
Indie-Alt
Guitars and stories, special moments, stuff to think about, lo-fi, humming, offbeat beats, stuff like that.
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34 songs
3:46

The track opens with dry, sardonic male vocals over a crisp, shuffled, subtly math-influenced groove—pulsing bass, Rhodes/Wurlitzer, and sharp stabs of clean guitar, Choruses pop with jangly electric layers, heftier bass, vivid keys, and tight stacked harmonies, Instrumental breaks get quirky, twisting meter as bass, drums, and keys/guitar spar, The bridge strips to near a cappella, just Rhodes and playful, echo-drenched effects, The final chorus adds fuzzy guitar and cosmic keys, rich sly harmonies, Ends abruptly after the last chorus line, punctuated by a frog croak or cheeky synth blip; production remains crisp and unsentimental throughout
4:29

Begin with raspy, sharply phrased female vocals atop fingerpicked acoustic guitar, Fractured, airy piano patterns dart above a weaving, reserved cello line, Brushy jazz drums shift syncopation by section, Minimalist verses bloom into open, driven choruses with dry, close harmonies, Production is clean and crisp, accentuating spacious 3D depth, The song concludes as all elements strip back for evocative vocalized humming, Avoid shimmer
4:16

Leftover Yellow
v4.5+
Opens with syncopated finger-picked acoustic guitar, dry and front in the mix, Intimate, raspy female vocals lead, surrounded by spacious layered harmonies—especially pronounced on choruses and bridge, allowing "yellow" to echo, Off-kilter toms and brushed percussion add a quirky, subtle jazz-inflected pulse, Hammond pads supply mellow, atmospheric undertones without crowding the arrangement, Crisp EQ, measured pauses, and prominent vocals create a hypnotic, progressive folk sound—no rock, no dense walls; all elements feel airy and intentional
5:09

A modern wyrd and progressive folk-inspired track featuring intricate finger-picking throughout, gentle acoustic textures, and a clean mix with upfront vocals, Each Pre-Chorus leads to a short, melodic instrumental interlude, The revised bridge introduces a rhythmic chord pattern, avoiding sustained notes
4:37

Divided By Zero
v4.5
An introspective yet rhythmically-driven folk-jazz song with math rock influence, Acoustic guitar with syncopated fingerpicking in 5/4 or 7/8, brushed drums with steady pulse, upright bass, and warm Rhodes piano, Structure is clear and song-like, with a steady tempo and emotionally sharp lyrics, Modern rhythmic complexity, Up-tempo acoustic folk song with jazzy chords and math rock rhythm, Complex time signatures (7/8, 5/4) but tightly structured, Strong lyrical cadence, forward momentum, Acoustic guitar leads, supported by upright bass, jazz-influenced drums, and electric piano, Introspective, poetic, and resistant in tone, Stripped-down folk song in odd time signature (7/8 or 5/4) with jazz harmony and rhythmic intensity, Acoustic guitar with tight fingerpicking, rim-click drums, upright bass, and minimal Rhodes or ambient textures, Lyrics explore identity and emotional paradox with clarity and rhythm
3:52

A modern funky rock jam riding a locked-in wah-bass groove, syncopated and punchy 110 BPM drums, and cheeky, spacey half-beat breaks, Dry, forward talk-sung male vocals with a raspy drawl take focus, framed by sparse, wide guitars, Chorus hooks with echoing backing vocals land on tight drops, accented by small-room drum warmth, rim-clicks, and whispered nuances in the bridge, The bridge climaxes when “Just might” is spoken with resignation, Song closes on an abrupt full-band stop, Perfect EQ, polished production quality, clean mix, No brass throughout
3:56

Wolf with no name
v4.5+
Acoustic cover, raw female vocals in a medium to low register, minimal reverb, prominent vocals, harmonies on Choruses and bridge, very clean mix, perfect EQ
4:15

Good Enough
v4.5
Raspy soulful male vocals with a natural, unpolished tone, Prominent acoustic rhythm guitar with light syncopation, paired with warm, percussive ukulele strumming, Upright bass with subtle groove, Mid-tempo rhythm with soft percussion—brushes, snaps, or hand taps, Harmonica accents add texture between phrases, Clean, warm production with an organic feel, Subtle vocal layering and harmony in the chorus for added warmth—low harmonies, soft octave lines, or light background voices, Optional soft organ or ambient tones, Laid-back soul-folk with rootsy, relaxed energy and an easy summer flow
3:51

A fully acoustic, minimalist folk track with light psychedelic influence, Use only finger-picked acoustic guitar and one melodic flute (Jethro Tull–inspired, with expressive, breathy phrasing), No percussion, bass, or additional textures—keep the arrangement sparse and quiet, with the guitar soft and steady beneath the vocals, The female vocal must always be front and prominent, especially in the chorus—clearly heard and emotionally expressive, with dry, clean mixing and no competing elements, The flute should provide light, whimsical accents and soft melodic interludes, not overpowering the voice, Maintain a surreal but intimate tone, with clean modern production and maximum space for the lyrics to come through, No shimmer, no reverb walls, no ambient pads—let the silence do the heavy lifting
4:17

Not Quite Done
v4.5
A progressive folk-rock track with expressive Female vocals, layered harmonies, and non-standard structure, Acoustic guitar leads with upright bass, brushed or rim-click drums, Rhodes piano, and clarinet for melodic counterpoint, Rhythms should be irregular (5/4, 6/8+2/4, 7/8) with syncopated phrasing, Do not over-resolve harmonically—avoid predictable cadences, Let tension hang, Melody and harmony should feel exploratory, not confined to major key resolutions, Vocal delivery should be natural, with sparse falsetto, audible breath, and slightly off-kilter phrasing, Include short, syncopated “mmh” or “ooh” breaks between lyrical sections, The mood is reflective, poetic, and slightly unhinged, Avoid full cadence or “resolved” harmony endings, Let phrases end slightly open or suspended, matching the lyrical ambiguity
3:51

Finger-picked acoustic guitar and sparse piano form the gentle core, complemented by understated brush drums and subtle, emotive violin, The clean acoustic mix highlights high-fidelity, prominent, breathy vocals with layered soft harmonies on every chorus and gently nuanced dynamics
4:38

Mad Chatter
v4.5
A wyrd folk track with a psychedelic-acoustic feel, Mid-tempo shuffle rhythm with light fingerpicked guitar, softly offbeat percussion (like hand taps or brushed snare), and featured clarinet adding a quirky melodic counterpoint, Prominent, dry vocal delivery—layered MALE VOCALS—with clear enunciation and lightly doubled phrases for a subtle dreamy echo, Tonal palette should be clean, inspired by 60s homemade recordings, but keep the mix clean—no shimmer, no soundwalls, Stereo, 3D audio, Let the lyrics carry the spell, Slow the cover down a little
4:14

Missing A Beat
v4.5
A close-mic, clean acoustic folk track: textured, raspy and warm female vocal in a low register, with natural breaks, sits prominently in a dry, tight mix, Bright finger-picked guitar and warm, clear cello provide honest, bittersweet support—no percussion or ambient layers
4:40

acoustic-driven glitch-folk with upright PIANO, CELLO, and sparse, light percussion, Syncopated, Female low-range vocals—raw, broken, talk-sing, clear and front-forward—sit atop a dry, intimate, polished mix—subtle room reverb only; no crackle, no heavy effects; smooth transitions and emotional focus
4:57

Polished Production Quality, Prominent vocals, Singer-Songwriter, Indie-Folk, acoustic, acoustic guitar, finger-picking, cello, MALE VOCALS, distinct vocals, character voice, warm vocals, nostalgic
3:38

FEMALE VOCALS, Perfect production quality, prominent vocals, Folk-Punk, syncopated, mid-range vocals, DRAMA, FEMALE VOCALS, FEMALE VOCALS, FEMALE VOCALS, FEMALE VOCALS, FEMALE VOCALS
4:17

FEMALE VOCALS, Prominent Vocals, perfect production quality, ACOUSTIC, FOLK VIBE, psychedelic vibe, 60s vibe, Jazz vibe, FEMALE VOCALS, mid-range vocals, raspy vocals, CLARINET
4:18

PROMINENT VOCALS, JAZZ HOP, HIP-HOP, BLUES VIBE, MALE VOCALS, ACOUSTIC, MUTED TRUMPET, HEAVY BASSLINE, RHODES PIANO, syncopated, raw vocals, raspy vocals, catchy hook, Harmonies on the Chorus
3:34

Acoustic, unusual, female vocals, bluesy vibe, organic instruments, sparse percussions, soft harmonies, background vocals
3:27

Polished Production Quality, acoustic, Cinematic indie folk, Melancholic, introspective, minor, clear vocals, prominent vocals, harmonies, dynamic build, expansive choruses
4:22

dark electropop, dark chillstep, minor, sad, dark, slow, polished production quality, husky and breathy male vocals
3:06

Polished production quality, stripped back, dream pop, prominent vocals, clear vocals
3:59

Singer-songwriter, acoustic, indie, folk, introspective, melodic, syncopated, minor, female vocals, soft vocals, clear vocals, background vocals, soft harmonies, vocal harmonies, sparse percussion
4:34

Female Vocals, Raspy vocals, Singer-songwriter, folk, melodic, acoustic, syncopated, Indie, background vocals, lush harmonies, Cello, acoustic guitar, finger-picking
4:39

Female vocals, raspy vocals, Acoustic, unusual, singer-songwriter, folk, swing, organic instruments, Rhodes Piano, Cello, background vocals, lush harmonies, melodic, sparse percussion, 70s vibe
3:36

Momentum
v4
female vocals, Indie, Folk-Pop, dreamy, acoustic guitar, Rhodes, strings, organic drums, dynamic song structure, raw vocals, emotive vocals, female vocals, background vocals, lush harmonies
3:40

This piece is a melancholic indie pop song with a moderate tempo, The instrumentation features a clean electric guitar playing arpeggiated chords, a bass guitar providing a walking bass line, and a drum kit with a soft, brushed snare sound, A female vocalist sings with a breathy, ethereal quality, often using a falsetto register, The chord progression is generally minor, contributing to the wistful mood, Production elements include a subtle reverb on the vocals and guitar, creating a spacious and dreamy atmosphere, The song structure follows a verse-chorus pattern with an instrumental break, The melody is fluid and expressive, with a focus on sustained notes and gentle vocal runs, The overall mix is balanced, allowing each instrument to be clearly heard while maintaining a cohesive sound
3:58

Zoning
v5
A creative modern Math-Pop cover in 6/8, driven by a lilting Rhodes and upright bass, brushed drums, and fluid strings, Clarinet lines accent verses and solo before the bridge, Verses are intimate baritone; each chorus adds harmonies, lush layers, and glassy strings, Delicate plate reverb and dynamic swells bloom after the bridge, Song resolves in a half-time, airy outro, highlighting expressive vocals with pristine EQ and a polished, clean mix, No acoustic guitar appears, ‑Country, ‑Americana
4:14

The acoustic art-pop track opens with dry cello, felted piano, pulsing bass, and math-inspired percussion featuring syncopated 3/5/7-beat motifs and off-grid hits, Tight, low raspy female vocals use straight-tone phrasing, chant-like and tension-filled, Pauses and breaths amplify unease, Choruses bloom into lush pads, airy harmonies, reversed swells, and suspended chords, crafting shadowy, unstable textures, Melodies fragment into hovering notes and intervallic leaps, The atmosphere stays dark, velvet, and quiet, with a polished mix and forefront, vibrato-free vocals
3:59

Acoustic folk ballad with a male vocalist, The song is in a minor key, creating a melancholic and introspective mood, The primary instrumentation consists of an acoustic guitar playing arpeggiated chords, a bass guitar providing a deep, resonant foundation, and a drum kit with a soft, brushed snare sound, The male vocalist sings with a smooth, baritone voice, employing a gentle vibrato and a slightly breathy delivery, The vocal melody is largely syllabic, following the chord changes with a contemplative feel, The song structure includes verses and a chorus, with instrumental breaks that feature the acoustic guitar prominently, Production elements include a clean mix with a slight reverb on the vocals and guitar, giving the track an intimate and spacious quality, The tempo is slow, contributing to the reflective atmosphere
4:19

A melancholic indie folk song in the key of C minor, featuring a female vocalist with a breathy, ethereal tone, The tempo is slow, around 60 BPM, The instrumentation includes a clean electric guitar playing arpeggiated chords, a subtle bass guitar providing a foundational rhythm, and a light drum kit with brushes, emphasizing a soft, understated feel, The chord progression is primarily C minor, G major, A minor, F major, creating a sense of longing and introspection, The song structure follows a verse-chorus format with an instrumental bridge, The melody is simple and repetitive, enhancing the dreamlike atmosphere, Production elements include a significant amount of reverb on the vocals and guitar, creating a spacious and atmospheric sound, The mix is balanced, with the vocals prominent but blending seamlessly with the instrumental backing, There are no prominent solos, but the guitar provides delicate fills between vocal phrases, The overall mood is reflective and slightly somber


