2:23

don't look at me
Custom
Bluegrass-rock fusion featuring a prominent five-string banjo playing rapid Scruggs-style rolls and a distorted electric guitar performing blues-influenced lead lines, The arrangement includes an upright bass playing a steady two-beat pattern and a drum kit with a heavy backbeat on the snare, Male vocals are delivered in a gritty, rock-influenced baritone with occasional group harmonies, The tempo is a driving 115 BPM in 4/4 time, The electric guitar uses a mid-gain overdrive, while the banjo remains clean and bright, The structure alternates between vocal sections and instrumental solos where the banjo and electric guitar trade melodic phrases
3:04

Point Rouge
Custom
upbeat humorous pop rock song with bright electric guitars punchy drums and a catchy melodic hook playful energetic slightly sarcastic tone modern pop rock production with a clean radio ready feel fun vocal delivery with expressive phrasing and comedic timing light synth accents driving bass and a feel good groove style blend of walk the moon Alternative Rock, Power Pop, Geek Rock and early Pop Rock, Pop, Funk Rock, Blue-Eyed Soul emphasize humor dopamine chasing energy and a bouncy addictive vibe
4:04

Take It Somewhere Else
Custom
Americana folk-rock track in G major at 82 BPM, Acoustic guitar provides a steady eighth-note strumming pattern, A clean electric guitar plays melodic fills with light tremolo and spring reverb, The bass guitar follows the root notes of the chord progression with a warm, rounded tone, Drums feature a prominent kick on beats 1 and 3 with a crisp snare on 2 and 4, accompanied by eighth-note hi-hats, Male lead vocals are delivered in a mid-range baritone with natural resonance and minimal processing, The arrangement builds with subtle organ pads in the background and layered vocal harmonies during the chorus, The bridge features a stripped-back texture before returning to a full band sound
4:34

3:30

Lonely Street
Custom
mellow style jazz‑rock fusion, smooth Rhodes piano chords, clean jazz guitar licks, warm electric bass groove, light drums with a subtle swing, saxophone, soft horn accents, polished 70s studio vibe, laid‑back and sophisticated mood, melodic hooks, tasteful solos, warm analog production, cool late‑night atmosphere, smooth backing vocals, understated funk influence
4:24

Blues rock with a shuffle feel, Distorted electric guitar plays syncopated riffs and lead fills, Electric bass follows the guitar lines with a gritty tone, Acoustic piano provides rhythmic chords and bluesy runs, Drums feature a prominent snare backbeat and crashing cymbals, Gritty male lead vocals deliver melodic lines with occasional rasp, The arrangement includes a blues-scale electric guitar solo with heavy vibrato and string bends, Key of E major, 120 BPM, 4/4 time signature
3:08

Eve au piano
Custom
A melancholic and atmospheric French indie pop ballad characterized by a minimalist arrangement and emotive vocals, The track features a clean, resonant electric guitar playing arpeggiated chords with a slight chorus effect, accompanied by a subtle, sustained synth pad that provides a lush harmonic bed, The tempo is a slow, steady 50 BPM in 4/4 time, The vocal performance is intimate and breathy, utilizing a wide dynamic range from soft chest tones to a delicate falsetto during the melodic peaks, The song structure follows a Verse-Chorus-Verse-Chorus-Outro format, In the latter half, the arrangement expands with a rhythmic, staccato piano motif and a soft, driving percussion line consisting of a muted kick and a crisp snare, The mix is spacious with a long-tail reverb on the vocals and guitar, creating a sense of depth and longing
4:16

French pop ballad featuring a prominent grand piano and male vocals, The arrangement begins with a repetitive piano motif in 4/4 time at 72 BPM, A clean electric bass and subtle electronic percussion enter during the first verse, The chorus features a dramatic shift with distorted electric guitar power chords, orchestral string pads, and a driving drum kit with heavy snare hits, The male vocals transition from a soft, breathy baritone in the verses to a powerful, belted tenor in the choruses, The track is in the key of G major, Production includes lush hall reverb on the vocals and strings, with a clean, modern mix that emphasizes the dynamic contrast between the intimate verses and the anthemic choruses
2:37

Banjo Jam 2
Custom
Bluegrass-rock fusion featuring a prominent five-string banjo playing rapid Scruggs-style rolls and a distorted electric guitar performing blues-influenced lead lines, The arrangement includes an upright bass playing a steady two-beat pattern and a drum kit with a heavy backbeat on the snare, Male vocals are delivered in a gritty, rock-influenced baritone with occasional group harmonies, The tempo is a driving 120 BPM in 4/4 time, The electric guitar uses a mid-gain overdrive, while the banjo remains clean and bright, The structure alternates between vocal sections and instrumental solos where the banjo and electric guitar trade melodic phrases
4:39

Purple Ink 1
v5.5
French pop ballad featuring a prominent grand piano and male vocals, The arrangement begins with a repetitive piano motif in 4/4 time at 72 BPM, A clean electric bass and subtle electronic percussion enter during the first verse, The chorus features a dramatic shift with distorted electric guitar power chords, orchestral string pads, and a driving drum kit with heavy snare hits, The male vocals transition from a soft, breathy baritone in the verses to a powerful, belted tenor in the choruses, The track is in the key of G major, Production includes lush hall reverb on the vocals and strings, with a clean, modern mix that emphasizes the dynamic contrast between the intimate verses and the anthemic choruses
3:11

Conditioned
Custom
a humorous song about a man who was conditioned by his wife to drop the toilet seat and make a noise so she knows he put it down
4:09

Option 1
Custom
late 60s folk, rock, blues, singer-songwriter style long surreal verses with stream of consciousness imagery acoustic guitar with loose jangly strumming harmonica interludes raw talk sing vocal delivery slightly nasal tone wandering melodic lines sparse percussion folk rock feel smoky and poetic dark carnival atmosphere dreamlike americana characters drifting in and out of the story a moody rambling desolation row inspired sound with gritty intimacy and lyrical intensity
4:22

Bluegrass-rock fusion featuring a prominent five-string banjo playing rapid Scruggs-style rolls and a distorted electric guitar performing blues-influenced lead lines, The arrangement includes an upright bass playing a steady two-beat pattern and a drum kit with a heavy backbeat on the snare, Male vocals are delivered in a gritty, rock-influenced baritone with occasional group harmonies, The tempo is a driving 115 BPM in 4/4 time, The electric guitar uses a mid-gain overdrive, while the banjo remains clean and bright, The structure alternates between vocal sections and instrumental solos where the banjo and electric guitar trade melodic phrases
4:23

For You Mom
Custom
Emotional Mother’s Day ballad, warm and tender, slow tempo, soft piano and gentle acoustic guitar, heartfelt vocals, intimate and sincere tone, lush strings rising in the chorus, themes of gratitude, childhood memories, unconditional love, reflective and tear‑evoking atmosphere, cinematic but simple, beautiful melodic hook, emotional build, comforting and nostalgic mood
3:28

3:16

Fur Elise v2
Custom
Classical piano solo, The piece features a single acoustic grand piano with a natural, resonant room reverb, The arrangement begins with a delicate, high-register melody over arpeggiated left-hand accompaniment in 3/4 time, It transitions into a more complex section with rapid scalar runs, trills, and dynamic shifts between piano and forte, The tempo is approximately 120 BPM but utilizes significant rubato throughout, The harmonic language is late Romantic, characterized by chromaticism and expressive phrasing, The performance emphasizes clear articulation in the right-hand melodies against a fluid, rolling bass line
5:34

3:24

The White Ash (French)
Custom
country rock, cinematic anthemic ballad, 72 BPM, baritone male vocals, strummed acoustic guitar, 12-string acoustic arpeggios, clean electric guitar, pedal steel swells, brushed snare kit, bass guitar octave lines, tape saturation, plate reverb, wide stereo chorus, crescendo arrangement, wistful nostalgia, salt-air melancholy
3:33

4:24

Alix 1
v5.5
French pop ballad featuring a prominent grand piano and male vocals, The arrangement begins with a repetitive piano motif in 4/4 time at 72 BPM, A clean electric bass and subtle electronic percussion enter during the first verse, The chorus features a dramatic shift with distorted electric guitar power chords, orchestral string pads, and a driving drum kit with heavy snare hits, The male vocals transition from a soft, breathy baritone in the verses to a powerful, belted tenor in the choruses, The track is in the key of G major, Production includes lush hall reverb on the vocals and strings, with a clean, modern mix that emphasizes the dynamic contrast between the intimate verses and the anthemic choruses
4:11

Oh Susanna
Custom
Bluegrass-rock fusion featuring a prominent five-string banjo playing rapid Scruggs-style rolls and a distorted electric guitar performing blues-influenced lead lines, The arrangement includes an upright bass playing a steady two-beat pattern and a drum kit with a heavy backbeat on the snare, Male vocals are delivered in a gritty, rock-influenced baritone with occasional group harmonies, The tempo is a driving 115 BPM in 4/4 time, The electric guitar uses a mid-gain overdrive, while the banjo remains clean and bright, The structure alternates between vocal sections and instrumental solos where the banjo and electric guitar trade melodic phrases
1:33

3:12

1:54

2:40

2:39

4:04

pop acoustic 12 string guitar rock, catchy hook, saxophone solo
3:08

On The Street
v5.5
Glam rock, Latin rock, city pop, minor, 124BPM, low male bass vocal, electric guitar(riff-driven power chords), 2nd electric guitar(melodic lead lines), electric bass(driving groove), trumpet(punchy staccato bursts), drums(tight backbeat with syncopated fills), orchestra(sweeping string swells), A man caught helplessly in the pull of love, unable to resist the gravity of a woman's presence
2:06

Spoken word, no music, spoken word, no music, no singing
3:59

pop, rock, folk rock, rock, with drums foremost upfront, steady 120 bpm, acoustic guitars in background, electric fender guitars, melodic hook, catchy, wide stereo field
3:55

mellow style jazz‑rock fusion, smooth Rhodes piano chords, clean jazz guitar licks, warm electric bass groove, light drums with a subtle swing, saxophone, soft horn accents, polished 70s studio vibe, laid‑back and sophisticated mood, melodic hooks, tasteful solos, warm analog production, cool late‑night atmosphere, smooth backing vocals, understated funk influence
2:38

4:19

Top Shelf Ghosts
v5.5
mellow style jazz‑rock fusion, smooth Rhodes piano chords, clean jazz guitar licks, warm electric bass groove, light drums with a subtle swing, saxophone accompaniment, polished 70s studio vibe, laid‑back and sophisticated mood, melodic hooks, tasteful solos, warm analog production, cool late‑night atmosphere, smooth backing vocals, understated funk influence
4:44

mellow style jazz‑rock fusion, smooth Rhodes piano chords, clean jazz guitar licks, warm electric bass groove, light drums with a subtle swing, soft horn accents, polished 70s studio vibe, laid‑back and sophisticated mood, melodic hooks, tasteful solos, warm analog production, cool late‑night atmosphere, smooth backing vocals, understated funk influence
3:34

acoustic guitars, folk rock, rock, mandolin, piano
3:27

Classic rock, male vocalist, 12 string, electric guitar guitars, uplifting emotional
4:23

rock, Dry, intimate folk-rock with male vocals up front, a single slightly overdriven 12‑string electric panned center, thumb‑picked verses that open into strummed choruses; subtle tape slap on the vocal, light room reverb on the guitar, dynamic arc from quiet confession to rough-edged resolve, with a final hushed refrain letting the last chord ring, folk rock, electric, male vocals
heartland rock, folk rock, 140 bpm, gritty electric guitar, driving rhythm section, working class storytelling, 1980s rock, raw and organic production, emotional and direct mid-tempo
3:16

Hell of a Day 4
v5.5
up-tempo, country rock in G Major, 160BPM, up-tempo, minor chords, acoustic guitars, electric guitars, catchy hook
3:44

Hell of a Day 2
v5.5
up-tempo, country rock in G Major, 140BPM, up-tempo, minor chords, acoustic guitars, electric guitars
3:18

Shadow
v5.5
A gentle, nostalgic acoustic ballad inspired by the simplicity and emotional clarity of Yesterday, Soft finger‑picked acoustic guitar as the main instrument, warm and intimate vocal, light string quartet accents (violin, viola, cello) entering subtly, Minimal percussion or none at all, Clean 1960s-style production with close-mic vocals, natural room reverb, and a tender, reflective mood, Melody should feel simple, memorable, and wistful, with a classic pop structure
3:03

Punch It
v5.5
High‑energy rock song with fast tempo and roaring electric guitars, saxophone, Pounding drums and a driving bass line that feels like racing down an endless highway at night, Gritty, confident vocals with a big anthemic chorus, Themes of freedom, speed, adrenaline, and breaking away, Soaring guitar riffs, rebellious attitude, cinematic road‑trip intensity
3:16

3:52

4:37

2:09

3:34

A melancholic folk-rock ballad featuring a prominent acoustic guitar accompaniment with a steady, rhythmic strumming pattern, The song is set in a 4/4 time signature at a moderate tempo of approximately 85 BPM, The vocal performance is a soulful, slightly raspy baritone male voice, delivered with emotional depth and a conversational tone, The arrangement is minimalist, focusing on the interplay between the acoustic guitar and the vocals, with a subtle harmonica solo providing melodic interludes between verses, The production is clean and organic, with a slight reverb on the vocals to create a sense of space, The chord progression follows a standard folk structure, primarily utilizing major and minor triads to evoke a sense of nostalgia and longing
4:09

4/4 time, key of G major, country rock, mandolin, piano, accompaniment
4:09

4/4 time, key of G major, country rock, mandolin, piano, accompaniment


