
Thursawday Tunes (Segment: Starting Soon)
Songs featured and played during the "Starting Soon" of the twitch.tv/ai_kills Thursawday Tunes stream
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73 songs
6:34

Sound: Powerful live Metal performance and strong crowd ambiance, Atmosphere: Live Metal concert energy with audience chants, Nu Metal, live female male duet vocal, high energy, Live concert, concert hall, live performance, loud cheers, crowd clapping, crowd singing, crowd singalong, female male duet live concert, Live Band, Multi Vocals, Breakbeats, Metal
4:44

electronic rock, UK Garage, dance metal, power pop, trance, electro house, punk rock, electro punk, dance punk, garage house
4:33

slow build rock ballad • starts soft with clean guitars and light percussion • grows into full-band anthem • raw, emotional vocal with grit • heavy but hopeful • driving drums, bass groove, soaring lead guitar solo • big reverb and harmonies in chorus • cinematic and heartfelt tone • uplifting ending with sustained guitar feedback fade
6:14

Opening with thunderous timpani and dark orchestral swells, this symphonic opera metal piece surges in minor key with baroque strings, brass fanfares, and cinematic orchestration, Layers of distorted guitars and bombastic drums drive the gothic texture, while soprano and growled dual vocals interweave with epic choirs and theatrical crescendos, all underscored by dramatic harmonies and full orchestra power
4:10

Irish Folk Trap / Celtic Rap with energetic fiddle samples, deep 808 bass, pub-style gang chants, stomping kick drums, clapping crowd ambience, playful whistle melody, Mix of gritty male rap with Irish accent and singalong folk chorus, Slight tavern reverb, pint-glass percussion accents, cheeky mischievous tone but powerful and cinematic, Tempo around 92 BPM, Rhythm bounces like a jig but hits like a street battle, Swear-free but full of swagger
4:53

5:34

4:29

A hip-hop track with a dark, sensual, and slightly melancholic atmosphere, The tempo is slow, around 60 BPM, The key is A minor, The primary instruments are a deep, resonant 808 bass, a sparse, trap-influenced drum beat with prominent hi-hat rolls and a snapping snare, and a sustained, ethereal synth pad providing harmonic backing, A clean electric guitar plays a simple, arpeggiated melody with a slight delay effect, adding to the haunting quality, The male lead vocal is delivered in a smooth, almost whispered baritone, with a significant amount of reverb and delay, creating a sense of intimacy and distance, The vocal delivery is rhythmic and conversational, with occasional melodic phrases, The song structure includes verses and a recurring melodic motif that functions as a chorus, Production elements emphasize a wide stereo image and a deep low-end presence, The overall mix is clean, allowing each instrument to occupy its own space
5:47

strong female raw explosive vocals, drums, R&B, female backing vocals, realisation and hopeful, An emotional r&b ballad about finally finding a loved one
3:41

Like me
v5
Vibrant modern pop track with dynamic production, catchy melodies, layered harmonies, crisp percussion, and bright synth leads over an energetic beat, Male singer, The song shifts between smooth R&B-inspired verses and a powerful, addictive chorus with shimmering electronic textures, vocal chops, and tight choreography-ready rhythm, A blend of youthful confidence, heartfelt emotion, and stadium-ready sound
3:52

144 BPM, D-minor — epic progressive rock × cinematic push × electric adrenaline; Drums: deep maple shells, steel snare, war-tom rolls, bronze-ride spread, punchy stick crack; Bass: alder body with steel roundwounds — elastic mid-growl, fret-slides as accents; Guitars: nickel-string saturated leads — octave climbs, palm-mute bursts, expressive bends; Brass: copper-bell trombones/trumpets — clustered stabs, heroic swells; Choir: mixed ensemble — open-throat vowels, chest-pressure unison; Strings: rosin-grain staccato over spruce — tense crescendi and trem-shivers; Keys: bright hammer-electric hits for harmonic lift; ODD touch: metallic impact swells before downbeats; FX: short gated tails, metallic breath; Structure: low-piano intro → hard verse drive → full-band anthemic chorus → refusal chant hook → late-song monument chorus → instrument break → half-spoken outro; Vibe: towering, martial, victorious; Mix: width, weight, ignition
3:34

K-pop boy band, melancholy, r&b, alt hip-hop, hip-hop, downbeat, male vocals, polished production, catchy hooks, Korean, smooth vocal harmonies, minor keys
6:47

The Fool
v5
This conscious rap track weaves layered, intricate lyrics over jazzy chords and improvisational trumpet riffs, Male vocals are dynamic and engaging, The experimental structure fuses classic jazz drums with modern 808s, while a catchy, melodic chorus contrasts bold harmonies against innovative textures
4:59

An emotional heavy Metal composition, Crescendo focused, Soaring vocals, broad vocal range, textured Male Vocal, malismatic
3:57

hard rock, alternative metal, post-grunge, quicker beat, heavy drums, driving beat, crunchy guitar riffs, overdriven electric guitars, deep bassline, gritty male vocals, powerful tenor vocals, raspy baritone, emotional delivery, layered harmonies]
4:33

Metal ballad, morose, raspy female vocals, twin harmonized gibson les paul guitars, heavy distortion, deep heavy bass
3:59

Start with a fat, overdriven guitar riff—detuned, slow, and menacing, Use palm-muted chugs layered with harmonic feedback and low-end, Detuned, pitch-lowered robotic vocals with heavy distortion—processed to resemble a devilish, mechanical voice, Layer thick, saturated basslines with an extremely fat low end, employing glitch-hop staples: rhythmic skips, stuttering beats, and asymmetrical drum patterns, Use reverse effects on key transitions and breakdowns to disorient the listener, Integrate chopped, mangled vocal samples and distorted spoken word fragments, reminiscent of industrial metal grit, Beats should feature jittery syncopation and broken grooves, with abrupt drops and start-stop sequences, Sound design should include glitch artifacts, bitcrushed textures, and modulated static bursts, Instruments: gritty synths, granular samples, detuned pads, and distorted 808s, Dynamics should shift unpredictably—cutting between dry, minimal sections and chaotic, overdriven walls of sound
3:19

Theatrical pop rock song with dark fairytale energy, inspired by classic storybook fantasy mixed with bold rock attitude, Short whispered male narration at the beginning, mysterious and whimsical, like opening a strange storybook, accompanied by slow ticking clocks and distant chimes, Clock sounds are present from the start and remain an integral part of the song, Main vocals by a confident female voice, expressive, commanding, and playful, Minor key with curious, twisted melodies that feel dreamy, unhinged, and time-bent, Catchy rhythmic verses with clean electric guitars, bouncy bass, tight drums, layered with rhythmic clock ticks acting as an additional percussive element, Tic-tac patterns sync with the groove, sometimes replacing hi-hats or accenting beats, Mechanical clicks, winding sounds, and clock chimes mark transitions, fills, and breaks, Strong theatrical chorus repeating “Julie in Wonderland” multiple times, with ticking intensifying underneath to create tension, Use vocal
3:29

4:51

POWER BALLAD, 80'S HARD ROCK, HAIR METAL, gritty voice, gravelly voice, a moody slow ballad with layered harmonies behind the lead vocals, in the style of "Love Bites"
3:28

Slinky Tease
v4.5+
A sultry groove-driven track opens with wah guitar and tight funk bass, punctuated by crisp hi-hats, Verses feature subtle keys and playful muted brass, giving way to a bold chorus with layered backing vocals, Bridge highlights rhythmic breaks and syncopated percussion for tension and release
4:22

1970s Hard Rock, gritty overdriven electric guitar riff, heavy Hammond B3 organ, blues-rock foundation, steady driving 4/4 drum beat, rhythmic syncopation, raw gravelly male vocals, analog tape saturation, live studio room ambiance, 115 BPM
3:47

[Top Prompt]
[Happy singer-songwriter electronica with IDM breakbeat energy, beauty-of-the-day uplift]
[Core Fusion]
Acoustic warmth at the heart (intimate guitar + human vocal) blended with modern electronic momentum:
future-bass shimmer, chopped vocal hooks, and intricate glitchy breakbeat percussion, [Tempo + Key]
150 BPM, F minor (minor-key emotional glow, but optimistic and bright in delivery)
[Production Style]
Singer-songwriter verses feel close-mic and natural, then expand into polished electronic lifts, IDM-style drum programming: fast, detailed breakbeats, stuttering fills, micro-edits, Future bass elements appear as wide supersaw chord swells and melodic pluck highlights, [Instrumentation]
Acoustic guitar foundation: steady strumming, warm and organic
Chopped female vocal sample: rhythmic hook, reverb-washed, lightly gated
Percussion: punchy sub-kick, crisp snapping snare, intricate hi-hat rolls, breakbeat complexity
Harmonics: lush sidechained supersaw pads, bright melo
3:17

K-pop boy band, melancholy, r&b, alt hip-hop, hip-hop, downbeat, male vocals, polished production, catchy hooks, Korean, smooth vocal harmonies, minor keys
4:54

80's metal, old school metal, British metal, slow tempo, mood: sad, emotional, scary, eerie, harmonic guitars, drop D tuning, high pitch tenor vocals with sad, slow acoustic opening
3:42

Launching at 145 BPM, the track churns with raw, distorted resonator guitar clashing against massive, drop E0 8-string sludge riffs, interlocking in polyrhythms atop hyper-compressed math-metal blast beats and clanging industrial percussion, Sacred Harp choir textures loom over Appalachian folk-horror drones, breaking through dense sonic gloom, Lurching 808 sub-bass slides and FM dubstep growls mutate the low end, unsettling the foundation, Vocals veer wildly between guttural growls, pig squeals, spectral Delta Spiritual leads, and sharply layered Sacred Harp harmonies, The rigid, cinematic wall of sound is relentlessly bleak and nightmarish—unyielding, textural, and haunting, ‑No Bright Pop Vocals, ‑No Clean Acoustic Strumming, ‑No Happy Melodies, ‑No Standard Country Twang, ‑No EDM "Wub" Loops, ‑No Generic Hip-Hop Hi-Hats, ‑No Autotune, ‑No Polished Orchestral Strings, ‑No Upbeat Rhythm, ‑No Major Chord Progressions, ‑No Warm Harmonies, ‑No Commercial Radio Polish
4:56

80’s metal, old school metal, powerful mid-tempo heavy metal rocker, 130-140 BPM, drop D tuning, prominent galloping bass lines driving the rhythm section, three layered distorted electric guitars featuring harmonized lead lines and twin guitar melodies, slow-building ominous atmospheric clean guitar arpeggios in the intro creating tension, heavy palm-muted chugging riffs in verses transitioning to soaring anthemic choruses, dramatic theatrical male lead vocals with powerful soaring high register, slight grit and operatic vibrato, intense emotional delivery, dark brooding war-themed storytelling atmosphere with themes of soldier’s remorse, moral conflict, mortality, and desperate pleas for compassion, dynamic shifts between restrained verses and explosive choruses, galloping triplet rhythms, melodic guitar solo sections with harmonized runs and shredding leads, punchy drums with prominent snare and double-kick accents, classic heavy metal production emphasizing thick b
4:20

Genres: Hard Rock, Glam Metal, Emotional Metal, Arena Rock, Live Performance, Concert Atmosphere
Mood: pain, longing, survival, vow, eruption, renewal
Tempo: 86 BPM steady, lifts in choruses/solo
Key: D minor base → F major lift → D minor resolve
Time Signature: 4/4 driving pulse
Lead Vocal: male A2–C5, clean to high belt
Support Vocal: octave stacks, gang shouts, harmonic doubles, live crowd chants
Layers: vocal stacks, guitar harmonies, reverb tails, cymbal swells, crowd ambience
Instrumentation: electric guitars, bass, drums, backing vocals, guitar solo
Production: guitar-driven verses, big chorus anthems, soaring solo, powerful bridge, live energy
Transitions: concert intro, snare builds, solo shred, crowd chants, sustain outro
2:59

female-vocal hymn, intimate folk-spiritual delivery, chapel-warm acoustics, cello-led arrangement, restrained emotional tone, slow and human, Katana~Buck signature reverent style
3:29

1991 pop rap, new jack swing, hip-hop, dance rap
Tempo: 110 BPM
Mood: upbeat, playful, confident, fun-loving, energetic, party-ready, swaggering, carefree
Instrumentation: swinging new jack swing drum beat, crisp snare claps, deep funky synth bass, bright digital synth stabs and horns, funky rhythm guitar scratches, layered group vocal hooks, percussive scratches, subtle James Brown-style funk samples
Production: polished early-90s hip-hop mix, bright digital clarity, heavy compression, wide stereo imaging, infectious dance-floor energy, warm analog edge with crisp highs
Structure: funky intro groove with vocal ad-libs, driving verse-rap flow, anthemic catchy chorus lift, playful breakdown with scratches, final high-energy group vocal and beat climax
This prompt captures the exact 1991 pop-rap new jack swing vibe without direct references
3:56

110 BPM, hyperpop comedy pop, glitchy electro, cartoon chaos vibe, bouncy rhythm, plucky synths, toy piano, warped FX, sudden breaks, dynamic shifts, male vocal duo contrast (tight precise vs goofy relaxed), high energy, playful absurd tone, ‑sad ballad, ‑acoustic folk, ‑country, ‑lo-fi chill, ‑slow R&B, ‑dark trap, ‑orchestral cinematic, ‑ambient drone
5:41

Live stadium audience, audience interaction, audience singalong, 80s Power Metal, Ballad, Piano, Gibson Les Paul Guitar Distorted, Strong prominent bass line, Raspy Male Vocals
4:57

[Is_MAX_MODE: MAX](MAX)
[QUALITY: MAX](MAX)
[REALISM: MAX](MAX)
[REAL_INSTRUMENTS: MAX](MAX)
Live Concert, Live sound, crowd interaction, crowd sounds, Mid tempo, airy, flowing, Key of G Minor, Minor Chord Progressions, 70’S Metal, Surf Rock, Heavy Metal Riffs, Hard Rock, Electric Guitars, 70’S Rock, 60’S Soul, Hammond Organ, Analog Synths, catchy, melodic
3:12

middle-eastern influence, mathcore, technical hardcore, noise metal, post-hardcore, dissonant riffing, angular guitar, palm-muted chugs, chaotic tempo shifts, syncopated drums, odd meter, blast beats, aggressive bass, screamed vocals, frantic, violent, anxious, abrasive, unstable, explosive, stop-start breakdowns, jagged structure, raw production, slowed down pre-chorus with a piano motif, smooth gentle bridge
4:41

This conscious rap track weaves layered, intricate lyrics over jazzy chords and improvisational trumpet riffs, Male vocals are dynamic and engaging, The experimental structure fuses classic jazz drums with modern 808s, while a catchy, melodic chorus contrasts bold harmonies against innovative textures
5:21

4:44

3:12

Lost My Name
v5.5
Nasal Vocal, GRUNGE VOCAL, slow, melodic metalcore, rock, scream, emo, emotion
3:11

Empty road
v5.5
Cinematic ballad with soft acoustic guitar, atmospheric pads, and emotional layered female vocals, Warm, intimate tone with a slow build — heartfelt and timeless
5:00

Firefly X - Don't Go
Studio
grunge, alternative blues-rock, acoustic folk, alternative rock, Hybrid instrumental blending grunge/alternative rock and acoustic folk, with 4 clearly defined sections
2:35

indie folk, chamber pop, neo-folk, whispered female vocal, breath-soft harmonies, fingerpicked acoustic guitar, sparse piano chords, brushed snare kit, upright bass, glockenspiel accents, harmonized choir, close-mic intimacy, plate reverb, tape saturation, rubato intro, mid-tempo sway, crescendo lift, bittersweet longing
5:54

Hard rock with heavy metal influences, Distorted electric guitars play palm-muted chugging riffs and harmonized lead lines, The bass guitar follows the kick drum patterns with a gritty, overdriven tone, Drums feature a prominent snare with a short decay and consistent double-kick patterns during the choruses, Vocals are a gritty male baritone, shifting into aggressive belted delivery and occasional guttural screams, The track is in the key of D minor at 145 BPM in 4/4 time, The arrangement features a breakdown with a wah-filtered guitar solo and a final chorus with layered vocal harmonies
5:15

Firefly X - Dark Majesty
Studio
dark pop, minimalist electronic, electro EDM, Metalcore, Rock, Symphony
4:59

Liquid Drum and Bass, pristine production, high fidelity, deep rolling Reese sub-bass, lush atmospheric pads, crisp syncopated breakbeats, soulful Rhodes chords, wide stereo mix, ethereal textures, Radio Edit
4:03

I still love you
v5.5
8D audio, jazz rap, torch-lounge soul, 72 BPM, male baritone vocals, close harmony quartet, upright bass fingerpicking, brushed snare, Rhodes comping, muted trumpet fills, violin counterlines, tenor sax stabs, soulful harmonica countermelody, tape saturation, vinyl crackle, plate reverb, sparse verse dropouts, rainy-day longing, intimate confession, swung backbeat, fast-snap phrasing
3:43

No Air Left
v5.5
Intense emo rock / electronic hybrid at 150 BPM with panic-driven energy, Fast, pulsing drums mimicking a racing heartbeat, sharp staccato guitars, and high-pitched synth tension, Verses use rapid, breathless vocals with tight phrasing, almost gasping between lines, Pre-chorus builds pressure with rising pitch and layered whispers, Chorus explodes into desperate, strained vocals with slight scream elements, Include sudden dropouts to near silence to simulate loss of breath, followed by explosive returns, Heavy use of reverb, delay, and stereo panning to create disorientation, Themes of fear-driven anxiety, panic attacks, suffocation, loss of control, and desperation to breathe, Add a breakdown with fragmented phrases and irregular rhythm to mimic spiraling thoughts
5:35

darkwave, chill wave, vaporwave, ethereal vocals, lo-fi, sadcore, synthwave, experimental, alt-r&b
3:42

Alternative rock with post-grunge influences, Distorted electric guitars play thick power chords and palm-muted riffs, A clean electric guitar provides arpeggiated textures in the verses, The bass guitar follows the kick drum with a gritty, overdriven tone, Drums feature a heavy snare and prominent crash cymbals, Male vocals range from melodic baritone in the verses to strained, high-energy belts in the chorus, The track is in 4/4 time at 145 BPM in the key of B minor
5:28

Unholy Symphony
v5.5
Symphonic Metal, Neoclassical Metal, Orchestral Rock, Thrash Metal, Arena Rock, Chicano Rock, Latin Metal, Power Ballad, Heavy Metal, Mariachi Metal, live show, live crowd






































