1:49

Experimental, ambient, disturbing, background, dark, reverb
4:00

Legato cello exchanging leads and rhythm with didgeridoo, no percussion or other instruments besides light tablas, remorse in vibe, crescendos with both cello and didgeridoo playing same riff, fade
2:25

Could be me
v3.5
Glitchcore, juxtaposes fast and slow tempos with quick hard breaks, heavily distorted vocals, vocals forward, booming kick, reverse snare, syncopated hi-hat and rum shots
3:35

Cello, oboe, lamenting, violins, guitar plucks in minor keys, klezmer scale into harmonic minor, very soft, lush, emotional, apologetic male vocals, upright bass, melancholic, slavic folk dirge
4:00

Soft but angry vocals, placid tension that erupts and recedes like waves, male vocals, hard breaks and style changes, driving beat, dynamic jarring changes, turntable scratch, #Soundseasons
4:00

Sondra
v3.5
Cello, oboe, lamenting, violins, guitar plucks in minor keys, klezmer scale into harmonic major, very soft, lush, emotional, apologetic male vocals
3:06

I don’t got game
v3.5
Hard glitch, awkward male vocals, double bass, buzzing kick, crisp hi hat, resampled vocals
3:23

Cringe
v3.5
Hard techno with disruptive jarring breaks and needle drops, male vocals angry and forceful, ends in chorus spoken and no instruments
2:12

Mea Culpa
v3.5
Lounge, crooner, cheesy, exaggerated, retro chic, flapper, roaring 20’s, heavy kick, male vocals
2:12

Hip hop beat, surf rock guitar, m, ambient opening
3:59

2:48

3:57

Mood of frustrated confession, spoken word, operatic but restrained to spoken accentuation, begins with vocals only and instruments are added gradually, ends with just vocals
4:25

2:27

Say to you
v3.5
Dark ambient, artful use of silence, tense, long reverb, 40 B, P, M, environmental samples, Legato viola
4:00

Slide guitar leads, Dark post folk, deep soundscape ambient, slide guitar, Dynamic sound range, rising crescendo, fade to silence, apologetic, slide guitar
4:30

If You Missed Me
v4.5-all
Shoegaze drifting into moments of EDM, quarter time solos, fed up but honored and in love, insanity barely kept in check, adoration for the lost and regained, polished sound with headroom reserved to minimize overdriven noise, alveolar trill whatever the fuck that is, minimal use of samples
3:38

I Got Worlds
v4.5-all
Hard trance, hard techno, inspirational, uplifting gospel, distorted electric guitar, syncopated drums, thumping baseline, heavy kick, loose snare, tape hiss, static noise, glitch leads
4:41

Hard glitch, bouncy bassline, relaxed but on time drum lines, the presence of inexplicable smugness, shoegaze guitar, awkward male vocals, double bass, buzzing kick, crisp hi hat, resampled vocals, sound collage, inappropriate uplifting vibe, background singers fill the body of the song by singing out sweeps from harmonic minor to harmonic major
6:14

Glitch ballad, noise waltz, experimental march, non traditional dirge, Testimony, restrained but ready to fall apart, Mood of frustrated confession, spoken word, operatic but restrained to spoken accentuation, begins with vocals only and instruments are added gradually, ends with just vocals, glitch it gidget
