VISION - REFUEL (French House / Nu-Disco)
The second release from French House project VISION, exploring fresh new sounds and even sexier energy.
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12 songs
3:17
Nu-funk and disco-pop track at 120 BPM in E major, The arrangement features a syncopated slap bass line that locks with a tight, dry drum kit, Clean, rhythmic electric guitar performs muted 16th-note scratches and staccato chords, A bright brass section provides punchy stabs and melodic flourishes, High-pitched, energetic male vocals lead the track, supported by layered group backing vocals, A synth lead with a slight filter sweep appears during instrumental breaks, The production is polished with prominent compression on the drums and a wide stereo field for the percussion and backing vocals
3:49
Nu-disco and synth-pop track at 120 BPM in G major, The arrangement features a prominent slap bass line playing syncopated sixteenth-note patterns, A clean, funk-style electric guitar plays muted rhythmic scratches and staccato chords, The drum kit uses a tight, dry snare and a consistent kick drum, Bright, polyphonic synthesizer pads provide harmonic backing, while a lead synth with a short decay plays melodic fills, Male vocals are delivered in a tenor range with frequent use of falsetto during the chorus, The production is polished with light compression on the master bus and subtle reverb on the vocal track
4:43
Nu-disco and synth-pop track at 120 BPM in the key of E major, The arrangement features a prominent slap bass line that syncopates with a four-on-the-floor kick drum and crisp backbeat snare, Bright, arpeggiated synthesizers and rhythmic electric guitar mutes provide harmonic texture, A male tenor vocal delivers melodic lines with occasional falsetto flourishes, The production uses sidechain compression on the pads and rhythmic gating on the synth leads, Shimmering digital reverb is applied to the vocals and snare, The track includes a breakdown with filtered synth sweeps and a build-up featuring a snare roll before returning to the full groove
3:14
Progressive house track at 128 BPM in G minor, The arrangement features a prominent arpeggiated synth lead with a bright, plucked timbre and a short decay, A deep, sidechained sub-bass provides the low-end foundation, pulsing in sync with a four-on-the-floor kick drum, The percussion includes crisp, high-frequency hi-hats on the off-beats and a sharp snare on beats two and four, Atmospheric pads with long release times create harmonic depth in the background, A secondary synth lead with a saw-wave character enters during the build-up, utilizing a high-pass filter sweep and increasing resonance, The track employs rhythmic white noise risers and snare rolls to transition between sections, The mix is clean with significant compression on the drum bus and wide stereo imaging on the melodic elements
3:53
Nu-funk and pop-rock fusion, Features a prominent slap bass line, syncopated electric guitar scratches, and a driving drum kit with a crisp snare, A bright brass section provides staccato stabs and melodic flourishes, Male vocals alternate between rhythmic, rap-like delivery in the verses and a melodic, high-register belt in the choruses, Synthesizer pads and occasional filtered sweeps add texture, The tempo is 115 BPM in the key of E minor, The arrangement uses frequent stop-start dynamics and rhythmic unison hits between the bass, drums, and horns
3:14
Nu-disco and dance-pop track at 124 BPM in G major, The arrangement features a prominent slap bass line playing syncopated sixteenth-note patterns, A bright, funky electric guitar performs rhythmic muted strums and occasional melodic fills, The drum kit uses a crisp snare and a consistent kick drum, Synthesizers include a shimmering polyphonic pad and a lead synth with a resonant filter sweep, Male vocals are layered with harmonies and processed with light pitch correction and short delay, The production uses sidechain compression on the pads and bass to create a pumping effect synchronized with the kick
3:29
Progressive house track at 128 BPM in G minor, A side-chained synth pad provides a rhythmic pumping effect against a four-on-the-floor kick and crisp open hi-hats on the off-beats, A staccato, plucked synth lead plays a syncopated melodic motif characterized by short, percussive envelopes, The bassline consists of a deep, sub-heavy sawtooth synth that follows the root notes of the chord progression, Periodic white noise risers and filtered synth sweeps create transitions between sections, A secondary lead synth with a bright, resonant filter enters during the peak, playing a more sustained arpeggiated pattern, The percussion includes a sharp snare on beats two and four, layered with occasional clap accents and a subtle shaker loop providing sixteenth-note movement
3:22
Nu-disco and dance-pop track at 124 BPM in G minor, The arrangement features a prominent slap bass line with syncopated sixteenth-note rhythms and a bright, percussive attack, A four-on-the-floor kick drum and crisp snare on beats 2 and 4 drive the rhythm, complemented by sixteenth-note closed hi-hats, Staccato electric guitar scratches provide rhythmic texture, Synthesizers include bright, brassy stabs and shimmering polyphonic pads, Male vocals are processed with light compression and subtle pitch correction, featuring a mix of chest voice and falsetto ad-libs, The production uses sidechain compression on the pads and bass to create a pumping effect against the kick, Occasional filter sweeps and white noise risers transition between sections
3:04
High-energy dance-pop with heavy EDM and synthwave influences, The track features a prominent four-on-the-floor kick drum, a driving synth bassline, and bright, layered sawtooth synthesizers, A distorted electric guitar provides rhythmic stabs and melodic leads during the instrumental breaks, Male vocals are processed with light saturation and compression, The arrangement includes frequent filter sweeps, riser effects, and sidechain compression on the pads, The tempo is 128 BPM in the key of G minor
3:12
Progressive House, A bright, sawtooth lead synth plays a syncopated, rising melodic hook, A deep, sub-heavy synth bass follows a steady eighth-note rhythm, The percussion features a crisp clap on the backbeat, a high-frequency open hi-hat on the off-beats, and a driving four-on-the-floor kick drum, Shimmering white noise risers and filtered synth sweeps create transitions between sections, A secondary plucky synth melody enters during the breakdown, utilizing a short decay and heavy delay, The track is in the key of G Major at 128 BPM
4:20
Contemporary R&B and neo-soul track at 90 BPM in the key of E major, The arrangement features a clean, chorus-drenched electric guitar playing jazz-influenced chords with occasional melodic fills, A deep, rounded electric bass provides syncopated movement, locking with a crisp drum kit characterized by a tight snare and prominent hi-hat patterns, Smooth male vocals alternate between a warm chest voice and a light falsetto, Subtle electric piano chords add harmonic depth in the background, The production is clean with moderate reverb on the vocals and guitar, maintaining a spacious, intimate mix
4:17
Modern hard rock with electronic elements, Distorted electric guitars play palm-muted rhythmic patterns and wide power chords, A synth bass provides low-end weight, while a drum kit features a punchy snare and aggressive kick patterns, Lead vocals are male, ranging from melodic baritone to high-energy belts with light saturation, Electronic textures include filtered synth sweeps and staccato arpeggios, The track features a driving 4/4 time signature at 150 BPM in the key of D minor