Instrumental%

Cello playing (Multiphonics), ‑algorithm

piano lines (, _, ), ‑algorithm

Distorted-binaural storytelling, Acid-classical ballad, Chopped-baroque symphony

Piano lines 25% (, -, ), Piano lines 10% (, -, ), Piano lines 10% (, -, ), Piano lines 5% (, -, ), Piano lines 2% (, -, ), Piano lines 3% (, -, ), Piano lines 3% (, -, ), Piano lines 2% (, -, ), Piano lines 6% (, -, ), Piano lines 5% (, -, ), Piano lines 4% (, -, ), Piano lines 2% (, -, ), Piano lines 2% (, -, ), Piano lines 2% (, -, ), Piano lines 3% (, -, ), Piano lines 2% (, -, ), ‑algorithm

Distorted-binaural expanse, Acid-classical concerto, Chopped-baroque symphony

Multiphonics cello 25% (Rich themes, opening & end), Multiphonics cello 10% (Warm, middle section), Multiphonics cello 10% (Solo & support), Multiphonics cello 5% (Low-end support), Multiphonics cello 2% (Light melodic flourishes), Multiphonics cello 3% (Inner texture), Multiphonics cello 3% (Lyrical interjections), Multiphonics cello 2% (Low resonance), Multiphonics cello 6% (Heroic & harmonic filling), Multiphonics cello 5% (Climax & transition bursts), Multiphonics cello 4% (Crescendo + tension sections), Multiphonics cello 2% (Dark punctuation), Multiphonics cello 2% (Crescendos and accents), Multiphonics cello 2% (Peaks & transitions), Multiphonics cello 3% (Arpeggios, intro & outro), Multiphonics cello 2% (Sparkling textures)

[Genre: Orchestra (light, playful)] [EQ & Tonal Shaping] [Fix unpleasant resonances and brighten dull samples] [Plugins: TDR Nova] [Ableton EQ Eight – clean cuts and surgical fixes] [Airwindows plugins (ToTape, Channel)] [High-pass every track (except basses/timpani)] [Remove mud (200–400 Hz) on layered strings] [Subtle presence (5–8 kHz) on solo lines] [Saturation + Soft Compression] [Softube Saturation Knob] [Ableton Saturator – warm mode for strings] [CamelCrusher (subtle drive on percussion)] [Klanghelm MJUC jr (glue and tonefree compressor)] [Master Bus Polish] [Chain: EQ (low roll ~30 Hz / high roll ~17kHz)] [Saturation or tape sim (FerricTDS)] [Limiter: Ableton Limiter (Soft mode)] [Granular textures from Ableton Granulator II] [Instrumental drones: stretch cello/viola note with Paulstretch-like reverb] [Ableton’s Warp Mode: stretch/texture without pitch change]

Cello playing (Multiphonics), ‑algorithm

12-Bar Roots-Rock in A (Standard Tuning EADGBE), [Bars 1-4 | A Chord with riff] [e 0, B 2 2, G 2 2, D 2 2 2 0, A 0h2 0 0h2 0 0h2, E] [e 0, B 2 2, G 2 2, D 2 2 2 0, A 0h2 0 0h2 0 0h2, E] [Bars 5-6 | D Chord with riff] [e 2, B 3 3, G 2 2, D 0h2 0 0h2 0 0h2, A, E] [e 2, B 3 3, G 2, 2, D 0h2 0 0h2 0 0h2, E] [Bars 7-8 | Back to A riff] (same as bars 1-2) [Bars 9-10 | E Chord turnaround riff] [e 0, B 0 0, G 1, D 2 2, A 2 2, E 0 2 0 0 2 0 0 2] [Bars 11-12 | A turnaround to repeat] [e, B, G, 2 2, D 0 2 4, A 0h2, E]

The sound of an oboe drifts from a warm place into the cold street, inviting you to stop as you walk through the snow

The song opens with a sample blended into natural instruments—acoustic guitar and crisp percussion—emphasizing clear, distinct layers and inventive melodic lines, The second section shifts to denser textures, complex polyrhythms, and bold, unpredictable instrumental patterns for contrast

Classical-Multiphonics, Binaural-Pulse, Baroque-Treble

Cello playing (sparse, multiphonics)

Modulated-baroque, Acid-atmospheric, Chopped-classical (orchestral bursts), Strings 53% - (Violins: Rich themes, opening & end), (Violas: Warm, middle section), (Cellos: Solo & support), (Double Basses: Low-end support), (Harp Arpeggios: intro & outro), (Piano/Celesta: Sparkling textures), Woodwinds 10% - (Flutes: Light melodic flourishes), (Clarinets: Inner texture), (Oboes: (Lyrical interjections), (Bassoons: Low resonance), Brass 17% - (French Horns: Heroic & harmonic filling), (Trumpets: Climax & transition bursts), (Trombones: Crescendo + tension sections), (Tuba: Dark punctuation), Percussions 4% - (Timpani: Crescendos and accents), (Cymbals, Bass Drum: Peaks & transitions), ‑metal, ‑heavy metal, ‑death metal, ‑1-9999999, ‑voice, ‑word1, ‑word2, ‑word3, ‑word4, ‑word5, ‑word6, ‑word7, ‑word8, ‑word9, ‑word10, ‑word11, ‑word12, ‑word13, ‑word14, ‑word15, ‑a, ‑b, ‑c, ‑d, ‑e, ‑f, ‑g, ‑h, ‑i, ‑j, ‑k, ‑l, ‑m, ‑n, ‑o, ‑p, ‑q, ‑r, ‑s, ‑t, ‑u, ‑v, ‑w, ‑x, ‑y, ‑z

Modulated-baroque, Chopped-classical, Acid-atmospheric (enhanced sound-design), ‑harsh sound, ‑distortion, ‑clipping, ‑metallic resonance, ‑muddy mix, ‑shrill highs, ‑piercing treble, ‑overcompressed dynamics, ‑noisy background, ‑gritty artifacts, ‑acoustic instruments, ‑rock guitar, ‑brass section, ‑orchestral strings, ‑acoustic drums, ‑bright piano, ‑high-pitched synths, ‑plucky leads, ‑acoustic percussion, ‑organic textures, ‑aggressive tone, ‑tense atmosphere, ‑chaotic rhythm, ‑upbeat tempo, ‑energetic groove, ‑cheerful mood, ‑party vibe, ‑dramatic build-ups, ‑cinematic tension, ‑complex polyrhythms, ‑erratic beat changes, ‑dense arrangement, ‑overly busy percussion, ‑abrupt transitions, ‑heavy drops, ‑syncopated funk rhythms, ‑EDM elements, ‑techno bassline, ‑dubstep wobble, ‑trap hi-hats, ‑pop vocals, ‑dance groove, ‑rock influence, ‑orchestral score style, ‑cinematic trailer feel, ‑lyrics, ‑vocals, ‑vocal chops, ‑reverb-heavy voices, ‑robotic speech samples, ‑overused vocal effects

Modulated-baroque, Acid-atmospheric, Chopped-classical (orchestral bursts), Strings 53% - (Violins: Rich themes, opening & end), (Violas: Warm, middle section), (Cellos: Solo & support), (Double Basses: Low-end support), (Harp Arpeggios: intro & outro), (Piano/Celesta: Sparkling textures), Woodwinds 10% - (Flutes: Light melodic flourishes), (Clarinets: Inner texture), (Oboes: (Lyrical interjections), (Bassoons: Low resonance), Brass 17% - (French Horns: Heroic & harmonic filling), (Trumpets: Climax & transition bursts), (Trombones: Crescendo + tension sections), (Tuba: Dark punctuation), Percussions 4% - (Timpani: Crescendos and accents), (Cymbals, Bass Drum: Peaks & transitions), ‑robotic, ‑MIDI-like phrasing, ‑metronomic tempo, ‑artificial string articulations, ‑overly symmetrical phrasing, ‑synthetic orchestral timbres, ‑algorithmic harmony progressions, ‑emotionless performance, ‑rigid dynamic range

Baroque, Atmospheric, Classical (orchestral bursts), Strings 53% - (Violins: Rich themes, opening & end), (Violas: Warm, middle section), (Cellos: Solo & support), (Double Basses: Low-end support), (Harp Arpeggios: intro & outro), (Piano/Celesta: Sparkling textures), Woodwinds 10% - (Flutes: Light melodic flourishes), (Clarinets: Inner texture), (Oboes: (Lyrical interjections), (Bassoons: Low resonance), Brass 17% - (French Horns: Heroic & harmonic filling), (Trumpets: Climax & transition bursts), (Trombones: Crescendo + tension sections), (Tuba: Dark punctuation), Percussions 4% - (Timpani: Crescendos and accents), (Cymbals, Bass Drum: Peaks & transitions), ‑robotic, ‑MIDI-like phrasing, ‑metronomic tempo, ‑artificial string articulations, ‑overly symmetrical phrasing, ‑synthetic orchestral timbres, ‑algorithmic harmony progressions, ‑emotionless performance, ‑rigid dynamic range

Baroque, Atmospheric, Classical (orchestral bursts), Strings 53% - (Violins: Rich themes, opening & end), (Violas: Warm, middle section), (Cellos: Solo & support), (Double Basses: Low-end support), (Harp Arpeggios: intro & outro), (Piano/Celesta: Sparkling textures), Woodwinds 10% - (Flutes: Light melodic flourishes), (Clarinets: Inner texture), (Oboes: (Lyrical interjections), (Bassoons: Low resonance), Brass 17% - (French Horns: Heroic & harmonic filling), (Trumpets: Climax & transition bursts), (Trombones: Crescendo + tension sections), (Tuba: Dark punctuation), Percussions 4% - (Timpani: Crescendos and accents), (Cymbals, Bass Drum: Peaks & transitions), ‑robotic, ‑MIDI-like phrasing, ‑metronomic tempo, ‑artificial string articulations, ‑overly symmetrical phrasing, ‑synthetic orchestral timbres, ‑algorithmic harmony progressions, ‑emotionless performance, ‑rigid dynamic range

Low harpischord, Cello playing (Multiphonics), ‑robotic, ‑MIDI-like phrasing, ‑metronomic tempo, ‑artificial string articulations, ‑overly symmetrical phrasing, ‑synthetic orchestral timbres, ‑algorithmic harmony progressions, ‑emotionless performance, ‑rigid dynamic range

Low harpischord, Cello playing (Multiphonics), ‑robotic, ‑MIDI-like phrasing, ‑metronomic tempo, ‑artificial string articulations, ‑overly symmetrical phrasing, ‑synthetic orchestral timbres, ‑algorithmic harmony progressions, ‑emotionless performance, ‑rigid dynamic range

Create a warm, intimate emotional theme using a soft acoustic ensemble, Use felt piano with long pedal sustain, gentle nylon-string guitar played in overlapping arpeggios, soft clarinet quiet sustained notes, and a subtle upright bass with light plucks, Keep the dynamics delicate and expressive, Maintain a cozy, nostalgic atmosphere, Use light room ambience and natural warmth, Keep the arrangement simple, acoustic, organic, and heartfelt, Felt piano (soft, warm, sustained pedal), Nylon guitar (gentle fingerstyle overlaps), Clarinet (soft, breathy sustains), Upright bass (minimal, supportive), Light foley/room ambience (very subtle), Brushed snare whispers, soft woodblocks (extremely minimal), Warm, cozy, nostalgic, Soft emotional storytelling, Acoustic, small-ensemble, Slow to moderate tempo, Gentle movement, minimal ornamentation, ‑deviate from the requested style, ‑mood, ‑tempo, ‑instrumentation, ‑any instruments not specified, ‑genre shifts, ‑improvisational tangents, ‑stylistic drift, ‑electronic genres, ‑EDM, ‑trap, ‑hip-hop, ‑synthwave, ‑orchestral bombast, ‑cinematic percussion, ‑distorted guitars, ‑digital FX, ‑ambient pads, ‑futuristic, ‑electronic textures, ‑large choirs, ‑massive reverb, ‑wide stereo effects, ‑excessive compression, ‑loudness-war mastering, ‑melodies or motifs from any existing soundtrack, ‑game, ‑anime, ‑copyrighted music, ‑complexity beyond instruction, ‑random solos, ‑exaggerated dynamics, ‑unexpected modulations, ‑tempo changes, ‑rhythmic changes

Create a warm, intimate emotional theme using a soft acoustic ensemble, Use felt piano with long pedal sustain, gentle nylon-string guitar played in overlapping arpeggios, soft clarinet quiet sustained notes, and a subtle upright bass with light plucks, Keep the dynamics delicate and expressive, Maintain a cozy, nostalgic atmosphere, Use light room ambience and natural warmth, Keep the arrangement simple, acoustic, organic, and heartfelt, Felt piano (soft, warm, sustained pedal), Nylon guitar (gentle fingerstyle overlaps), Clarinet (soft, breathy sustains), Upright bass (minimal, supportive), Light foley/room ambience (very subtle), Warm, cozy, nostalgic, Soft emotional storytelling, Acoustic, small-ensemble, Slow to moderate tempo, Gentle movement, minimal ornamentation, ‑deviate from the requested style, ‑mood, ‑tempo, ‑instrumentation, ‑any instruments not specified, ‑genre shifts, ‑improvisational tangents, ‑stylistic drift, ‑electronic genres, ‑EDM, ‑trap, ‑hip-hop, ‑synthwave, ‑orchestral bombast, ‑cinematic percussion, ‑distorted guitars, ‑digital FX, ‑ambient pads, ‑futuristic, ‑electronic textures, ‑large choirs, ‑massive reverb, ‑wide stereo effects, ‑excessive compression, ‑loudness-war mastering, ‑melodies or motifs from any existing soundtrack, ‑game, ‑anime, ‑copyrighted music, ‑complexity beyond instruction, ‑random solos, ‑exaggerated dynamics, ‑unexpected modulations, ‑tempo changes, ‑rhythmic changes

acoustic, chamber folk, intimate ballad, Part 01 - Storyline Intro, Part 02 - Storyline Bridge, Part 03 - Storyline Build-up, Part 04 - Storyline Bridge, Part 05 - Storyline Final, ‑deviate from the requested style, ‑mood, ‑tempo, ‑instrumentation, ‑any instruments not specified, ‑genre shifts, ‑improvisational tangents, ‑stylistic drift, ‑electronic genres, ‑EDM, ‑trap, ‑hip-hop, ‑synthwave, ‑orchestral bombast, ‑cinematic percussion, ‑distorted guitars, ‑digital FX, ‑ambient pads, ‑futuristic, ‑electronic textures, ‑large choirs, ‑massive reverb, ‑wide stereo effects, ‑excessive compression, ‑loudness-war mastering, ‑melodies or motifs from any existing soundtrack, ‑game, ‑anime, ‑copyrighted music, ‑complexity beyond instruction, ‑random solos, ‑exaggerated dynamics, ‑unexpected modulations, ‑tempo changes, ‑rhythmic changes

acoustic, chamber folk, intimate ballad, Intro - Storyline Part 01, Bridge - Storyline Part 02, Build-up - Storyline Part 03, Bridge - Storyline Part 04, Final - Storyline Part 05, ‑deviate from the requested style, ‑mood, ‑tempo, ‑instrumentation, ‑any instruments not specified, ‑genre shifts, ‑improvisational tangents, ‑stylistic drift, ‑electronic genres, ‑EDM, ‑trap, ‑hip-hop, ‑synthwave, ‑orchestral bombast, ‑cinematic percussion, ‑distorted guitars, ‑digital FX, ‑ambient pads, ‑futuristic, ‑electronic textures, ‑large choirs, ‑massive reverb, ‑wide stereo effects, ‑excessive compression, ‑loudness-war mastering, ‑melodies or motifs from any existing soundtrack, ‑game, ‑anime, ‑copyrighted music, ‑complexity beyond instruction, ‑random solos, ‑exaggerated dynamics, ‑unexpected modulations, ‑tempo changes, ‑rhythmic changes

A solo piano piece unfolds with a fractured, off-kilter motif, descending through increasingly dissonant chord progressions, Dynamics wilt from forte to delicate pianissimo, Rhythmic stability erodes gradually into fragmented phrases, The outro disassembles into scattered, isolated notes, ‑deviate from the requested style, ‑mood, ‑tempo, ‑instrumentation, ‑any instruments not specified, ‑genre shifts, ‑improvisational tangents, ‑stylistic drift, ‑electronic genres, ‑EDM, ‑trap, ‑hip-hop, ‑synthwave, ‑orchestral bombast, ‑cinematic percussion, ‑distorted guitars, ‑digital FX, ‑ambient pads, ‑futuristic, ‑electronic textures, ‑large choirs, ‑massive reverb, ‑wide stereo effects, ‑excessive compression, ‑loudness-war mastering, ‑melodies or motifs from any existing soundtrack, ‑game, ‑anime, ‑copyrighted music, ‑complexity beyond instruction, ‑random solos, ‑exaggerated dynamics, ‑unexpected modulations, ‑tempo changes, ‑rhythmic changes, ‑vocal, ‑voice

Dark ambient, A solo piano piece unfolds with a fractured, off-kilter motif, descending through increasingly dissonant chord progressions, Dynamics wilt from forte to delicate pianissimo, Rhythmic stability erodes gradually into fragmented phrases, The outro disassembles into scattered, isolated notes, NOAN SONF IAOD, MAD BALTOH PAID; VONPH IOLCAM ZIR, OLPIRT ES IL, INO HOATH TIANTA, ZIXUL NAZPS ORD; PIADPH LAP CHIS, AH IABES VIN, PIADPH NOAN ZIR, BALTOH IMVA SONF; PAID MAD IAOD LAP VONPH CHIS, INO HOATH PILD, OLPIRT ZIMIAX ORD; ES IABES IL, TIANTA NAZPS

Nocturne in C minor, Op, 48 No, 1 (Chopin), A large-scale nocturne with unusually dramatic architecture, Form: Modified ternary (A–B–A′), but expanded to near-ballade proportions, Key features: A section: C minor; broad, hymn-like chordal texture, Frequent use of Neapolitan inflections (Db major) and chromatic voice-leading, Inner voices move independently, creating rich contrapuntal density uncommon in earlier nocturnes, B section: Begins with a stormlike agitato in triplet octaves, moving through sequences, Tonally unstable; prominent circle-of-fifths modulatory drive, Leads to a climactic, quasi-chorale in C major (Lydian coloring via F♯), Return (A′): Heavily ornamented, intensified reworking of the opening, Ends with a tragic, weighty coda emphasizing the lowered second scale degree (Neapolitan), ‑mistakes, ‑error, ‑misplacement, ‑unwanted elements

Taiko / O-daiko Main accent drum Low cutoff, wide room, Snare Ensemble Military/jazz hybrids Tight room reverb, Timpani Dynamic swells Layer w/ taiko for hybrid impact, Cymbals / Gongs Washes + hits Reverse hits for tension, Woodblocks / Shime-daiko Subtle pulse EQ emphasize 3–5kHz transient, Trumpets Legato + Short Keep velocity responsive, Horns Layer for warmth Slight stereo spread, Trombones Stabs & gliss Assign macro to gliss time, Tuba Low brass support Tight EQ for clarity, Shamisen Short & plucked Use dynamic filter automation, Shakuhachi Breath + emotion Pitch bends ±200 for realism, Koto Layer arpeggios Light delay and reverb, Bells / Suzu / Mokugyo FX coloration Automate pan for movement, ‑robotic timing, ‑quantized feel, ‑perfect grid alignment, ‑metronomic precision, ‑repetitive rhythmic loops, ‑sterile, ‑overly clean timing, ‑predictable chord progressions, ‑repetitive four-chord loops, ‑simplistic harmony, ‑generic pop chord formulas, ‑harmonic symmetry, ‑plastic or synthetic timbres, ‑generic electronic presets, ‑overly polished digital instruments, ‑overly smooth synth textures, ‑MIDI-like sounds, ‑formulaic song structure, ‑loop-based arrangement, ‑repetitive 4-bar phrasing, ‑predictable buildups or drops, ‑copy-paste sectional repetition, ‑mechanical dynamics, ‑unnatural symmetry, ‑sterile or emotionless delivery, ‑algorithmic melodic patterns, ‑overly smooth pitch transitions, ‑folk, ‑default

Alter, Adjust, Adapt, Improve, Modify, Convert, Revise, Recast, Reform, Reshape, Refashion, Redesign, Restyle, Revamp, Rework, Remake, Remodel, Remould, Redo, Reconstruct, Reorganize, Reorder, Refine, Reorient, Reorientate, Vary, Transform, Transfigure, Transmute, Metamorphose, Evolve, Customize, Tweak, Permute, Melody, Expanding range using higher/lower extremes for emotional lift, Motivic development repetition with variation to make it memorable, Climactic contour shaping a line to rise to a peak point, Harmony, Extended/altered chords lush, modern sonorities, Pedal points grounding harmony to heighten suspense above, Texture, Layering voices/instruments denser texture = fuller sound, Counterpoint independence of lines enhances richness, Octave doubling thickens melodic presence, Tutti vs, solo contrast spotlighting and then expanding, ‑robotic timing, ‑quantized feel, ‑perfect grid alignment, ‑metronomic precision, ‑repetitive rhythmic loops, ‑sterile, ‑overly clean timing, ‑predictable chord progressions, ‑repetitive four-chord loops, ‑simplistic harmony, ‑generic pop chord formulas, ‑harmonic symmetry, ‑plastic or synthetic timbres, ‑generic electronic presets, ‑overly polished digital instruments, ‑overly smooth synth textures, ‑MIDI-like sounds, ‑formulaic song structure, ‑loop-based arrangement, ‑repetitive 4-bar phrasing, ‑predictable buildups or drops, ‑copy-paste sectional repetition, ‑mechanical dynamics, ‑unnatural symmetry, ‑sterile or emotionless delivery, ‑algorithmic melodic patterns, ‑overly smooth pitch transitions, ‑folk, ‑default

Alter, Adjust, Adapt, Improve, Modify, Convert, Revise, Recast, Reform, Reshape, Refashion, Redesign, Restyle, Revamp, Rework, Remake, Remodel, Remould, Redo, Reconstruct, Reorganize, Reorder, Refine, Reorient, Reorientate, Vary, Transform, Transfigure, Transmute, Metamorphose, Evolve, Customize, Tweak, Permute, Melody, Expanding range using higher/lower extremes for emotional lift, Motivic development repetition with variation to make it memorable, Climactic contour shaping a line to rise to a peak point, Harmony, Extended/altered chords lush, modern sonorities, Pedal points grounding harmony to heighten suspense above, Texture, Layering voices/instruments denser texture = fuller sound, Counterpoint independence of lines enhances richness, Octave doubling thickens melodic presence, Tutti vs, solo contrast spotlighting and then expanding, ‑robotic timing, ‑quantized feel, ‑perfect grid alignment, ‑metronomic precision, ‑repetitive rhythmic loops, ‑sterile, ‑overly clean timing, ‑predictable chord progressions, ‑repetitive four-chord loops, ‑simplistic harmony, ‑generic pop chord formulas, ‑harmonic symmetry, ‑plastic or synthetic timbres, ‑generic electronic presets, ‑overly polished digital instruments, ‑overly smooth synth textures, ‑MIDI-like sounds, ‑formulaic song structure, ‑loop-based arrangement, ‑repetitive 4-bar phrasing, ‑predictable buildups or drops, ‑copy-paste sectional repetition, ‑mechanical dynamics, ‑unnatural symmetry, ‑sterile or emotionless delivery, ‑algorithmic melodic patterns, ‑overly smooth pitch transitions, ‑folk, ‑default

Genre: Soft ballad, Tempo: 60–78 BPM (slow, emotional), Volume goal: -22 to -14 LUFS, Dynamic shape: Minimal rise—small swells, no big climaxes, Gentle compressors (2–3 dB reduction max), Avoid sharp transients, Rounded, warm EQ curves, Keep high frequencies soft (low-pass), ‑deviate from the requested style, ‑mood, ‑tempo, ‑instrumentation, ‑any instruments not specified, ‑genre shifts, ‑improvisational tangents, ‑stylistic drift, ‑electronic genres, ‑EDM, ‑trap, ‑hip-hop, ‑synthwave, ‑orchestral bombast, ‑cinematic percussion, ‑distorted guitars, ‑digital FX, ‑futuristic, ‑electronic textures, ‑large choirs, ‑massive reverb, ‑wide stereo effects, ‑excessive compression, ‑loudness-war mastering, ‑melodies or motifs from any existing soundtrack, ‑game, ‑anime, ‑copyrighted music, ‑complexity beyond instruction, ‑random solos, ‑exaggerated dynamics, ‑unexpected modulations, ‑tempo changes, ‑rhythmic changes

The track disassembles, fracture and erodes gradually, it finally reassemble into scattered fragmented phrases, viewpoint point of view outlook stance position angle approach interpretation perception understanding frame of mind mindset attitude context proportion sense of scale viewpoint angle vantage point field of view, ‑robotic timing, ‑quantized feel, ‑perfect grid alignment, ‑metronomic precision, ‑repetitive rhythmic loops, ‑sterile, ‑overly clean timing, ‑predictable chord progressions, ‑repetitive four-chord loops, ‑simplistic harmony, ‑generic pop chord formulas, ‑harmonic symmetry, ‑plastic or synthetic timbres, ‑generic electronic presets, ‑overly polished digital instruments, ‑overly smooth synth textures, ‑MIDI-like sounds, ‑formulaic song structure, ‑loop-based arrangement, ‑repetitive 4-bar phrasing, ‑predictable buildups or drops, ‑copy-paste sectional repetition, ‑mechanical dynamics, ‑unnatural symmetry, ‑sterile or emotionless delivery, ‑algorithmic melodic patterns, ‑overly smooth pitch transitions, ‑metal, ‑heavy metal, ‑death metal, ‑distorted guitar

This orchestral piece opens with delicately voiced strings introducing a lyrical, flowing melody, shaped with clear phrase contour, Woodwinds intertwine with the theme, leading to a graceful transition into rich brass harmonies, Every section has balanced timbres, well-shaped dynamic arcs, and rhythmically engaging, yet natural, development, Careful orchestration ensures clarity, space, and emotional progression as the music moves seamlessly from an intimate middle section to a full, expressive tutti finale, each transition fluid and purposeful

The Acid-classical, Distorted-binaural, Chopped-baroque track opens with a lively string ensemble, establishing a clear ABA sonata-inspired structure, Delicate harpsichord and tasteful woodwinds converse with articulate, singable melodies, balanced counterpoint, and evolving textures, Subtle dynamics shape the emotional arc, rich harmonic movement sustains forward momentum, and each transition is fluid, Articulation ensures clarity, while the arrangement leaves ample space for every timbre, achieving a natural, transparent blend and refined phrasing

Cello-Multiphonics, Hypnotic and atmospheric in avant-garde or contemporary classical works, Tension-filled, like the sound is on the verge of breaking open, Expressively raw, adding layers of color unavailable in traditional cello playing

Cello-Multiphonics, From a single bow stroke, the cello opens like a split horizon, One tone stands firm, warm as carved wood, while another thin, pale, and restless rises through it like light slipping between clouds, The instrument seems to breathe in two voices at once: a grounded human murmur and a spectral thread of sound that hovers just beyond touch, The bow drifts along the bridge’s edge, coaxing tremors of metal and air, Overtones flare, collide, and dissolve; the pitch wavers as though the cello is remembering more than one song and cannot choose which to keep, What emerges is neither chord nor melody, but a fragile alignment of vibrations an accidental constellation, In this moment, the cello reveals its hidden anatomy: the grain of the wood, the pressure of the hand, the physics of a vibrating string, Together they form a sound both ancient and experimental, a voice doubled by its own words

Cello-Multiphonics, From a single bow stroke, the cello opens like a split horizon, One tone stands firm, warm as carved wood, while another thin, pale, and restless rises through it like light slipping between clouds, The instrument seems to breathe in two voices at once: a grounded human murmur and a spectral thread of sound that hovers just beyond touch, The bow drifts along the bridge’s edge, coaxing tremors of metal and air, Overtones flare, collide, and dissolve; the pitch wavers as though the cello is remembering more than one song and cannot choose which to keep, What emerges is neither chord nor melody, but a fragile alignment of vibrations an accidental constellation, In this moment, the cello reveals its hidden anatomy: the grain of the wood, the pressure of the hand, the physics of a vibrating string, Together they form a sound both ancient and experimental, a voice doubled by its own words

Genre: Orchestral, Strings (main), harp accents, light flute, Woodwinds enter, French horns blend in, Brass crescendo, timpani rolls, no strings, Use solos wisely, Avoid abrupt entrances/exits: Segue when possible, Consider mood shifts, Solo cello, harp, clarinet interlude, Full ensemble (brief tutti), climactic moment, Gentle fade-out: solo violin + celesta, then silence

Sophisticated-Piano-Warm-Slowed-Violin-Eroded-Flute-Scattered-Viola-Disassembled-Synth, ‑robotic timing, ‑quantized feel, ‑perfect grid alignment, ‑metronomic precision, ‑repetitive rhythmic loops, ‑sterile, ‑overly clean timing, ‑predictable chord progressions, ‑repetitive four-chord loops, ‑simplistic harmony, ‑generic pop chord formulas, ‑harmonic symmetry, ‑plastic or synthetic timbres, ‑generic electronic presets, ‑overly polished digital instruments, ‑overly smooth synth textures, ‑MIDI-like sounds, ‑formulaic song structure, ‑loop-based arrangement, ‑repetitive 4-bar phrasing, ‑predictable buildups or drops, ‑copy-paste sectional repetition, ‑mechanical dynamics, ‑unnatural symmetry, ‑sterile or emotionless delivery, ‑algorithmic melodic patterns, ‑overly smooth pitch transitions, ‑overlapped instruments excess

This dramatic orchestral track opens with a spacious string motif, gradually joined by rich brass and woodwinds for dynamic contour, Timpani and percussion drive the momentum, while harmonies flow seamlessly with evolving textures, The clear structure supports expressive, balanced instrumentation and nuanced dynamics, guiding an emotional arc with carefully layered timbres and natural orchestral resonance, ‑robotic timing, ‑quantized feel, ‑perfect grid alignment, ‑metronomic precision, ‑repetitive rhythmic loops, ‑sterile, ‑overly clean timing, ‑predictable chord progressions, ‑repetitive four-chord loops, ‑simplistic harmony, ‑generic pop chord formulas, ‑harmonic symmetry, ‑plastic or synthetic timbres, ‑generic electronic presets, ‑overly polished digital instruments, ‑overly smooth synth textures, ‑MIDI-like sounds, ‑formulaic song structure, ‑loop-based arrangement, ‑repetitive 4-bar phrasing, ‑predictable buildups or drops, ‑copy-paste sectional repetition, ‑mechanical dynamics, ‑unnatural symmetry, ‑sterile or emotionless delivery, ‑algorithmic melodic patterns, ‑overly smooth pitch transitions, ‑folk

Orchestral-Sophisticated-Track (Film-Score), ‑non-orchestral elements, ‑non-instrumental elements

Piano lines (minimalist, storytelling), Melody: (Small intervals, Rarely jumps dramatically, Often moves stepwise), Feel: (Fragile, Human, Almost hesitant), Tempo: (Moderate and flexible, Never rushed, Often played with rubato), Repetition Simplicity Emotional restraint Stays rhythmically steady Stability A feeling of time slowly passing Tiny rhythmic or note changes Circular chord movement Gentle tension that never fully resolves Space between notes Letting chords ring Not filling every moment

[Cubase 12] Orchestral-Sophisticated-Track (Film-Score), ‑non-orchestral elements, ‑non-specified elements, ‑non-instrumental elements, ‑singing

[Cubase 12] Orchestral sophisticated track (Film-Score), ‑non-orchestral elements, ‑non-specified elements, ‑non-instrumental elements, ‑singing

Loose, authentic jazz drumming showcases supple ride cymbal with subtle micro-timing variances, nuanced ghost notes, and hand-shaped dynamics, Snare and kick offer organic warmth and occasional gritty touch, while comping converses with shifting phrasing, Brushes and sticks alternate, hi-hat foot operates independently, and chorus momentum swells naturally, All textures sit close, airy, and unforced, embracing traditional interplay and real-world imperfection

[Symphonic form → development sections + climactic codas] [Classical symphonies → clear tutti] [Minimalism → heavy use of ostinatos] [Romantic & Late-Romantic music → bold modulations and chromatic harmony] [Romantic-era symphonic works → melodies arch to big climaxes] [Form: Variation technique, Climactic build, Recapitulation, Contrast, Compression] [Texture: Layering instruments, Counterpoint, Octave doubling, Tutti vs, solo contrast, Stretto imitation] [Rhythm: Acceleration, Syncopation, Hemiola, Rhythmic ostinato] [Harmony: Stronger cadences, Chromatic enrichment, Modulation to distant keys, Extended/altered chords] [Melody: Expanding range, Leaping intervals, Motivic development, Ornamentation, Climactic contour], ‑robotic timing, ‑quantized feel, ‑perfect grid alignment, ‑metronomic precision, ‑repetitive rhythmic loops, ‑sterile, ‑overly clean timing, ‑predictable chord progressions, ‑repetitive four-chord loops, ‑simplistic harmony, ‑generic pop chord formulas, ‑harmonic symmetry, ‑plastic or synthetic timbres, ‑generic electronic presets, ‑overly polished digital instruments, ‑overly smooth synth textures, ‑MIDI-like sounds, ‑formulaic song structure, ‑loop-based arrangement, ‑repetitive 4-bar phrasing, ‑predictable buildups or drops, ‑copy-paste sectional repetition, ‑mechanical dynamics, ‑unnatural symmetry, ‑sterile or emotionless delivery, ‑algorithmic melodic patterns, ‑overly smooth pitch transitions, ‑folk, ‑default