AI Factory 2/16/26

Long atmospheric pads, wide stereo

avant-garde, sludge

High-energy garage rock track characterized by distorted electric guitars and a driving drum beat, The song features a raw, lo-fi production style with a fast tempo of approximately 160 BPM, The instrumentation consists of two overdriven electric guitars playing power chords in a punk-influenced progression, a gritty bass guitar following the root notes, and a punchy drum kit with heavy use of crash cymbals and a snapping snare, The vocal delivery is aggressive and shouted, featuring a male voice with a slight rasp and high-frequency saturation, The structure follows a standard verse-chorus format with a brief instrumental intro, The mix is dense and mid-range focused, emphasizing the distorted textures of the guitars and the urgency of the vocal performance

country rock, bluegrass

Modern melodic trance production with disciplined long-form arrangement, emotional minor-key storytelling, controlled key modulation from D minor to G minor, arpeggiated piano intro with cinematic restraint, wide yet balanced supersaw textures, punchy contemporary trance kick with tight mono sub integration, offbeat pluck bassline architecture, hypnotic 16th-note hi-hat propulsion, evolving atmospheric pads with gradual filter automation, spacious breakdown dynamics, intentional harmonic pivot for perceived lift, restrained snare tension builds, subtle sidechain movement limited to low frequencies, clean spectral separation, polished stereo imaging with expansive side energy, confident opening-act pacing, euphoric but unresolved emotional arc, professional festival-ready mix clarity, dynamic control without over-compression, modern sonic precision anchored in classic trance harmonic discipline, ‑psy-trance rolling basslines, ‑aggressive acid resonance, ‑techno rumble kick textures, ‑big-room drop structures, ‑trap-style hi-hats, ‑dubstep wobble bass, ‑glitch artifacts, ‑excessive riser explosions, ‑cinematic trailer brass scoring, ‑orchestral bombast, ‑spoken monologue passages, ‑exaggerated motivational delivery tone, ‑hardcore rave stabs, ‑over-compressed master limiting, ‑extreme sidechain pumping

indie folk pop restrained, breathy soulful male vocals

German woman, soft yet bold vocals, medieval, ethereal, German folk, Harmonica, acoustic

A mid-tempo indie folk-pop track characterized by a blend of acoustic warmth and cinematic rock energy, The song opens with a clean, rhythmic acoustic guitar strumming a repetitive folk-inspired progression in a major key, The female lead vocals are breathy, intimate, and emotive, featuring subtle vibrato and layered harmonies during the build-ups, As the track progresses, it introduces a driving drum kit with a prominent kick and crisp snare, alongside a melodic electric guitar that utilizes delay and reverb for an atmospheric, shimmering effect, A notable bridge features a soaring, distorted electric guitar solo with bluesy bends and high-gain sustain, transitioning into a powerful, anthemic final chorus, The production is polished, with a wide stereo field and a clear balance between the organic folk elements and the expansive rock instrumentation

Fast female-led garage rock trio - Japanese female alto rock vocals, raw, buzzing, fuzz effect, Gang shouts, Sing-a-longs, Strong three part harmonies, Let the bass guitar lead, and electric guitar splatter colors all over, Rhythm guitar should keep the riffs

GENRES [INDUSTRIAL HORRORCORE][DARK TRAP GOSPEL][LITURGICAL METAL] TEMPO / FEEL [Half-Time – 70–78 BPM][Processional Groove][Ritual Weight] STRUCTURAL INTENT [Hymn Form][Hook as Chant][Verse as Sermon][Bridge as Vox-Liturgy] INSTRUMENTATION [Drums – half-time industrial impacts, rusted snare/pipe hits, sparse tomb-toms] [Bass – mono sub swell, sickly low drone, long decay, no wobble] [Organ – degraded D minor chords, intermittent stabs, warped sustain] [Choir – reversed choir pads, men’s chant layers, dissonant cluster tails] [Bells – detuned plague bells, irregular toll, distant metal resonance] [FX – insect swarm layers, wet breath foley, damp cathedral roomtone, tape hiss/analog decay] VOCALS [Lead – low phlegmy sermon, close-mic, controlled] [Layers – whisper/rasp doubles, low chant under hooks, “choir of rot” stacks] [Processing – bandpass/vox-grit, mild saturation, short slap on phrases, no clean takes]

female vocal, half-sung half-spoken, post-punk, art rock, lo-fi ambient, sparse guitar, slow build, dry mix, close mic, no reverb, self-talk, internal monologue, shifting delivery, clipped then spiraling, industrial warmth, tender, analog synth drone, 78 bpm building to 88, drum machine enters late, room tone, institutional, restless, one voice two moods, unison with self final section

romantic, experimental, melodic, pristine ethereal female vocal, layered female chorus, emotional vocal fry, violin and cello

Acoustic percussive guitar duet with a soulful tenor male voice and a virtuoso fiddle performer, The fiddle features intricate Banfer style runs, complex double-stops, and fast melodic ornaments, Rhythmic guitar body-slaps, folk-bluegrass fusion, heartfelt storytelling, intimate atmosphere, soaring violin solos, high-fidelity, percussive drive, acoustic warmth