4:36

World's Experiment
v4.5-all
Hard rock instrumental with heavy metal influences, Distorted electric guitar plays a syncopated, palm-muted riff in E minor at 140 BPM, The guitar tone is saturated with high gain and mid-range punch, A second electric guitar provides harmonized accents and occasional feedback swells, The bass guitar follows the root notes of the guitar riff with a gritty, overdriven tone, Drums feature a prominent, dry snare and a double-kick pedal pattern that mirrors the rhythmic accents of the guitar, The arrangement maintains a consistent 4/4 time signature with a driving, aggressive energy
3:10

80s funk with a syncopated bass groove, crisp disco-guitar chops, rubbery clavinet, and a four-on-the-floor kick under the chorus; verses ride tight and playful, pre-chorus opens with claps and hand percussion, chorus hits with stacked falsetto doubles and gang ad-libs, bridge drops to bass and vocal harmony before the final lift, Bright, punchy mix with wide synth stabs, tape-slaty ear candy, and short delay throws on hook words; male vocals, slick and sensual, funk
3:40

Sin Ti No Hay Mañana (Encore)
v4.5-all
spanish pop-rock, j-rock, 132 BPM, syncopated backbeat, palm-muted electric guitar, distorted power chords, punchy live snare, driving tom fills, analog synth ostinato, minor-key bassline, sidechain compression, plate reverb vocals, stadium gang chants, projected male lead, bittersweet nostalgia, forward momentum
3:04

Todo y Nada
v4.5-all
rock, Latin indie rock with male vocals, steady mid-tempo groove, bright crunchy guitars and driving bass, Verses stay tight and conversational; drums keep a bouncy, upbeat pocket against subtly melancholic chords, Chorus lifts with wide gang vocals, tambourine hits and a sing-along hook, Bridge strips back to drums and bass before a final explosive chorus with extra harmonies and a raw shout-along outro, indie rock
4:04

de todo y es cero
v4.5-all
rock, Upbeat Latin indie rock with jangly guitars, driving bass, and tight live drums; male vocals in a bright, slightly raspy tone, Verses stay punchy and rhythmic, pre-chorus opens with syncopated toms and a rising guitar line, chorus explodes with gang shouts and doubled leads, Brief bridge strips to bass, claps, and vocal before a final full-band chorus, indie rock
4:02

Todo Y Sin Nada
v4.5-all
rock, Indie rock latino con male vocals, guitarra eléctrica nerviosa y bajo melódico al frente, Estrofas en compás saltón con batería seca y contratiempos; pre-coro afloja con guitarras arpegiadas y voz más íntima, El estribillo estalla en acordes abiertos, palmas y coros “oh-oh” ocupando el estéreo, Puente con break rítmico, bajo y voz, y build final con capas de guitarras y ad-libs, indie rock, latin pop
4:39

Voices of the Battlefield
v4.5-all
tango, a trilingual blend: english black church gospel with soulful organ and choir harmonies, spanish tango with dramatic bandoneon and passionate strings, gospel, medieval, japanese medieval choir with haunting flutes and traditional percussion, three distinct vocal deliveries interweave to represent hope in war from diverse perspectives
3:30

Ad Astra Per Aspera
v4.5-all
sweeping strings and brass, angelic choir with war sound effects, dynamic shifts reflecting triumph and devastation, orchestral, epic space orchestral
3:01

Weird Experiment
v4.5-all
Trap beat featuring a prominent plucked synth melody and heavy 808 bass, The track is set at 140 BPM in the key of C minor, A staccato, high-pitched synth pluck plays a repetitive minor-key motif, The percussion consists of a crisp snare on the third beat of every bar, rapid-fire hi-hat rolls with varying subdivisions, and a distorted 808 kick that follows a syncopated pattern, A subtle, atmospheric pad provides harmonic depth in the background, The arrangement uses a minimalist approach with frequent drops where the percussion or bass cuts out to emphasize the melodic pluck
4:24

Broken Halo Riot
v4.5-all
Rock, hard metal, and breakcore collision at a frantic 190 BPM feel with blast beats, jittery break edits, and serrated guitar riffs; verse jumps between screamed lines, melodic hooks, and rapid-fire rap phrasing; pre-chorus narrows to toms and bass squeal, chorus slams with gang shouts and stacked harmonies, Guitar solo erupts after a glitch-stutter break, drum solo breaks the grid with fills and reverse hits, Huge, aggressive, wide but crisp mix, rock, metal, breakcore
