After Après

fluctuate the singing emotionality and the musical arrangement as per the story, especially the chorus that should stand you, Think Spanish Train as a reference, the instrumentation should be very tarab, ‑live, ‑runs, ‑crowd, ‑screams, ‑falsetto

keep it symphonic with Syncopation/Polyrhythm, Duet male + female vocals, ‑live, ‑runs, ‑crowd, ‑screams, ‑falsetto, ‑mono

fuse it with violins and a philharmonic symphony in the background of the dance beat deeper female vocals, ‑live, ‑runs, ‑crowd, ‑screams, ‑falsetto

‑live, ‑runs, ‑crowd, ‑screams, ‑falsetto

‑live, ‑runs, ‑crowd, ‑screams, ‑falsetto

‑live, ‑runs, ‑crowd, ‑screams, ‑falsetto

inspirational, motivational, symphonic, cinematic, storytelling, bass vocals, no runs

grime, Lebanese folk fusion, male spoken lead, US MC flow, oud lead riffs, darbuka accents, distorted sub-bass, sparse synth stabs, chopped vocal slices, dry snare crack, half-time bounce, 120 BPM, mono low end, tape saturation, short room reverb, sidechain pump, Beirut street grit, bleak urgency, streetwise defiance