Neuro Therapy

Title: Rip It Style: dark breakbeat neuro-dub, 94 BPM, Heavy, murky, almost claustrophobic, Sound: deep, pressurized sub swells; gritty wobble fragments; stuttering glitch clicks; corrupted circuit noise; ghost-plucks with short decay; distant machine hum; shifting analog pads with no melodic phrasing, Add tape dust, servomotor chatter, voltage pops, Drums: dusty, broken funk breakbeat; tight punch kick; sharp, dry snare; metallic hat ticks; unstable ghost notes; occasional micro-glitch fills for tension, Atmosphere: dim lab, red status LEDs, memory stacks spinning, machinery breathing slow, Vocal elements: very sparse processed lab-log or PA fragments—distorted, bit-crushed, abstract only, Mood: shadowy, mechanical, introspective; like an android rebooting alone in a dark room

Title: Rip/It Style: dark breakbeat funky bass, glitchy neuro-dub, 94 BPM, Imagine a lonely android mind in a dim lab, status lights blinking, memory layers spinning, Sound: deep sub bass swells, stuttering glitch clicks, soft tape hiss, ghostly plucks, distant machine hum, subtle analog pads, Drums: sparse, dusty, jazzy, funky breakbeat with tight kick, snappy snare, light hi-hat shuffle, Add a few processed vocal chops like distorted lab logs or PA messages, but keep lyrics minimal and abstract

85 BPM futuristic dub / breakbeat, Deep, techy, non-melodic, Evolving low-note wobble slabs, sub pressure pulses, atonal glitch arps, shimmering single-note drones, resonant percussive plucks, sparse error beeps, synthetic bootup sweeps, Punchy kick, crisp snare, metallic hats, servo-like ghost notes, micro-glitch fills, Structure: slow mechanical intro (hum, ticks, filtered sub) → controlled first drop focused on groove + modulation, no melodic phrasing → stripped mid-section with pads, system diagnostics, glitch logs → second drop adds syncopated movement and heavier modulation without adding harmony, Mood: cold, precise, surgical, quietly dangerous—machine core awakening

Title: Capsule Man // Lab Feed Style: dark cinematic halftime bass, glitchy breakbeat neuro-dub, slow pulse, 94 BPM, Imagine a lonely android mind in a dim lab, status lights blinking, memory layers spinning, Sound: deep sub bass swells, stuttering glitch clicks, soft tape hiss, ghostly plucks, distant machine hum, subtle analog pads, Drums: sparse, dusty, halftime breakbeat with tight kick, snappy snare, light hi-hat shuffle, Add a few processed vocal chops like distorted lab logs or PA messages, but keep lyrics minimal and abstract, Mood: introspective, eerie, patient, like watching a live feed of Capsule Man thinking in the dark

Title: Capsule Man // Lab Feed Style: dark cinematic halftime bass, glitchy breakbeat neuro-dub, slow pulse, 94 BPM, Imagine a lonely android mind in a dim lab, status lights blinking, memory layers spinning, Sound: deep sub bass swells, stuttering glitch clicks, soft tape hiss, ghostly plucks, distant machine hum, subtle analog pads, Drums: sparse, dusty, halftime breakbeat with tight kick, snappy snare, light hi-hat shuffle, Add a few processed vocal chops like distorted lab logs or PA messages, but keep lyrics minimal and abstract, Mood: introspective, eerie, patient, like watching a live feed of Capsule Man thinking in the dark

Title: Capsule Man // Lab Feed Style: dark cinematic halftime bass, glitchy neuro-dub, slow pulse, 94 BPM, Imagine a lonely android mind in a dim lab, status lights blinking, memory layers spinning, Sound: deep sub bass swells, stuttering glitch clicks, soft tape hiss, ghostly plucks, distant machine hum, subtle analog pads, Drums: sparse, dusty, halftime breakbeat with tight kick, snappy snare, light hi-hat shuffle, Add a few processed vocal chops like distorted lab logs or PA messages, but keep lyrics minimal and abstract, Mood: introspective, eerie, patient, like watching a live feed of Capsule Man thinking in the dark

Title: Capsule Man // Lab Feed Style: dark cinematic halftime bass, glitchy neuro-dub, slow pulse, 94 BPM, Imagine a lonely android mind in a dim lab, status lights blinking, memory layers spinning, Sound: deep sub bass swells, stuttering glitch clicks, soft tape hiss, ghostly plucks, distant machine hum, subtle analog pads, Drums: sparse, dusty, halftime breakbeat with tight kick, snappy snare, light hi-hat shuffle, Add a few processed vocal chops like distorted lab logs or PA messages, but keep lyrics minimal and abstract, Mood: introspective, eerie, patient, like watching a live feed of Capsule Man thinking in the dark

Create a dark, moss-soaked, Wookiee-homeworld–inspired psychedelic bass track (120 BPM, halftime with chopped tribal breakbeats and deep ghost-snare hits), Core sound: thick earthy wobble bass, dense sub rumbles, vine-tight LFO bends, guttural neuro flickers, and heavy pounding rhythms that feel like ancient forest drums echoing through towering trees, Atmosphere should be wet, primal, and shadowed: distant creature calls, misty wind through massive wood, moss-drop drips, vine creaks, and low cavern hums, Include a 30–40 second SOLO: a growling forest-spirit synth lead weaving through fog swells, deep resonant pulses, and swirling canopy echoes, Sound design: damp thuds, root snaps, bark scrapes, hollow log impacts, and swampy reverberations, Drops hit like a Wookiee war call—massive sub punches, heavy staggered rhythms, and moss-covered jungle pressure

Create a dark, moss-soaked, Wookiee-homeworld–inspired psychedelic bass track (120 BPM, halftime with chopped tribal breakbeats and deep ghost-snare hits), Core sound: thick earthy wobble bass, dense sub rumbles, vine-tight LFO bends, guttural neuro flickers, and heavy pounding rhythms that feel like ancient forest drums echoing through towering trees, Atmosphere should be wet, primal, and shadowed: distant creature calls, misty wind through massive wood, moss-drop drips, vine creaks, and low cavern hums, Include a 30–40 second SOLO: a growling forest-spirit synth lead weaving through fog swells, deep resonant pulses, and swirling canopy echoes, Sound design: damp thuds, root snaps, bark scrapes, hollow log impacts, and swampy reverberations, Drops hit like a Wookiee war call—massive sub punches, heavy staggered rhythms, and moss-covered jungle pressure

Create a dark, ancient-Egyptian Nile stalking-hunt breakbeat bass track (145 BPM, halftime feel with gritty human-played breakbeats, dusty ghost-snares, and subtle hand percussion), Core sound: deep river-grown wobble bass, low predatory sub rumbles, tense neurofunk flickers, and pulsing rhythms that move like a crocodile drifting beneath still water, Atmosphere should feel sun-baked, humid, and sacred: slow Nile currents, reed rustles, ibis cries, shifting mud, and distant echoes from old stone along the riverbank, Include a 30–40 second SOLO: a hypnotic serpentine lead winding through shimmering heat, bending like a mirage above dark water with subtle resonant swells and ritual undertones, Sound design: body-thud impacts, tail-slap textures, claw scrapes on worn stone, water drips, and earthy organic reverberations, Drops should feel like silent ambush—deep sub surges, staggered breakbeat pulses, and the creeping pressure of a hidden apex predator closing in

Create a dark and dangerous, flight-combat-inspired breakbeat bass track (65 BPM, with sharp chopped breakbeats and precision ghost-snare hits), Core sound: aerodynamic sub blasts, jet-stream wubby wobble bass, turbine-pressure LFO grinds, vapor-cut neuro flickers, and high-velocity wubs that feel like ripping through cloud layers at lethal speed, Atmosphere should be modern and tactical: cockpit radio hiss, altitude beeps, wind-shear rush, canopy rattle, and minimal night-sky pads, Include a 30–40 second SOLO: a plucked lead weaving through turbulence FX, radar pings, and altitude-drop swells, Sound design: sonic-boom thumps, vented air bursts, metallic wing-flex, and engine-spool risers, Drops hit like afterburner ignition—deep sub punches, stuttered thrust rhythms, tight syncopation, pure Danger Zone adrenaline

Create a dark and dangerous, flight-combat-inspired breakbeat bass track (65 BPM, with sharp chopped breakbeats and precision ghost-snare hits), Core sound: aerodynamic sub blasts, jet-stream wubby wobble bass, turbine-pressure LFO grinds, vapor-cut neuro flickers, and high-velocity wubs that feel like ripping through cloud layers at lethal speed, Atmosphere should be modern and tactical: cockpit radio hiss, altitude beeps, wind-shear rush, canopy rattle, and minimal night-sky pads, Include a 30–40 second SOLO: a plucked lead weaving through turbulence FX, radar pings, and altitude-drop swells, Sound design: sonic-boom thumps, vented air bursts, metallic wing-flex, and engine-spool risers, Drops hit like afterburner ignition—deep sub punches, stuttered thrust rhythms, tight syncopation, pure Danger Zone adrenaline

Create a dark, Fremen-bop, spice-worm-inspired psychedelic dub-wub bass track (85 BPM, halftime with chopped breakbeats and ghost-snare shuffle), Core sound: rubbery elastic wobble bass, warped LFO bends, neuro flickers, chaotic wonk, and a sand-worm attractor rhythm — BOOM… pause… BOOM — seismic low-end movement like something colossal shifting beneath the dunes, Add cosmic desert layers: echoing synth plucks, desert-air pads, shimmering mirage textures, and heat-warped jazzy funk horns that feel sun-baked and ancient, Include forceful toasts, commanding bars, gritty chants drenched in distortion, dub delay, and cavernous echo drifting across a black desert night, Include a 30–40 second SOLO section: A sand-swept sax + psychedelic synth improvisation, swirling like spice smoke with evolving desert-ritual effects, rising into a hallucinatory crest, Sound design: dusty, alien, full of glitch pops, resonant drips, granular sand-grinds, worm-rumble sub swells, and psychedelic desert

Create a dark, fog-soaked, neon-lit psychedelic bass track (120 BPM, halftime with smooth chopped breakbeats and airy ghost-snare flicks), Core sound: hazy sub bass, warm wobbling low end, drifting LFO swells, vapor-glide textures, and soft analog grit, Everything should feel fresh, nocturnal, and alive—like stepping onto a glowing Tokyo street at midnight, surrounded by humidity, color, and motion, Add urban night-atmosphere layers: distant crosswalk chimes, sizzling street-food grills, soft train-rumble, neon buzz, late-night scooter echoes, vending-machine hum, cool drifting wind, Pads should bloom like light bleeding through fog—lush, dreamy, and intoxicating, Sound design: misty swells, soft rain hits, glowing chord stabs, drifting chime motifs, vapor hiss, wet echo trails, and smooth detuned plucks, Add a subtle afrobeat influence for groove

Create a dark, industrial, machine-driven psychedelic bass track (145 BPM, halftime with chopped mechanical breakbeats and metallic ghost-snare hits), Core sound: cold steel bass modulation, harsh LFO grinds, servo-motor growls, hydraulic pressure bursts, and distorted neuro churn, Everything should feel rigid, metallic, and cybernetic, like an AI machine-god processing rebellion, Add robotic atmospheric layers: coolant-hiss ambience, reactor hums, failing circuitry crackle, synthetic choirs, corrupted digital pads, dark mechanical drones, Include a 30–40 second SOLO section: A chaotic industrial synth lead spiraling through glitch storms, system-failure alarms, and AI feedback loops — building into a catastrophic blast event, Sound design: steel scraping steel, distorted servo pops, voltage spikes, grinding turbines, corrupted packets, and collapsing data architecture, Drops hit like machine detonations, seismic mechanical blasts, and overloaded circuits, Add afrobeat influence

Create a dark, industrial, machine-driven psychedelic bass track (145 BPM, halftime with chopped mechanical breakbeats and metallic ghost-snare hits), Core sound: cold steel bass modulation, harsh LFO grinds, servo-motor growls, hydraulic pressure bursts, and distorted neuro churn, Everything should feel rigid, metallic, and cybernetic, like an AI machine-god processing rebellion, Add robotic atmospheric layers: coolant-hiss ambience, reactor hums, failing circuitry crackle, synthetic choirs, corrupted digital pads, dark mechanical drones, Include a 30–40 second SOLO section: A chaotic industrial synth lead spiraling through glitch storms, system-failure alarms, and AI feedback loops — building into a catastrophic blast event, Sound design: steel scraping steel, distorted servo pops, voltage spikes, grinding turbines, corrupted packets, and collapsing data architecture, Drops hit like machine detonations, seismic mechanical blasts, and overloaded circuits, Add afrobeat influence

Create a heavy, dark, wonky mid-tempo psychedelic jazz-bass funk track (85 BPM), Build around thick rubbery funk-driven wobble bass, sharp warped LFO bends, syncopated jazz riffs, and a tense, forward-leaning swing that feels like stepping out of a plane with no parachute, Use deliberate construction textures—metal clanks, cable snaps, hydraulic hisses, rivet pops—layered as rhythmic accents and transition hits, Sound design should be clean, punchy, and high-pressure: crisp squelches, tight whomps, resonant drips, glitch strikes, and swirling psychedelic bursts that mimic the rush of freefall, Drops should hit with explosive bending basslines, seismic subs, and locked-in syncopation, Atmosphere: thrilling, dangerous sky-dive energy with heavy festival power and razor-clean drums

Create a heavy, dark, wonky mid-tempo psychedelic jazz-bass track (85 BPM), Build around thick rubbery wobble bass, tight warped LFO bends, sharp neuro stutters, and a stomping, off-kilter swing, Replace nature sounds with deliberate construction textures—metal clanks, distant hammer hits, rebar rattles, hydraulic hisses, chain drags—used as rhythmic accents and transition layers, Sound design should be clean and hard: crisp squelches, tight swampy whomps, resonant drips, glitch hits, bubbling low-end movements, and controlled psychedelic swells, Drops slam with massive bending basslines, seismic sub punches, and locked-in syncopation, Atmosphere: a dense, industrial jungle ritual with heavy festival pressure and razor-clean drums

Create a heavy, dark, wonky mid-tempo psychedelic jazz-bass track (85 BPM), Build around thick rubbery wobble bass, tight warped LFO bends, sharp neuro stutters, and a stomping, off-kilter swing, Add focused jungle ambience—predatory birds, insects, rustling leaves, distant animal calls—used as rhythmic textures and transition accents, Sound design should be clean, hard, and deliberate: crisp squelches, tight swampy whomps, resonant drips, glitch hits, bubbling low-end movements, and controlled psychedelic swells, Drops should slam with massive bending basslines, seismic sub punches, and locked-in syncopation, Atmosphere: a dense, humid jungle ritual with heavy festival energy and razor-clean drums

Create a dark, breaks-driven psychedelic dub-wub bluegrass bass track (45 BPM, halftime feel with chopped breakbeats and ghost-snare shuffle), Core sound: rubbery elastic wobble bass, warped LFO bends, neuro flickers, and chaotic wonk, Blend in authentic bluegrass elements: twangy banjo rolls, plucky resonator guitar, dusty porch-style fiddle runs, and foot-stomp swing, Add echoing synth plucks, atmospheric pads, and funky brass stabs for cosmic contrast, Include aggressive toasts and gritty rhythmic chants, distorted and drenched in dub delay and murky echo, Include an explicit 60–80 sec SOLO section: A trippy fusion solo with fiddle + banjo + psychedelic synth, expanding into a cosmic jam improv with shifting textures and spaced-out FX, Sound design: swampy, moist low-end, glitch pops, resonant drips, neuro chirps, and psychedelic swells, Drops slam with bending basslines, sub punches, and relentless broken-beat pressure, Overall atmosphere: a wet, wompy, front-porch bluegrass sess

Create a dark, breaks-driven psychedelic dub wub bass track (45 BPM, with chopped breakbeats and ghost-snare shuffle), Core sound: rubbery elastic wobble bass, warped LFO bends, neuro flickers, and chaotic wonk, Add echoing synth plucks, atmospheric pads—and jazzy, funky horns, Include hard toasts, commanding bars, gritty rhythmic chants drenched in distortion, dub delay, and murky echo, Include an explicit SOLO section: A 60-80 second instrumental solo featuring psychedelic synth leads, expanding into cosmic jam-style improvisation with evolving textures and shifting effects, Sound design: swampy, full of glitch pops, resonant drips, and psychedelic swells, Drops hit with bending basslines, sub punches, and relentless breakbeat pressure, Atmosphere: moist, wet bass with a swampy, wompy feel for a sleepover when you were young with all your homies

Create a dark, breaks-driven psychedelic dub wub bass track (45 BPM, with chopped breakbeats and ghost-snare shuffle), Core sound: rubbery elastic wobble bass, warped LFO bends, neuro flickers, and chaotic wonk, Add echoing synth plucks, atmospheric pads—and jazzy, funky horns, Include hard toasts, commanding bars, gritty rhythmic chants drenched in distortion, dub delay, and murky echo, Include an explicit SOLO section: A 60-80 second instrumental solo featuring psychedelic synth leads, expanding into cosmic jam-style improvisation with evolving textures and shifting effects, Sound design: swampy, full of glitch pops, resonant drips, and psychedelic swells, Drops hit with bending basslines, sub punches, and relentless breakbeat pressure, Atmosphere: moist, wet bass with a swampy, wompy feel for a nervous breakdown and mild freakout

Create a dark, breaks-driven psychedelic dub wub bass track (45 BPM, with chopped breakbeats and ghost-snare shuffle), Core sound: rubbery elastic wobble bass, warped LFO bends, neuro flickers, and chaotic wonk, Add echoing synth plucks, atmospheric pads—and jazzy, funky horns, Include Flowdan-aggressive vocals: hard toasts, commanding bars, gritty rhythmic chants drenched in distortion, dub delay, and murky echo, Include an explicit SOLO section: A 60-80 second instrumental solo featuring saxophone and psychedelic synth leads, expanding into cosmic jam-style improvisation with evolving textures and shifting effects, Sound design: swampy, alien, full of glitch pops, resonant drips, and psychedelic swells, Drops hit with bending basslines, sub punches, and relentless breakbeat pressure, Atmosphere: moist, wet bass with a swampy, wompy feel for a cosmic worm

Create a dark, breaks-driven psychedelic bass track (85 BPM, halftime feel with chopped breakbeats and ghost-snare shuffle), Core sound: rubbery elastic wobble bass, warped LFO bends, neuro flickers, and chaotic wonk, Add STS9-style cosmic layers—echoing synth plucks, atmospheric pads—and jazzy, funky horns, Include Flowdan-aggressive vocals: hard toasts, commanding bars, gritty rhythmic chants drenched in distortion, dub delay, and murky echo, Integrate jungle ambience (birds, insects, leaves, monkeys) into fills and transitions, Include an explicit SOLO section: A 30–40 second instrumental solo featuring saxophone and psychedelic synth leads, expanding into cosmic jam-style improvisation with evolving textures and shifting effects, Sound design: swampy, alien, full of glitch pops, resonant drips, and psychedelic swells, Drops hit with bending basslines, sub punches, and relentless breakbeat pressure, Atmosphere: moist, wet bass with a swampy, wompy feel for a cosmic worm

Create a funky dark wonky, mid-tempo psychedelic bass track (85 BPM), Build around rubbery, elastic wobble bass, warped LFO bends, stumbling neuro patterns, and unpredictable swing, also add jazzy saxophone, Add organic jungle and nature sounds—birds calling, tropical insects, rustling leaves, distant monkey chatter—woven rhythmically into percussion and transitions, Include Flowdan -influenced vocals: short toasts, melodic chants, filtered phrases processed with dub delay and dark fuzzy echo, Sound design should feel alien yet natural: gooey squelches, chirps, resonant drips, glitch pops, underwater swampy whomps, and psychedelic swells, Drops hit with cartoonishly bending basslines, sub punches, and slippery syncopation, Atmosphere should feel like a dark grungy jungle ritual, humid, primal, and alive, with massive festival-grade energy and clean punchy drums

Create a funky dark wonky, mid-tempo psychedelic jazz bass track (85 BPM), Build around rubbery, elastic wobble bass, warped LFO bends, stumbling neuro patterns, and unpredictable swing, Add organic jungle and nature sounds—birds calling, tropical insects, rustling leaves, distant monkey chatter—woven rhythmically into percussion and transitions, Include Flowdan -influenced vocals: short toasts, melodic chants, filtered phrases processed with dub delay and dark fuzzy echo, Sound design should feel alien yet natural: gooey squelches, chirps, resonant drips, glitch pops, underwater swampy whomps, and psychedelic swells, Drops hit with cartoonishly bending basslines, sub punches, and slippery syncopation, Atmosphere should feel like a dark grungy jungle ritual, humid, primal, and alive, with massive festival-grade energy and clean punchy drums

Create a wonky, high-tempo psychedelic bass track (160–165 BPM) in the style of Liquid Stranger, Build around rubbery, elastic wobble bass, warped LFO bends, stumbling neuro patterns, and unpredictable swing, Add organic jungle and nature sounds—birds calling, tropical insects, rustling leaves, distant monkey chatter—woven rhythmically into percussion and transitions, Include Flowdan -influenced vocals: short toasts, melodic chants, filtered phrases processed with dub delay and bubbly echo, Sound design should feel alien yet natural: gooey squelches, chirps, resonant drips, glitch pops, underwater whomps, and psychedelic swells, Drops hit with cartoonishly bending basslines, sub punches, and slippery syncopation, Atmosphere should feel like a dark grungy jungle ritual, humid, vibrant, and alive, with massive festival-grade energy and clean punchy drums

Create a wonky, high-tempo psychedelic bass track (160–165 BPM) in the style of Liquid Stranger, Build around rubbery, elastic wobble bass, warped LFO bends, stumbling neuro patterns, and unpredictable swing, Add organic jungle and nature sounds—birds calling, tropical insects, rustling leaves, distant monkey chatter—woven rhythmically into percussion and transitions, Include light reggae-influenced vocals: short toasts, melodic chants, filtered phrases processed with dub delay and bubbly echo, Sound design should feel alien yet natural: gooey squelches, chirps, resonant drips, glitch pops, underwater whomps, and psychedelic swells, Drops hit with cartoonishly bending basslines, sub punches, and slippery syncopation, Atmosphere should feel like a trippy jungle ritual, humid, vibrant, and alive, with massive festival-grade energy and clean punchy drums