6:08
Battle song
v4.5-all
Hyperactive 16-bit boss theme, chiptune leads in sawtooth and square waves, driving arpeggiated bass and rapid-fire hi-hat pulses, Track starts at full throttle, mid-tempo double-time feel, with a sharp, chant-like hook, Brief B-section ramps tension with ascending runs and dissonant stabs, then snaps back into the main riff for a looping, arcade-ready finish
7:59
BOSS FIGHT
v4.5-all
16-bit boss battle BGM, minor key, fast tempo, Chugging square-wave bass and tense arpeggios, shrill lead melody with dissonant intervals, Punchy, gated drums drive a relentless march; brief glitchy breaks hint at corrupted code, Harmonic lifts on loop point to keep pressure high and sinister
4:17
Main menu
v4.5-all
Cinematic hybrid score with evolving synth pads and distant choirs under a slow, weighty rhythm, Metallic percussion and low brass pulses build a sense of looming war, while a lonely lead synth hints at tragedy and loyalty in conflict, Gradual intensity rise over 2–3 minutes, ending on a suspended, unresolved chord that loops seamlessly
5:07
City Theme
v4.5-all
Atmospheric synthwave score with pulsing arps, distant industrial hits, and a steady mid-tempo groove; low, gritty bass and filtered pads for a tense, surveilled-city feel, Occasional metallic percussion patterns and glitchy echoes hint at robotic presence while airy lead lines add a bittersweet, almost nostalgic tone, Ideal loopable texture for an RPG city hub; keep melodies memorable but sparse so dialogue and effects sit clearly over the mix
3:57
Impulse shopping
v4.5-all
Midtempo funky groove with a rubbery bassline, crisp drums, and playful synths; male vocals in a relaxed, half-spoken sing style, Verses feel like strolling past shelves with light clav and chimey keys; chorus opens with warmer pads and stacked oohs, Occasional retro game-style arps sprinkle between lines; mix keeps it bouncy, friendly, and loopable, groovy, simple
1:16
VICTORY!
v4.5-all
Triumphant JRPG victory cue, upbeat tempo with bright brass hits, distorted lead guitar doubling the melody, and crisp snare-driven drums; short looping form with a bold opening sting, a melodic A section, a soaring B section modulation, and a punchy reprise that lands on a big, held final chord—perfect for rapid post-battle screens in a human vs robot war setting
5:24
Wastes of the old civilization
v4.5-all
Cinematic darkwave soundscape, sparse low piano and bowed metal textures over a pulsing sub drone; male vocals in an intimate, close-mic whisper that blooms into a haunted, echo-soaked hook, Occasional distant taiko-style hits and distorted guitar swells mark the horizon, Overall a slow, marching tempo with a brooding, exploratory arc, perfect for tense wasteland traversal
4:27
Scraps o' junk
v4.5-all
Hollow, atmospheric score for exploration: bowed metal drones, distant taiko-style toms, and a detuned music box motif, Low, pulsing synth pads smear under occasional high, glassy bells, Sparse, echo-soaked percussion creeps in and out, with filtered choirs swelling at key reveals, Mix stays wide and hazy, leaning into uncanny reverb tails and mechanical creaks sampling the junkyard itself
4:03
Hope returns
v4.5-all
Orchestral-electronic hybrid: warm strings and soft piano over pulsing arps, gentle toms, and airy pads, Mid-tempo, quietly anthemic build: verses stay intimate with solo male or female vocal, chorus lifts with stacked harmonies and tambourine shimmer, Subtle guitar swells and distant choir give a sense of hard-earned hope and community
6:27
Circuit Vines
v4.5-all
Greasy jungle-funk groove with clipped rhythm guitar, rubbery syncopated bass, and tight, dry drums; male vocals in a sly, laid-back pocket, Subtle synth stabs and squelchy leads hint at lurking machines, Chorus pops with gang shouts and call-and-response ad-libs, bridge strips to bass and percussion before kicking back into the hook, funky, jungle
3:18
Raiding The Base
v4.5-all
Huge cinematic hybrid score; male vocals as a distant war chant, doubled by low choir, Heavy percussion booms with marching rhythm, strings driving relentless ostinatos, brass stabs for hero moments, Sparse verse over drones and tension pulses, then chorus explodes with full choir, taiko-style drums, and distorted synths shadowing the melody, Reverb-drenched, towering mix built for looping in-game exploration
5:09
The Mole Peoples
v4.5-all
Eerie subterranean score with low, droning strings, distant choral swells, and hollow hand percussion echoing like drops in a cave; occasional muted woodwinds trace curious melodies while a deep, pulsing synth suggests hidden machinery beneath the earth, slowly rising and falling in intensity as the player explores winding tunnels and secret alcoves
2:09
Final Battlefield
v4.5-all
Cinematic hybrid orchestra with male vocals; low brass hits and choirs slam in on beat one, strings carving frantic ostinatos under towering drums and distorted sound design, Verses sit over pounding rhythms and chanted low choir, chorus explodes with soaring lead vocal, huge toms, and roaring brass, Brief mid-song breakdown with ticking percussion and whispered gang chants, then an all-out final reprise at max intensity
3:09
FINAL BATTLE
v4.5-all
rock, Epic cinematic rock with male vocals, double-kick drums and down-tuned rhythm guitars locked to a sinister ostinato, Song explodes from bar one, bass grinding under chugging riffs, tremolo-picked lead adds tension, Chorus widens with gang-style shouts and stacked harmonies, then drops into a half-time bridge with tom-heavy hits and eerie choir pads before slamming back to full-speed outro
2:41
Death is inevitable
v4.5-all
Muted orchestral ballad, male vocals; soft piano and distant strings lead with a slow, weightless pulse, Sub-bass swells like a tired breath, brushed toms and reverse cymbals slide in after the first chorus, Vocal doubles and a ghostly children’s choir texture enter on the final hook, then everything folds back into a solitary piano chord that rings out, mellow, sad
3:32
Roll the end credit
v4.5-all
rock, High-energy end-credits rock with male vocals, dual overdriven guitars in wide stereo, driving bass locked to a punchy kick and snappy snare, big open hi-hats, Verses ride a tight riff and half-time groove, chorus explodes into soaring, chantable melody with gang vocals on key phrases, Brief guitar harmonies in turnarounds, final chorus modulates up a step for a victory-lap feel, long reverb tail on the last chord