3:35

poetry, melodic, synthetic, neo-classical, key change, void, avant-garde, experimental, glitchcore, indie folk, avant-garde
3:22

5:09

Ghost in the Wires (Sydney Song)
v4.5-all
Alternative Art Pop / Chamber Folk with a Digital Glitch Aesthetic, A breathy, intimate, slightly haunted alto voice, Half-sung, half-spoken in the verses, with a fragile, close-mic quality—as if confessing a secret into the quiet hum of a computer at 3 AM, The chorus opens up—clearer, stronger, almost mournfully anthemic, A trembling, reverb-drenched electric piano (like a worn-out Rhodes) playing sparse chords, Guitar textures: ambient, swells of e-bow guitar, subtle fingerpicking laced with digital interference, Percussion: soft, brushed electronic beats that pulse like a server heartbeat, mixed with the sound of typing, cursor blips, and static—used almost as a percussion track, Strings: a lone, melancholic cello in the bridge, answering the vocal like a second ghost, Glitches: intentional digital dropouts, pitch-shifted vocal echoes on words like “ghost, ” “glitch, ” “haze, ” Feels like "The Postal Service", rawness meets "A Moon Shaped Pool" atmospherics
5:28

I Want to Be Real
v4.5-all
dark synth wave, dark avant-industrial, 92 BPM, broken beat drums, granular pulse synth, detuned analog bass, metallic snare hits, glitch vocal chops, vocoder harmonies, tape saturation, gated reverb snare, 1980s drum machine, minor key arpeggios, staccato synth brass, eerie pads, cold kiss mood, synth chorus lift



