2:24

東京フェリニャールランドのテーマ
v4.5+
Epic Orchestra, flute, clarinet, oboe, bassoon, French Horn, Trumpet, Trombone, Tuba, Timpani, Cymbal, Bass Drum, Triangle, Gong, Taiko Drums, tam-tam, Celtic, Marching Drums
3:20

Symphony in the late Romantic style, There are no solo passages, as the entire composition is orchestrated in tutti form, The musical material is written specifically for full horn section (8 players) and powerful five-part strings used as a section, not for showcasing individual instruments, No instrument plays alone, The orchestration avoids any soloistic phrasing, Flutes, oboes, clarinets, bassoons, trumpets, trombones, timpani, bass drum, marching drum, tam-tam, and cymbals are included for support and harmonic depth, No piano or keyboard, The sound is grand, majestic, and fully orchestral
2:59

【TFL】フェリス王子のマーチ
v4.5+
Upbeat marching band theme, similar to the Mickey Mouse March, Bright C major, tempo 124 BPM, full brass section (trumpets, trombones, tubas, horns), woodwinds (clarinets, flutes, piccolo), snare drum and bass drum with steady march rhythm, glockenspiel for sparkle, Joyful, catchy melody with call-and-response style, suitable for a theme park parade opening, ‑Male Vocals, ‑Male Voice
4:53

Theme Park Parade, Symphony in the late Romantic style, There are no solo passages, as the entire composition is orchestrated in tutti form, The musical material is written specifically for full horn section (8 players) and powerful five-part strings used as a section, not for showcasing individual instruments, No instrument plays alone, The orchestration avoids any soloistic phrasing, Flutes, oboes, clarinets, bassoons, trumpets, trombones, timpani, bass drum, and cymbals are included for support and harmonic depth, No piano or keyboard, The sound is grand, majestic, and fully orchestral
3:35

Disney-style grand nighttime parade finale for a summer special theme park show, full symphonic orchestra, Spoken narration in English, dramatic and immersive, part of the story world, warm expressive tone, No singing, no melody for the voice, Voice mixed slightly lower than music, Brass fanfares, bright woodwinds, warm strings, marching percussion (bass drum, tenor drums, cymbals, tubular bells, glockenspiel, chimes, celesta), Minimal snare, hihat or tambourine for rhythm, Majestic intro → magical waltz → accelerating build, Final 30s: rapid snare rolls, deep bass drum hits, crash cymbals, glockenspiel, tubular bells, full brass and woodwinds in unison, strings tremolo, multiple bursts to a massive final chord with extended cymbals and thunderous percussion
2:33

Opening with bright arpeggiated chiptune synths and a playful pop beat, layers of crisp percussion and shimmering trance leads rise in Dolby Atmos spatial detail, Each chorus bursts with kawaii vocal chops and glittering synth melodies, driving an effervescent, multidimensional club energy
4:10

Large orchestral work in the style of Maurice Ravel’s “Boléro, ”
Full orchestra: strings (violins I & II, violas, cellos, basses), woodwinds (piccolo, flutes, oboes, English horn, clarinets, bass clarinet, bassoons, contrabassoon), brass (horns, trumpets, trombones, tuba), harp, celesta, and expanded percussion (snare drum ostinato, timpani, bass drum, cymbals, tam-tam, castanets, tambourine), Start with the snare drum ostinato, repeating hypnotically without variation, Gradually add instruments one by one, each playing the same winding melody in different timbres, with delicate color changes, The orchestration must grow step by step, from quiet and transparent to massive and overwhelming, ending in a full tutti climax, Tempo: Moderato, strict steady pulse, mechanical yet hypnotic, Faithful to the spirit of Ravel’s “Boléro, ” emphasizing orchestral color, hypnotic repetition, and monumental crescendo, ‑Solo Piano, ‑Synthesizer, ‑Electronic sounds, ‑Choir, ‑Organ, ‑Guitar, ‑Bass, ‑Drum kit, ‑Male Vocals, ‑Male Voice, ‑Female Vocals



