5:18

Sementara Kita Hilang
v4.5-all
rock, Slow pop-rock ballad with a brooding bass-led groove, sparse drums in a half-time feel, and airy electric guitars in the background; female vocals with a androgynous, slightly raspy edge, Verses stay intimate and low, chorus lifts with wider harmonies and more open chords, Short melodic bass solos weave between sections, gradually building emotional tension then landing in a soft, reflective outro, slow, pop rock
5:22

Sementara Kita Hilang
v4.5-all
rock, Slow pop-rock ballad with a brooding bass-led groove, sparse drums in a half-time feel, and airy electric guitars in the background; female vocals with a androgynous, slightly raspy edge, Verses stay intimate and low, chorus lifts with wider harmonies and more open chords, Short melodic bass solos weave between sections, gradually building emotional tension then landing in a soft, reflective outro, slow, pop rock
3:55

Satu Arah Kita
v4.5-all
rock, Bright pop-rock band feel with intertwined male raspy vocals and smooth female vocals, Open on intimate solo guitar, then a gentle full-band bloom, Strings enter gradually, violin taking a lyrical solo before the final chorus, Arrangement builds each section with more energy, then tapers into a warm, hopeful outro, pop rock
6:51

Tak Sembuh Oleh Waktu
v4.5-all
rock, Moody Indonesian pop rock ballad with female vocals; intimate fingerpicked guitar in the intro, then steady low-tempo band groove that swells in the chorus, Verses stay sparse and close-mic’d, choruses bloom with airy harmonies and warm bass, Bridge lifts through dynamic drums and emotional vocal runs, leading into an expressive guitar solo before a fragile, stripped-down final refrain and fading outro, sad, pop rock, slow
2:58

Tes Satu Dua Tiga
v4.5-all
pop, Bright Indonesian pop ballad over warm, upfront solo piano; girly female vocals with a playful radio-ready tone, Verses stay intimate with close-mic breathy delivery; choruses bloom into stronger chest voice and stacked harmonies on the hook, Bridge softens dynamically with delicate high-register piano voicings, then final chorus returns with expanded right-hand runs and held ad-lib notes for an extended solo-piano-led outro, joyful
4:24

Abadi di Antara Kita
v4.5-all
rock, Slow rock ballad with girly female and warm adult male vocals trading lines, Clean electric guitar leads carry the topline, lightly overdriven rhythm guitar pads the harmony, Start with sparse solo guitar and voice, then build drums and bass in the first chorus, Bridge lifts with octave guitar and stacked harmonies, final chorus opens wide with dual vocals and melodic guitar fills, Outro returns to intimate solo guitar with a gentle two‑rhythm feel, electric, slow
4:40

Abah, Masihkah Ingat
v4.5-all
folk, Warm café-jazz trio feel centered on acoustic guitar; female vocals soft and close to the mic, Gentle swung groove, brushed snare and upright bass sitting low, guitar chords with passing jazz tensions, First solo is unaccompanied guitar, then rhythm section slips in as the chorus blooms, Bridge leans into wistful reharmonization, final chorus lifts with subtle background oohs and melodic ad-libs, Outro returns to intimate solo guitar, hanging on a lingering unresolved chord, acoustic, jazz
3:45

Ayah, Nada di Hatiku
v4.5-all
jazz, Warm modern jazz combo with bass-forward groove, brushy drums, and soft piano comping, Female vocals sit intimate and bright; verses stay light and conversational, chorus opens with wider chords and subtle horn pads, Walking bass takes playful fills between lines, bridge adds a short scatted break before a final uplifting chorus, joyful
2:58

Abah Paling Keren
v4.5-all
jazz, Breezy swing jazz with playful walking lead bass up front, brushed drums, light piano comping, and girly female vocals, Verses stay intimate and bouncy, chorus blossoms with stacked harmonies and finger snaps, Short scatted fills answer the bass line; final hook repeats over a bright, feel-good tag, happy
3:44

Bass Cinta Bebas
v4.5-all
jazz, Playful modern jazz combo with lead bass improvising around a bright major center; female girly vocals in a light, nimble tone, Verses stay spacious over brushed drums and soft piano stabs, chorus snaps into a bouncier swing with walking bass bursts and call‑and‑response scats, Occasional unison hits between bass and vocal accent hooks; mix highlights the bass melodies as a second singer, joyful
4:37

Seribu Tahun Terima Kasih
v4.5-all
folk, Warm Indonesian pop duet over intimate acoustic guitar; male and girly female vocals trading close harmonies, Intro and outro are sparse, single guitar with near-whispered lines; verses stay soft and conversational, then chorus blooms brighter with stacked thirds and a gentle rhythmic strum, Brief fingerpicked interlude before a more emotional bridge that pushes both voices, then back to a delicate solo guitar ending, breaths and string squeaks kept in the mix for closeness, pop, acoustic
3:24

Seratus Tahun Lagi
v4.5-all
jazz, Playful modern jazz combo with melodic lead bass taking front stage, girly female vocals, brushed snare and light ride cymbal, Piano comps with bright, bouncy voicings; occasional horn stabs accent punchlines, Verses stay nimble and conversational, chorus opens into a singalong hook with tight backing harmonies, Warm room reverb, bass slightly forward in the mix to feel like a singing character, joyful
3:02

Abai Tapi Sayang
v4.5-all
folk, Shiny feel-good radio pop with fast strummed acoustic guitar, bright hand percussion, and bouncy bass; female vocals playful and upfront, Verses stay tight and rhythmic, pre-chorus adds rising chords and claps, chorus explodes with stacked harmonies and simple hooks that feel instantly familiar, Brief middle break with humming and tambourine before final double-chorus, happy, acoustic
5:47

Abai Di Antara Kita
v4.5-all
rock, Moody pop-rock ballad, slow tempo, Intimate girly female lead with raspy male co-vocal answering lines, Fingerpicked guitar in the verses, subtle overdriven strums blooming in the chorus, Light bass and brushed drums enter gradually to lift the hook, Final chorus adds doubled harmonies and a fragile, almost-whispered outro tag, pop rock, slow, sad
5:59

Abai Di Antara Kita
v4.5-all
rock, Moody pop-rock ballad, slow tempo, Intimate girly female lead with raspy male co-vocal answering lines, Fingerpicked guitar in the verses, subtle overdriven strums blooming in the chorus, Light bass and brushed drums enter gradually to lift the hook, Final chorus adds doubled harmonies and a fragile, almost-whispered outro tag, pop rock, slow, sad
4:32

Akibat Kata Kita
v4.5-all
rock, Melancholic pop rock ballad with intertwining female girly lead and hard-edged male vocals; soft palm‑muted guitars in the verses, low toms and bass swelling into a big halftime chorus, Choruses bloom with wide power‑chord guitars and stacked harmonies, bridge strips back to single guitar and intimate vocal before a final explosive hook, pop rock, slow, sad
3:43

Akibat Kata Kita
v4.5-all
rock, Melancholic pop rock ballad with intertwining female girly lead and hard-edged male vocals; soft palm‑muted guitars in the verses, low toms and bass swelling into a big halftime chorus, Choruses bloom with wide power‑chord guitars and stacked harmonies, bridge strips back to single guitar and intimate vocal before a final explosive hook, pop rock, slow, sad
5:39

Akibat Kata Semalam
v4.5-all
pop, Melancholic Indonesian pop ballad with nylon-string guitar leading, bass male + airy female duet vocals, Intimate fingerpicking intro, slow tempo with subtle brushed percussion and warm pads in the choruses, Interludes open for expressive guitar fills, bridge lifts harmony tension, then emotional guitar solo before a final, hushed refrain and gentle guitar outro, slow, sad
4:20

Akal Menjaga Kita
v4.5-all
pop, Warm midtempo Indonesian pop duet with raspy male and female vocals trading lines; bouncy bass-led groove up front, light pads and muted guitar filling the stereo field, Verses stay intimate and close-mic’d, pre-chorus tightens with syncopated bass moves, chorus blooms with doubled harmonies and airy backing “oohs, ” Subtle percussion lifts the second hook, gentle reverb tail on the final line
3:54

Akal di Ujung Bibir
v4.5-all
rock, Smoky electro R&B with male vocals; woozy synth pads and a warm retro bass pulse under tight, low-key drums, Verses stay intimate and close-mic’d, almost whispered, with hazy guitar swells, Chorus blooms with doubled falsetto, silky harmonies, and a subtle tape-chorus effect, Occasional filtered risers and reverse FX for a psych-pop shimmer, keeping the whole track slow-burning and seductive, soft, soul, r&b, pop, electronic, electro, smooth, alternative r&b
3:04

Akal di Ujung Bibir
v4.5-all
rock, Smoky electro R&B with male vocals; woozy synth pads and a warm retro bass pulse under tight, low-key drums, Verses stay intimate and close-mic’d, almost whispered, with hazy guitar swells, Chorus blooms with doubled falsetto, silky harmonies, and a subtle tape-chorus effect, Occasional filtered risers and reverse FX for a psych-pop shimmer, keeping the whole track slow-burning and seductive, soft, soul, r&b, pop, electronic, electro, smooth, alternative r&b
3:29

Logika Jatuh Cinta
v4.5-all
rap, Warm Korean hip hop groove with smooth male vocals; mellow Rhodes and soft keys over a laid-back boom-bap drum pocket, subtle sub-bass and airy pads underneath, Verses stay intimate and conversational, light guitar plucks answering the vocal phrases; chorus opens with wider chords, stacked harmonies, and a slightly brighter drum swing, Sprinkle gentle ad-libs and subtle delay throws on key words to make the hook float, hip hop, smooth
2:51

Logika Jatuh Cinta
v4.5-all
rap, Warm Korean hip hop groove with smooth male vocals; mellow Rhodes and soft keys over a laid-back boom-bap drum pocket, subtle sub-bass and airy pads underneath, Verses stay intimate and conversational, light guitar plucks answering the vocal phrases; chorus opens with wider chords, stacked harmonies, and a slightly brighter drum swing, Sprinkle gentle ad-libs and subtle delay throws on key words to make the hook float, hip hop, smooth
3:38

Akan Tapi Pasti
v4.5-all
funk, Silky deep house R&B at 100 BPM, female airy sensual vocals right up on the mic, Glassy chords and hazy pads over a tight, rolling bass groove and crisp, modern drums, Verses stay intimate and close, with subtle whispery doubles; chorus lifts with soft stacked harmonies, filtered synth swells, and a glossy top line hook, Late-night, stylish, confident energy with effortless cool in the delivery, stylish, deep house, smooth, vocal, sensual, tone, r&b, deep, soft
3:30

Akan Kita
v4.5-all
Smoky electro R&B groove with woozy synth pads and warm retro bass pulse; intimate close-mic male lead, female harmonies answering in the hook, Verses stay hushed with hazy guitar swells and tight, dry drums; chorus opens with doubled falsetto, silky stacked vocals, and a gentle tape-chorus sheen, Subtle ear-candy delays and soft risers lift transitions, keeping the mood tender and loving, low, male vocals, electronic, r&b, warm, electro
3:56

Akan Kita
v4.5-all
Smoky electro R&B groove with woozy synth pads and warm retro bass pulse; intimate close-mic male lead, female harmonies answering in the hook, Verses stay hushed with hazy guitar swells and tight, dry drums; chorus opens with doubled falsetto, silky stacked vocals, and a gentle tape-chorus sheen, Subtle ear-candy delays and soft risers lift transitions, keeping the mood tender and loving, low, male vocals, electronic, r&b, warm, electro
