Final)
Tempo: Andante, solemn but joyful
Mood: Triumphant, closing in honor
Instruments: Vielle and laúd only, no percussion
Voice: Male voice, lyrical and resolute
Refrain: Repeated with added harmony or slight melisma at the end for emotional closure, Style: Faithful to 11th–12th century Iberian or troubadour tradition, Avoid modern harmonies, ‑modern instruments, ‑electronic music or ambient, ‑pop, ‑rock, ‑hio hop, ‑rap
4:30
Keep the same style and melody, Cover this song with a MALE voice version, Keep the medieval flavour, ‑modern instruments, ‑electronic ambient, ‑pop, ‑hip hop, ‑rap, ‑rock
2:54
Tempo: Andante (72–76 bpm)
Instrumentation:
Harp (arpeggiated and flowing)
Cello (deep, sustained legato)
Viola and Violin (intertwining counterpoint and gentle harmonies)
Vocals:
Male voice, Soft, emotional tone—intimate, vulnerable
All converge softly on final line: “now I’m drowning!”
Mood: Tender, melancholic, suspended in emotional time, Use space and natural reverb for atmosphere
3:54
Keep this style as a Medieval English ballad in 13th-century style, MALE solo voice, Harp and vielle accompaniment, NO PERCUSSION OR DRUM, Mood: lyrical, nostalgic, melancholic, The song conveys deep longing and sorrowful yearning for an unreachable beloved, The love is courtly, idealized, and impossible — filled with reverence and pain, The melody should be flowing and expressive, evoking distant lands, starlit nights, and the ache of absence, The singer sounds like a lone troubadour under moonlight, whispering devotion to a lady beyond his reach, FOCUS on modal harmony and emotional depth, Ancient tone, slow tempo, poetic and soft phrasing, The lyrics here represent the phonetic transliteration, ‑modern instruments, ‑electronic ambient, ‑hip hop, ‑rap, ‑rock, ‑pop