
Chet vs Jeep: Season 11-15
A continuation of the Chet vs Jeep rap battles. Season 11 - 15.
·
50 songs
2:39

Theatrical-jazz-hop, orchestral-elements, light-swing-revival, funk, dramatic-orchestral-musical
3:11

Sinister-swing-Groove, industrial-boom-bap, glitchcore, theatrical-dark-jazz, groovy, hypnotic, musical, calm-vocals, calm-rap
3:51

Rock, Orchestral Rock, Dark Epic Cinema Orchestra, Grunge, Choir, Dark Choir, slow, chant, anthem, Cinematic Instrumentals
2:50

dark choir, trap, British, slow rap, deep voice, british male vocals, kratos
3:13

Male British Posh, Rap, Drill, Battle, duet, regal theatrical, melodramatic
3:20

Cookbook Narrator, Regal British, Royal Monotone, Royal Theatrical, Exaggerated, Multistyle, male vocals
3:15

3:23

eeire drill, posh British, regal, duet, slow bass 808, Sherlock, Holmes, male vocals
3:21

3:39

3:41

Male vocalist, dramatic, trap, humour, bass, theatrical musical, adlibs, confusion, male vocals, hard beat
4:12

Detective Noir, Jazz-Hop, British rugged voice, slow, smokers cough, British vocals, broadway
4:42

Grunge, cold, surgical rap, angry rap, angry, duet, bass, heavy bass, trancecore, gangster rap, decay, theatrical theatre, drunk, loopable, beeping, medical rap
2:58

Regal Drill, Rap, Diss, Slow, British Posh, Royal Monotone Spoken, Male vocals, British Man
2:47

British, Regal, Royal, Theatre, Speech, Arabic Drill, British Vocalist, male vocals
3:57

Male, male vocalist, Doom Gospel Hymn, slow, evil singing, chant, swing-gospel, supervillain, bad guy
2:37

Who Name?!
v4.5
swing revival, sung chorus, rap rock, cultish chanting, chant, humour, dramatic theatrical bridge, chaotic cult choir chorus, American male vocalist, bouncy bassline, clear audio, ‑doo wap
3:22

Excomunicá
v4.5
[Intro: A solemn, Gregorian chant sets a faux-reverent tone, ]
[Verse 1: A jazzy, lounge-style beat accompanies male vocalist’s smooth yet sardonic delivery, listing Subject’s past indiscretions, ]
[Chorus: A gospel choir sings exaggerated praises of subject, with male vocalist interjecting humorous asides, ]
[Verse 2: Transitioning into a gritty hip-hop beat, male vocalist intensifies his critique, drawing direct parallels between subject’s past and present, ]
[Bridge: A sudden shift to a distorted, electronic soundscape reflects the chaos of subject’s contradictions, ]
[Final Chorus: The gospel choir returns, now singing about the confusion surrounding subject’s identity, culminating in a cacophonous finale, ]
3:08

2:18

Sweet Loam
v4.5
Dark experimental western hip-hop/trap at 78-82 BPM, with swung, unstable rhythms and bursts of precise rhyme, Close-mic dry male vocals, loud adlibs of haunting deep eerie choir chanting, Sections shift from drumless dusty detuned piano and static to full swampy 808s, metallic industrial snares, humming pads, and wind fallout ambience, Verses build from creeping to punchy; choruses are chant-driven, hypnotic, and layered; bridge is ambient and spoken; final verse slows then ends in silence
3:27

Cronenberg
v4.5
a poised male British vocal in the royal English accent, The pacing remains spacious, offering room for dramatic pauses, stately percussion provide elegance and gravity, But there's tones of panic throughout
3:39

Poor Souls
v4.5
A brooding orchestral intro with distant, crackly found audio swells into thunderous percussion, brass, and haunting choir, Layered strings and tense synths intensify, leading to a theatrical climax featuring booming drums, dramatic sound design, culty adlibs, crowd vocals, and a soaring sung chorus
3:24

Warzone
v4.5
Aggressive grime beat ignites with subterranean bass booms, sharp, unpredictable percussion hits, and menacing synth textures, Layers of distorted industrial sounds intensify toward each chorus, A deep, emotionally charged slow Orwellian, monotone, British vocal delivery anchors each section, elevating the eerie energy
2:19

Pied Piper
v4.5
Regal drill track opens with stately flute and glockenspiel arpeggios atop deep, skittering kicks, Posh male vocals breeze over aggressive hi-hats and heavy bass, Fast, articulate regal rap in verse 1, eerie commanding chorus, wild shouted verse 2 with censor beeps, verse 3 returns to fast rap
4:04

Second Draw
v4.5
Southern male vocalist, western trap fusion, haunting flutes in background, catchy chorus, country song, sung chorus, rapped verses, post bridge haunting vocal layers
3:06

Don't Draw
v4.5
A punchy, catchy hyphy-drill beat drives bold sub-bass grooves, layered with moody synths, Abrupt, doo doo doo sounds echo in the background, Gloomy atmospheres mix with ethereal, dreamy vocalizations in the bridges, contrasting heavy, experimental sound fx sections
3:13

Calm
v4.5
Low, unrelenting driving bass anchors a slow rock-funk groove, Angry male vocals that slowly get more and more angry until it becomes a screamo metal track, Sparse, simple snare drums evoke a distant military march, Layered electric guitars create mournful, slow-moving textures as ambient jazz chords waft in the background, Dual, anguished vocals rise through emotional surges, 3D audio pans reverb-soaked cries and gothic doom nuances over a crawling baby metal-inspired build, The bass hums and flows in an eerie manner, 明るい, glitch beat, speed up, extreme bass, boss music
3:29

Gentle ocean wave samples and subtle whale calls set a tranquil soundscape, layered with airy pads and lush synth textures, A delicate beat with soft, filtered percussion pulses beneath, growing fuller in the chorus as rich, resonant bass anchors the mix, Vocals are serene, whispers and deep spoken phrases delivered with a relaxed deep male British tone, blending with the instrumentation for a meditative feel
3:56

Just Human
v4.5
A long, mournful intro, A sad trap track led by a male vocalist with an experimental rap flow, featuring mournful spoken word lines, The production combines lo-fi soul textures with a deep, submerged bassline, heavy 808s, vinyl crackle, and ambient field recordings, Muted trumpets echo after the chorus, blending into a funeral-inspired beat for an atmospheric soundscape
3:26

Blaming Me V
v4.5
Rap, Deep inquisitory Transatlantic accent for verse 1, a higher pitched british accent for the chorus and a fast rapid fire british accent for verse 2, ‑female























