NYC Trash Dolls

[Words in brackets [ ] are NOT lyrics] [Raw punk rock song, Cute Young girl vocals handled by three different young girl voices: [Girl 1[ [Girl 2] and [Girl 3], ] [The song is fast and raw 180 BPM—Instrumentation is just two guitars, bass, drums, and punk attitude, The amps are turned all the way up, ] [Notes held long in three-part harmonies] [(Key: G | Tempo: Fast punk 180 bpm)] [Punching drums] [Distortion and feedback] [Catchy punk guitar riffs] [Punk guitar fills] [Punk guitar breakdowns]

[Words in brackets [ ] are NOT lyrics] [Very Fast Raw punk rock song, ] [3 Cute Young girl vocals sung by three different young girl voices: [Girl 1] [Girl 2] and [Girl 3]] [[All Girls] = [Girl 1] and [Girl 2] and [Girl 3] singing together] [The song is fast and raw 198 BPM—Instrumentation is just two guitars, bass, drums, and punk attitude, The amps are turned all the way up, ] [Notes held long in three-part harmonies] [Three-part harmonies] [Three-part background vocals] [Distorted guitars] [Distorted Guitar breakdown] [Punching drums] [Distortion and feedback] [Catchy punk guitar riffs] [Punk guitar fills] [Punk guitar breakdowns]

heavy bass, catchy guitar riffs, female vocals, rock, garage band, diss song, minimal, ironic, annoyed, cute female vocals, minimal instrumentation, indie rock

funny, indie rock, hypnotic, hypnotic bass, dark, cute girl vocals, cute girl background vocals, cute girl harmonies, minimal, silly, thrashing guitar solo, psychedelic, erotic moans, orgasmic, chaotic drums, passionate moans, shredding guitar solo, breathy, sexy, aggressive bass lines, flirty, sexy, quirky sexy, sassy girl, naughty girl

Title: “Ohhh, You Need Space?” Indie Rock // Sweet-Sassy-Burnt-Out Girlie Anthem [Verse 1 – just sweet sassy girl vocals + guitar, sing-song and breezy] [Verse 2 – still sweet sassy girl vocals +guitar only, building sarcasm] [FULL BAND KICKS IN AS CHORUS BEGINS– loud drums, distorted guitar, sexy groove] [Chorus – sassy and explosive] [Verse 3 – full band, sarcastic and biting] [Chorus – even bigger, backing vocals joining] [Bridge – dreamy breakdown, vocals half-whispered, moody synth/guitar layering] [Final Chorus – full punk energy, cathartic and hot]

[Words in brackets [ ] are NOT lyrics and are NOT sung] [Words in brackets [ ] in the lyrics ARE NOT SUNG] [Raw punk rock song, ] [MAKE THE RICKENBACKER GUITARS HOWL AND FEEDBACK] [ Cute Young girl vocals handled by three different young girl voices: [Girl 1[ [Girl 2] and [Girl 3], ] [The song is LOUD is fast and raw 170 BPM[ [Instrumentation is two Rickenbacker guitars, bass, drums, and punk attitude, The amps are turned all the way up, ] [loud, fast, wild punk rock] [iconic twin Rickenbacker guitars screaming through a storm of sound] [EXTENDED INSTRUMENTAL BREAKDOWNS] [Tempo: Fast & reckless (170 BPM)] [Key: E Minor] [Time Sig: 4/4] [Style: Punk rock / garage punk] [CHORDS: [E5] [G5] [A5] [C5]] [slamming flailing drums] [DISTORTED GUITAR FILLS] [Garage Band] [Howling LOUD Rickenbacker guitars WITH eedback] [Catchy punk guitar riffs] [Punk guitar fills] [Punk guitar breakdowns] [FOLLOW ALL STYLE INSTRUCTIONS] [EXTENDED SONG] [ SONG 4 MINUTES]

[Follow instructions in brackets in lyrics too] [Words in brackets [ ] are NOT lyrics] [Melodic punk] [Song is more than 6 minutes in length] [Raw punk rock song, Cute Young girl vocals sung by three different young girl voices: [Girl 1[ [Girl 2] and [Girl 3], ] [Fast and raw 180 BPM—Instrumentation is only two Rickenbacker guitars, bass, drums, and punk attitude] [Notes held long in three-part harmonies] [(Key: A major | Tempo: Fast punk 180 bpm)] [Garage Band] [Distortion and feedback] [Punk guitar breakdowns] [Words in brackets [ ] are NOT lyrics] [girl punk] [garage band] [Girl Group] [Words in brackets [ ] are NOT lyrics] [Words in Brackets [ ] are NOT to be sung] [cute, sweet sassy, cynical, and loud but melodic PUNK] [Noisy Distorted Punk GuitarBreakdowns] [Riot Chaotic Drumming] [Extended Song 6:00 +] [Feedback] [Song is long] [Chords: [C5] [A5] [D5] [G5] [E] [E5] [Am] [D] [G]] [Chords: [C5] [A5] [D5] [G5] [E] [E5] [Am] [D] [G]] ARE NOT SUNG!]]

[Words in brackets [ ] are NOT lyrics] [Cute Young girl vocals sung by three different young girl voices: [Girl 1[ [Girl 2] and [Girl 3]] and [3-part harmonies] [nstrumentation: two Rickenbacker guitars, bass, drums, and punk attitude, The amps are turned all the way up, ] [Style: Fast sassy female-fronted punk rock, ~190 BPM, distorted Rickenbacker guitars, live dive-bar energy, cute young female vocals with attitude, Include roaring punk guitar solos in the intro, middle, and outro, Gang vocals in the chorus shouting “Skirts too short for church!”, Keep drums pounding in a fast 4/4 punk beat, bass driving root notes, guitars sloppy and loud, Vocals: Cheeky, sassy, and slightly sarcastic, Group shouts in chorus, ] [ Lead Guitar Notes: Use raw E major pentatonic punk licks with bends, slides, and squeals, Keep it sloppy and live-feeling, Solos in intro, bridge, and outro should be short, chaotic, and attitude] [many punk guitar fills] [Make the Rickenbacker howl LOUD] [garage band]

[Words in brackets [ ] in lyrics secdtion are NOT lyrics and are not spoken or sung] [Make sure to follow style instructions in brackets [ ] in lyrics section] [Raw surf punk song, Cute Young girl vocals sung byfour different young girl voices: [Girl 1[ [Girl 2] [Girl 3] [Girl 4]] [4-part harmonies] [Girl group harmonies] [Fast, bouncy surf-punk — 180 bpm — downstroke heavy] [Punching drums] [Distorted Guitars] [Retro Reverb Surf Guitars] [Garage Band] [Melodic Surf punk] [Catchy punk guitar riffs] [Punk guitar fills] [Punk guitar breakdowns] [fast, driving surf-punk 4/4: Kick on beats 1 & 3, Snare on beats 2 & 4] [Guitar downstrokes hitting all 4 beats per bar] [Surf riffs still fit neatly over 4 beats per bar — they have rapid, picked 1/8-note feel] [Outro: Instrumental Surf Punk Lead Guitar riff (party chaos into fade-out] [Punk Attitude]

[Words in brackets [ ] are NOT lyrics] [Melodic Punk Rock, Raw, Cute Young girl vocals sung by three different young girl voices: [Mariella] [Cassi] & [Vienna] [Style: Thrashing punk, fast (184 bpm), High-energy, melodic sexy, chaotic, Lots of breakdowns, gang shouts, messy guitar harmonies, Instruments: 2 thrashing Telecaster guitars, bass, pounding drums, gang vocals, 190 BPM] Structure: - Intro: noisy thrash riff + gang shouts “HEY HEY HEY!” - Verse 1: Guys yell “show us your tits, ” Dolls mock them with attitude, - Chorus: “So you wanna see our boobs?! (HEY HEY!) Better buy us all some brews!” - Breakdown 1: chunky riffs, gang chants “SHOW! US! WHAT?! YOU GOT!” - Verse 2: More chaos, Dolls tease and laugh, end with “FUCK YOU!” - Chorus 2: “So you wanna see our boobs?! (HEY HEY!) Better buy us all tattoos!” - Breakdown 2: twin guitar harmonies + chants “FLASH IT! FLASH IT!” - Bridge: playful but defiant, teasing lyrics, - Final Chorus/Crescendo: “FLASHING THE BOOBS" repeated

[Words in brackets [ ] are NOT lyrics] [Raw punk rock song, Cute Young girl vocals handled by three different young girl voices: [Girl 1[ [Girl 2] and [Girl 3], ] [The song is fast and raw 150 BPM—Instrumentation is just two guitars, bass, drums, and punk attitude, The amps are turned all the way up, ] [Notes held long in three-part harmonies] [(Key: G | Tempo: Fast punk 180 bpm)] [Punching drums] [Distortion and feedback] [Catchy punk guitar riffs] [Punk guitar fills] [Punk guitar breakdowns]

Raw punk rock at 180 BPM drives this track, powered by pounding drums, gritty bass, and two overdriven guitars blasting catchy riffs, rapid fills, and aggressive breakdowns, Three young girl vocalists swap leads, delivering long, belted notes in tight three-part harmonies, all with fierce punk energy

Begins with a rowdy pre-song crowd call/response chant, feeding into a blistering punk rock intro at 172 BPM in E Major, Two Fender Telecaster guitars slash out overdriven, biting power chords, while the Fender Precision Bass grinds heavily beneath, Tight drums drive relentless punk gallop—snare punchy, hi-hats eighth-note sharp, kick pounding, Cute but annoyed female lead vocal, choruses boosted by young girl harmonies, all sung over the chaos, Structure flows through classic verse/chorus cycles, a stripped-down shout-along breakdown, and tense bridge, with soaring, urgent energy, Ends with explosive amp feedback and group crowd chant, all drenched in raw live room reverb, The song is 4 + minutes in length, and no shorter, [Key: E Major]
 [Structure - [Intro] – [Verse 1] – [Chorus] – [Verse 2] – [Chorus] – [Breakdown] – [Bridge] – [Outro]], ‑Do not skip lyrics - follow all lyrics

Young cute girl lead singer who is annoyed, young cute girl singers singing harmonies and background vocals, Orchestral basses, cellos, violins, violas, timpani, drums, french horns, The song is dramatic, it is angry

A high-energy pop-punk track with a driving beat and prominent female vocals, The instrumentation features a synth bass providing a strong rhythmic foundation, electric guitars playing power chords and melodic lines, and a drum kit with a consistent kick-snare pattern and occasional cymbal crashes, The tempo is fast, around 160 BPM, The song is in a minor key, contributing to its slightly aggressive yet catchy feel, The lead female vocalist delivers the lyrics with a clear, slightly edgy tone, utilizing some vocal effects like delay and reverb, The song structure includes verses, a pre-chorus, and a chorus, with a bridge section that introduces a slight dynamic shift before returning to the main chorus, Production is clean and punchy, with the vocals mixed prominently over the instrumental backing, The guitar riffs are memorable and contribute significantly to the song's identity

[Raw punk rock song, Cute Young girl vocals handled by three different young girl voices: [Girl 1[ [Girl 2] and [Girl 3], ] Liive at a club PUnk Rock song, Kick off with a fierce, 10-second intro: pounding 180 BPM drums, fuzzed bright Fender Jaguar Guitars riffing hard, deep overdriven bass, and drums on fire pounding at the speed of light, Verses fire up three cute snarky girl harmonies over raw chord stabs, Choruses explode with gang vocals, raucous leads, and boosted rhythm, THE INSTRUMENTAL INTERLUDE is a wild, distorted guitar solo—amp up the overdrive, keep the phrasing sharp, and weave in punchy, punked-out dive club motifs, Keep energy and volume peaking till a raucous group outro and a cheering crowd at the beginning and at the end

[Fast glam-punk stomp, ~180 BPM, sneer vocals, gang 3-part harmonies] Two raspy, distorted guitars slashing, heavy bass driving, drums trashy and loud) Relentless punk rock at 180 BPM, opening with sharp, choked rhythm guitars, then fuzzed, phased lead and snarling thunderous bass, Drums slam in with chaotic energy, Verses deliver turbulent riffs, brutal full-band strums, and ferocious three-part harmonies, Choruses detonate with guitar noise, feedback, and abrasive textures, all three cute but annoyed young girl voices singing in unison, Breakdowns unleash crushing chords, wild riff exchanges by virtuoso punk style riffing, and overflowing drum fills, Mid-song erupts in discordant, violent blasts, then locks back to the primary riff, surging to a punishing, hard-strummed finale; every chord is hammered without mercy for total punk ferocity, Thrash this song all the way the through!