2:47

Needin' U
v4.5-all
Indietronica 2010s style with a nostalgic and atmospheric vibe, Starts with a fast-paced drum and bass intro (around 170 BPM) with punchy breakbeats, then smoothly transitions into a mid-tempo indietronica groove (100–115 BPM), Lo-fi textures, warm analog synths, soft pads, subtle vinyl crackle, and dreamy guitar layers, Emotional but restrained energy, slightly melancholic tone, Male vocals, soft and intimate, slightly airy, with light reverb and delay, Indie-style delivery, not too polished, with a human feel, Influences similar to early 2010s indietronica and chill electronic acts, Clean production but with lo-fi imperfections
3:00

Fake
v4.5-all
minimal indietronica, dark pop, atmospheric drum and bass intro (174 BPM, soft breakbeat, filtered amen, low energy), transition into slow half-time groove, sparse arrangement, clean electric guitar plucks, wide reverb space, minimal sub bass, intimate low-register male vocals (whispered, close mic, very controlled, low dynamics), deep baritone tone, subtle layered male harmonies, call and response phrasing using the same male voice, melancholic mood, emotional restraint, silence between elements, airy mix, subtle tape saturation, nocturnal intimacy, minimalist aesthetic
4:50

The Leave
v4.5-all
indietronica, darkwave, 132 BPM, syncopated 16th-note drums, off-kilter synth stabs, chorus-drenched bass, detuned male vocals (soft, intimate, controlled delivery, low dynamic range), whispered male layers, shoegaze guitar sheets, analog organ riffs, tape saturation, dense reverb, gentle sidechain pumping, bilingual hooks, nocturnal defiance, urban melancholy, subdued energy, restrained emotion, late-night vibe, bedroom mix
3:25

Stupid Lyrics
v4.5-all
shoegaze, indietronica, drum and bass intro, distant male vocals, breathy lead vocal, vocal loop fragments, harmonized chorus doubles, fuzzed-out guitars, octave bassline, analog synth motif, detuned chord pads, filtered drum breaks, tape saturation, spring reverb, dense stereo haze, 90s alt-pop, nocturnal ache, restless momentum
4:13

Nonsense
v4.5-all
melancholic indie rock, 80s british alternative, jangly clean guitars with chorus effect, slow to mid tempo, warm analog bassline, minimalistic drum groove, intimate male baritone vocal, soft and close-mic delivery, hushed tone, gentle phrasing, narrow dynamic range, even vocal intensity across sections, subtle vibrato, nostalgic and reflective mood, reverb-drenched atmosphere, romantic but somber tone, poetic storytelling, themes of fragile connection and introspection, vintage recording feel, soft tape saturation, dreamy yet grounded, 100 BPM
3:24

Part Of My Imagination
v4.5-all
minimal indietronica, dark pop, atmospheric drum and bass intro (174 BPM, soft breakbeat, filtered amen, low energy), transition into slow half-time groove, sparse arrangement, clean electric guitar plucks, wide reverb space, minimal sub bass, intimate low-register male vocals (whispered, close mic, very controlled, low dynamics), deep baritone tone, subtle layered male harmonies, call and response phrasing using the same male voice, melancholic mood, emotional restraint, silence between elements, airy mix, subtle tape saturation, nocturnal intimacy, minimalist aesthetic
3:48

The Questions
v4.5-all
Indietronica / french house with a groovy, hypnotic and slightly melancholic vibe, Mid-tempo (118–122 BPM) four-on-the-floor beat with funky disco bassline, Built around looped disco-style samples with a repetitive, hypnotic progression, filtered sample chops gradually evolving over time, Warm analog synth layers and subtle vinyl crackle, Distorted electric guitars layered rhythmically (indie dance / alt rock style), adding grit without overpowering the groove, Male vocoder-style vocals, smooth, robotic yet emotional, repetitive phrasing, Danceable but immersive, sample-driven structure with a continuous loop-based progression that evolves subtly over time
4:20

Pleasure or Desire
v4.5-all
Indietronica / french house with a groovy, hypnotic and slightly melancholic vibe, Mid-tempo (118–122 BPM) four-on-the-floor beat with funky disco bassline, Built around looped disco-style samples with a repetitive, hypnotic progression, filtered sample chops gradually evolving over time, Warm analog synth layers and subtle vinyl crackle, Distorted electric guitars layered rhythmically (indie dance / alt rock style), adding grit without overpowering the groove, Male vocoder-style vocals, smooth, robotic yet emotional, repetitive phrasing, Danceable but immersive, sample-driven structure with a continuous loop-based progression that evolves subtly over time
4:38

Try To Me
v4.5-all
big beat / indie electronic fusion, ~104 BPM, groovy breakbeat with smooth hip-hop swing, warm analog bassline, uplifting and nostalgic tone, shimmering synth layers, vocal chops used as melodic hooks, subtle acid-style textures, slightly lo-fi saturation
male vocal: spoken-word in verses (intimate, slightly saturated) → transitions into melodic, emotional delivery in chorus with layered harmonies and wide stereo image
arrangement: minimal intro with filtered samples → gradual build with arpeggiated synths and percussion → euphoric drop with full groove → atmospheric breakdown → final expanded chorus with maximum energy
mood: uplifting, nostalgic, road-trip energy, introspective but hopeful, sense of freedom and discovery, warm analog character, hypnotic repetition
4:37

Collapse
v4.5-all
atmospheric drum and bass intro, tight breakbeat rhythm, deep sub bass, dark ambient pads, subtle synth textures, melancholic tone, gradually evolving into post-punk track with driving bassline, clean electric guitars with chorus effect, minimalistic drums, moody male vocals, detached and introspective delivery, steady groove, nocturnal atmosphere, emotional restraint, smooth transition from electronic to band arrangement, analog feel, cinematic tension
4:14

Make a Deal
v4.5-all
Indie electronic synthpop, mid-tempo (115–125 BPM), warm and emotional, Male vocal: soft tenor, intimate, slightly fragile but clear, no aggressive tone, Instrumentation: bright synth leads, pulsing bassline, soft electronic drums, subtle arpeggiators, minimal guitar accents, Production: clean but warm, light reverb, melodic focus, vocals forward but gentle, Mood: romantic, nostalgic, uplifting, sincere, dreamy
4:28

Dreamer
v4.5-all
Lo-fi electronic dream pop, 85–95 BPM, minimal, hypnotic and nostalgic, No acoustic instruments, no folk, no rock, Male vocal only: soft tenor male voice, clearly masculine tone, breathy and intimate but recognizably male, No female voice, no androgynous female tone, no high-pitched female vocal, Vocal style: gentle, airy, restrained, slight falsetto but still male, No belting, no raspy tone, no aggressive delivery, Instrumentation: detuned synth leads, analog pads, subtle arpeggiators, soft electronic drums, muted kick, minimal percussion, Production: washed-out, lo-fi texture, heavy reverb and delay, slight chorus, vocals slightly buried but still identifiable as male, Mood: melancholic, dreamy, cold, nocturnal, introspective
3:44

Just Want
v4.5-all
drum and bass, shoegaze, 174 BPM, breathy male vocals, staccato electric guitar, washed guitar delay, sub-bass glide, breakbeat snare rolls, syncopated drum edits, lo-fi ambient pads, granular fade guitars, sidechain pumping, tape saturation, stumble to steady, hopeful lift, nocturnal reflection
3:52

Xkin
v4.5-all
drum and bass, dream pop, bassline lead melody, detuned male vocals, swirling shoegaze guitars, vintage chorus synth, minimal drum machine, off-kilter breakbeat, warm tape saturation, dense reverb, layered dropouts, rising chorus lift, nocturnal melancholy, tense catharsis, 180 BPM, syncopated beats, analog synth bridge

